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Kiwi

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Everything posted by Kiwi

  1. Kiwi

    Scoopbasses

    ...bish bosh bash.
  2. lol looks like a nice bass but what's securing the neck? Brass nails?
  3. [url="http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ssPageName=STRK:MESELX:IT&item=320318873997"]http://cgi.ebay.com/ws/eBayISAPI.dll?ViewI...em=320318873997[/url] I've stuck it on Ebay...
  4. [quote name='Gwilym' post='330051' date='Nov 16 2008, 12:25 PM']I played this [url="http://www.thebassgallery.com/overwaterpercp5.html"]Overwater Perception 5[/url] at the Gallery a few weeks ago and really liked it - a really nice sounding bass, and very comfortable to play apart from the neck and string spacing which was a bit wide for my tastes so I didn't play if for long. Really worth a play though if the neck works for you. I tried it out through a Mark Bass F1 into a Schoeder cab.[/quote] Hehe, how tastes differ? After having Overwater recommended to me by a number of independent sources, I tried the same bass and put it back in the bag. I wasn't that impressed with the pickups. The black headless Sei 4 they have in is a corker though, incredibly low action, lots of bark and a lovely feel. If it had been a 5, I would have snapped it up.
  5. [quote name='Rowbee' post='332571' date='Nov 19 2008, 07:34 PM']Right, I've checked it out... It's not an unpleasant smell, in fact it smells nice and clean and I guess that's all I have to say about it. [/quote] Well that's a bit disappointing. Have you considered a vigorous application of rhubarb stalks?
  6. [quote name='Telebass' post='332262' date='Nov 19 2008, 01:21 PM']Headless? Hmmm...If I could have a 'modern' bass, it would be a Status S2 headless. With a single passive P pickup. That, I would step up for.[/quote] It can be done, if you ordered a Status Smart bass.
  7. I had one until recently, it hummed so much I could play along with it. What sort of odour are we talking here? Slight hints of turps and blackberry flavoured gravalax, with the finish of freshly thrashed celery? It could be a selling point...
  8. chaps, my [url="http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem&item=320318873997&ssPageName=ADME:X:AAQ:GB:1123"]Trace brochure[/url] could help resolve discussions like this
  9. [quote name='mike257' post='332030' date='Nov 19 2008, 12:26 AM']Good, innovative design is surely about presenting a solution to a problem. When Leo set about assembling the electric bass, it wasn't to pass the time on a quiet Sunday afternoon. He recognised the problem, and attempted to solve it, and solved it pretty damn well. The reason all the radical innovations since then have failed to revolutionise bass design is because they were solutions looking for a problem, or the problem was too small. Innovation in bass design, when it comes, will be driven by necessity. As much of an achievement as the Stick or the ever-growing ERB might be, and I do believe they are, in most mainstream musical contexts they just aren't in the picture right now.[/quote] Thats the point I was making and was also made by LWTait. The design of the bass as it currently stands is more or less fit for purpose - definitely flawed but more or less OK. There isn't sufficient market demand to drive a change in conventions. For there to be any significant paradigm shift, there needs to be a major driver either by technology or market demand.
  10. Butt ugly body shape and the tone can be a little honky for some but there's no denying the effortless playability of these instruments. As good as Alembic or Fodera (IMO).
  11. [quote name='Leowasright' post='331681' date='Nov 18 2008, 06:16 PM']It's mainly down to the fact Leo Fender got it pretty much right in 1950/51 and got it almost perfect in 1960 (my biased view). 58 years later the electric bass that Leo Fender designed/invented is pretty much STILL what bass players want. At the time (1950) the instrument was pretty darned revolutionary... Think on....[/quote] I think Leo didn't get it 99% right and I think its a mistake for anyone to idolise Leo Fender. If the bigger picture is taken into consideration he was just one of a succession of designers contributing to a gradual evolution in MUSICAL INSTRUMENT design. He an adapted existing idea (the solid body guitar designed by Les Paul) into a different format. Les Paul did exactly the same thing in taking a hollow body instrument and redesigning it so it was less prone to feedback. Ned Steinberger took the standard conventional layout of a bass and made significant improvements in making it headless (which he also adapted from existing ideas elsewhere). Regardless of marketability, I think headless instruments are the most significant improvement in bass guitar design in the last 40 years. Its an incredibly elegant solution to a number of playability issues. So what if it doesn't look "right"? Lets be clear that this is just a question of taste, not functionality. Tastes, as we all know, change like fashion. The prominence of the Fender bass was thanks mostly to producers and sound engineers in the 60's and 70's preferring those instruments as an industry standard to make eq'ing easier and that is what has led to the legacy in music we have today. Fact is, all these people are all standing on the shoulders of giants. No single person is a genius or made a giant leap, they're all part of a process of adaption and evolution. Its Darwinism.
