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Kiwi

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Everything posted by Kiwi

  1. Still waiting for responses to my PM's about postage costs.
  2. I'm still waiting for a response from you Matt.
  3. OK Heroine Diaries has gone. Mrs Tinman is getting me the postage for the Croc diaries but I've had no postage yet from anyone else. And in particular no response to repeated PMs I've sent to Overwater#1. I've wrapped all this stuff up in bubblewrap and packing paper order to get postage costs and that took the best part of an afternoon.
  4. [quote name='The Burpster' post='323758' date='Nov 6 2008, 09:46 PM']CK, What is it about Steinies? I'm attracted to 'em like a moth to a naked bulb..... [/quote] For a moment there Bob I thought you were talking about Steinlager. They're still very novel I think and a unique combination of radical features and practicality. (Although obviously the lack of a body was a problem for some but thats because size priorities had been placed marginally ahead of comfort. Although this was later addressed with the M-series, I think the M-Series might have actually been a better introduction model). I'd suggest this bass is a master piece of industrial design and deserves to be considered up there with the best.
  5. [quote name='ARGH' post='323692' date='Nov 6 2008, 07:45 PM']And ,If I recall,was threatend with legal action,because the license was not renewed. And had to again be re-renewed when Spector regained the rights to his company and patents.[/quote] Indeed, so lets be clear that [i]technically[/i] its not stolen at all because there [i]are[/i] sufficient differences between the shapes. It's just that [i]in your opinion[/i] the shape is stolen. I don't think you don't make that clarification often enough in what you post. Besides which lets not forget Fender clones, Behringer, Status clones, Pangborn borrowing the Jaydee shape which was borrowed from the Alembic Series 1/2, then Alembic used the Fender Dual Showman preamp design which was borrowed in turn by Trace Elliot and then Hartke, blah blah blah.
  6. Fantastic! A design classic. I'd love to have it, just bad timing for me Can I tempt you with a left testicle? (Only lightly chewed).
  7. [quote name='ARGH' post='323655' date='Nov 6 2008, 06:42 PM']Yeah,That ran through my head too? Has Hans AGAIN stolen an idea/design?[/quote] If you're referring to Hans Wilfer stealing the Spector shape, he actually licensed the body shape from Stuart Spector originally. If not, which shape were you referring to?
  8. lets get in there and spend our dosh.
  9. Certainly some unprecedented porn there. I don't know of another place that has such a high proportion of high spec instruments in its stock.
  10. This bass is sold to a fellow Musicman Cutlass afficionado, subject to full payment.
  11. [quote name='alexclaber' post='323205' date='Nov 6 2008, 08:43 AM']Maybe in your experience but your experience is clearly too limited! This cab can produce far more low frequency output than any non-neo cabs of similar size let alone weight: [url="http://barefacedbass.com/thebigone.html"]http://barefacedbass.com/thebigone.html[/url] Alex[/quote] I thought we had a policy on this forum about commercial promotion?
  12. [quote name='drthirkenstein' post='323162' date='Nov 6 2008, 03:07 AM']in my experience neo speakers cant produce any where near the same levels of low frequency as the heavy buggers. as a general rule the heavier your equipment the better it sounds! besides its character building![/quote] neo cones have a slight mid hump to them. Its probably that emphasis that you're hearing rather than a lack of anything else.
  13. [quote name='peted' post='322709' date='Nov 5 2008, 03:10 PM']We have our winner! Sorry, no prize I think i'll add everything else you've put after to the spec as well. I wonder if I did that whether Jon will ever speak to me again?[/quote] He would be howling for my blood. Custom features are both a blessing and a curse for him. He doesn't make a lot of money on the additional features people request and the extra time he spends doing them suck up any earnings he had from making the instrument. However the custom bits do provide him with some interest outside the normal models.
  14. [quote name='thedontcarebear' post='322665' date='Nov 5 2008, 02:01 PM']Buzz Feiten or something?[/quote] Oooh a GUESSING game. Goody goody goody, now let me see... A Status bendwell? A Kubicki drop D extension? A kahler whammy? An onboard valve preamp? A fanned fret fingerboard? An onboard directional air conditioning system for one-foot-on-the-monitor bass solos? A Dalek voice impersonator? A novelty, flavoured, crushed ice dispenser? A 12v powered mini fridge? A combination marital aid/grasping tool/sink plunger with advanced Quantum X (tm) technology for the closest shave ever?
  15. I use a [url="http://www.primrose-london.co.uk/truck-best-garden-trolley-there-p-17.html"]tri truck[/url]. It's superb over rough ground and can convert into a flat bed trolley too.
  16. Using flash isn't a problem if you are sensitive to the range. Not too close and not too far and make sure there are no obstructions in the foreground to light up.
  17. Hi Aljan, welcome. Those Hevos amps are supposed to be superb. We've had small chats about them already here.
  18. Well I heard today that the "sure thing" job offer that I was expecting has instead turned into a total u-turn and the reasons aren't clear at all. So unfortunately I have to pull out because the cash is going to be more useful than ever now. Good luck with the sale though Scott.
  19. [quote name='cd_david' post='322108' date='Nov 4 2008, 07:49 PM'][size=6]BUGGER![/size] Just bought a 20th Anniversary You want to swap????[/quote] Coincidentally, I was looking for a 20th Ann. and I took a look at the NAMM Stingray too before I bought the Cutlass. I'm probably sorted for stingray sounds for the forseeable with the mongrel preEB which I'm keeping. Thanks for the offer though mate.
  20. I know there are people who prefer lined boards and I completely understand why. But lines or not, you end up depending on your ears and muscle memory for accurate intonation eventually. Its not impossible if you have enough patience, and a clear sounding backline that isn't over effected or woolly sounding. [quote name='paul h' post='317819' date='Oct 29 2008, 06:33 PM']Are you angry enough to swap both basses for one SX jazz and then post the fact at the offending forum?[/quote] I wondered last night what his reaction might be if someone ever sent him a headstock in the post.
  21. [quote name='elom' post='321498' date='Nov 4 2008, 01:50 AM']This is the only headless I've ever hankered after. Can't find any of the buggers mind you... [attachment=15565:AXB50BK.jpg][/quote] I saw one for sale on a Philippines auction site a couple of weeks ago.
  22. The first is a Cutlass I with a FACTORY FITTED three bolt neck and through body bridge. The neck date is 1984 and the body stamp is 1979. This bass was sold through a store in Florida as part of a Cliff Williams clearance (I have a PDF of the original listing on the shops website claiming its provenance). I've tried contacting AC/DC directly to confirm the provenance but had no reply. Cliff's home address is still on the case so if the eventual buyer happens to be in Florida at any point maybe they could pop round for a beer and watch a game. I'm reliably informed that there are maybe only 5 Cutlass I basses known with these preEB features. There were only an estimated 600 Cutlass I basses made before production ceased. This instrument is in reasonable condition although Cliff has put a few knocks, chips and scratches into the bass thanks to his chunky belt buckle! But hey, thats all part of the mojo, right? If it ships internationally then normally I ship via FedEx for international freight, its a little pricier than some but they've been 100% reliable for me in the past and have been so quick that not even UK customs have noticed wink.gif. I think the record for an express delivery to me from the US was 36 hours. If you want to use a different courier, you're free to do that but at your own risk. Any interested parties are invited to make me an offer on the instrument by the end of this week. However Alex has told me what he thinks he could get for them on consignment so if any offers fail to beat that, I'll probably take my chances with the consignment route.
  23. Like the Cutlass I, it has a 1984 neck date but also a 1984 body stamp with a more typical 4 bolt neck. It's finished in white and is also completely stock and original as far as I'm aware. For a long time this was my main gigging 4 string as it can do a passable p-bass sounds as well as the classic stingray sound. The neck pickup by itself has a really nice, flabby, funky tone to it. However the Cutlass I definitely sounds beefier. The pick up selector switch offers a combination of sounds based not only on the pickups but also the coils within each pickup. Its in pretty good cosmetic condition considering its age, probably hasn't been gigged that much. There are maybe a handful of small dings in my estimation none of which are chips. There were an estimated 300 Cutlass II basses manufacturered so this is a pretty special bass too. This bass does not currently have a hard case but I will sort out something after the bass is sold. If it ships internationally then normally I ship via FedEx for international freight, its a little pricier than some but they've been 100% reliable for me in the past and have been so quick that not even UK customs have noticed . I think the record for an express delivery to me from the US was 36 hours. If you want to use a different courier, you're free to do that but at your own risk. Any interested parties are invited to make me an offer on either instrument by the end of this week. However Alex has told me what he thinks he could get for them on consignment so if any offers fail to beat that, I'll probably take my chances with the consignment route.
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