  12. hahaha, ok if he's telling porkies, maybe I will withhold Jon's posh coffee supply until he surrenders.
  13. Forgot to mention that Jon said he plans to let the bass grace the home page of the shuker website for a bit too.
  14. [quote name='Paul Cooke' post='326716' date='Nov 11 2008, 01:25 PM']Basstalk (the American based website) have a preferences facility to select only certain forums in which to "search" for new posts... this means that the vast majority can be filtered out by the user to suit his/her tastes... (you just need to be a member to use that, not a supporting member)[/quote] It's possible to subscribe to forums here as well. Go to the pull down menu in the top right hand corner when you are viewing the forum and click on subscribe. [quote name='Currrls' post='330862' date='Nov 17 2008, 06:03 PM']What about an IRC channel. don't know if anyone uses them already but it might work[/quote] I used to be an avid IRC user before Bassworld. I personally like the idea of a dedicated channel but its harder to manage and if more than 10 members are using it heavily then its hard to track conversations without going to private rooms. Also if an IRC channel was too popular, would it drain interest from the rest of the forum?
  15. hi chris, welcome aboard
  16. [quote name='LWTAIT' post='330773' date='Nov 17 2008, 04:27 PM']its a problem i had in my graphics coursework, that you had to give a reason why you were designing what you were designing. there had to be gap in the market or a problem with the original product. their isnt either of these things with bass.[/quote] that's what I was hinting at, too.
  17. [quote name='Prosebass' post='330735' date='Nov 17 2008, 03:41 PM']Granted uprights still sell alongside modern basses and I love EUB's having owned a Framus but I would love to see a different "mindset" in how bass design could go forward.[/quote] Like this? [quote name='Prosebass' post='330733' date='Nov 17 2008, 03:33 PM']Thats what I'm getting at, can it be improved ? The Precision and Jazz are design Icons having lasted 57 and 48 years respectively. Does this mean we are all ultra conservative or that the original designs were so good ?[/quote] Lets not look at the bass guitar in isolation, the original designs were an improvement on earlier guitar ideas too (including those by Les Paul). Have recent innovations I've already mentioned been successful? Sure to a certain extent, we still have instruments with graphite necks and laminations and active circuits and headless designs and fanned frets and 15 degree twisted neck and vibrato bridges and onboard tuners and stereo circuitry and optical pickups and neck LED's. Put all those together in one instrument and compare/contrast it to Leo's Fender P. How does that stack up in terms of design? And then lets consider whether that instrument is MARKETABLE? If it doesn't sell but is still innovative, is it successful?
  18. There's a certain performance envelope for any piece of design that is based around fitness for purpose. So long as the bit of kit does what its supposed to and doesn't cause more problems than it solves then there's little reason for its to evolve. Any attempts to force it to evolve are often meaningless in the long run. Sales hype, decoration or otherwise frivolous features often masquerade as innovation (tm) (pat. pending). Usually the most significant way in which otherwise stable design ideas develop is with the advent of new technology eg. graphite composites, or new manufacturing techniques, eg. laminated necks or the use of NURBS modelling in CNC milling. Ergo, you could also say the precision bass shares 100% of its design with a guitar. The only thing fundamentally different is the scale.
  19. [quote name='OldGit' post='330350' date='Nov 16 2008, 11:18 PM']However, at least in the old workshop, his coffee leaves a bit to be desired .[/quote] Still? Even after I got him a kg of single estate bourbon coffee and a link to a website where he can get more? Has he got a mini fridge yet so the milk doesn't go off? I'll probably end up having to give him that as well. Jeez the things I have to do for a decent cup of coffee...
  20. Thanks Andy, I took the basses in to Alex on Friday, so if anyone fancies a go on them...
  21. [quote name='Ou7shined' post='329737' date='Nov 15 2008, 05:27 PM']Here's hoping. I'm kinda limited though as I only like natural or black. I don't fancy any of the coloured ones - maybe a Blue Dawn but they never come up.[/quote] [url="http://www.gumtree.com/london/75/29305875.html"]http://www.gumtree.com/london/75/29305875.html[/url] Probably better not let this one get away then...?
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