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Kiwi

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Everything posted by Kiwi

  1. [quote name='david_l_perry' post='211588' date='Jun 3 2008, 09:49 AM']ETS-MK III Headless, rounded, 5-string Bass bridge (15mm spacing as my status)[/quote] Are you sure about that spacing? Status basses usually have spacing around 18mm. Even my Alembic only has 16mm.
  2. [quote name='Sugden' post='211010' date='Jun 2 2008, 11:20 AM']Alans seems pretty happy to tweek his designs according to customer prefrences.[/quote] I'll make a note of that for future reference.
  3. [quote name='Jean-Luc Pickguard' post='210738' date='Jun 1 2008, 08:28 PM']I don't know what I was thinking when I sold my Deep Impact [/quote] Don't despair, the values of the Deep Impact pedals will crash as soon as someone comes up with something better.
  4. I'll take the guitar off your hands I was just reading about this stuff the other day and this is an opportunity to whet my curiosity.
  5. [quote name='silverfoxnik' post='210785' date='Jun 1 2008, 10:00 PM']That's only 7 miles from where me and Walman live CK so you could've popped in for some tea!! Still, being Bognor, I think you did the right thing!![/quote] [quote name='WalMan' post='210822' date='Jun 1 2008, 10:51 PM']Amen to that [/quote] Hehe, well the rest of the band told me I didn't miss out on anything much. We were playing at a festival there apparently. Next week I'm in Sparsholt, near Winchester if anyone's around there?
  6. [quote name='beerdragon' post='210625' date='Jun 1 2008, 05:36 PM']I aint going to bother doing a revue of the plough inn after crazykiwis gigs. [/quote] Heheh, awwwww go on.
  7. I gig regularly with my Akai Deep Impact. Patch 1 gets used for Chaka Khans 'Ain't Nobody' and the chorus/breakdown in Outkast's "Hey Ya" uses Patch 9, the Moog squelch.
  8. Might be an idea to keep it a secret from ped
  9. We're in the middle of our crazy season right now. A gig virtually every week right through til September. This week we had 4 gigs but one of them was in Bognor on a Friday and there was simply no way I was going to make soundcheck or even the start of the gig. So I depped it out. So, last Saturdays gig (a bit late I know but there we go) was at Penshurst Place just outside Tonbridge. Its a rambling country pile with various extensions and added-on bits that span the ages dating back to the 13th century We got there and the staff were reasonably helpful and I even had a short chat to her ladyship as she was helping to order people about. The hall we were playing was the large Barons Hall and immediately things weren't ideal as we discovered the best area for the stage, on a raised dias, was on the opposite side of the room from the dancefloor. We looked into setting up by the dancefloor but there was no way that we could have managed to squeeze 10 people in. So we were playing about 15m away from the punters. Not good. This is the view from where we were to the other end, where the punters were. Plus they'd forgotten all about our bottled water and food so we sauntered down the pub and had a meal there instead with the clients agreement. We've invoiced him £195 for that. The crowd weren't that involved, almost as if people were really there out of a sense of duty because half of them left after the meal! Anyway we had two deps on guitar and drums and basically we sounded like sh*t because both were missing cues through most of the songs. The guitarist was busking his way through and the drummer normally played with a metal band so he was a lot heavier than our regular drummer. At one point we started playing Higher and Higher and the guitarist didn't come in 4 bars after the bass so we sat on the groove for another 16 bars while everyone glared at him while he tried to figure out what he needed to do. Eventually I shouted to the singer 'just sing' and off we went. Left a few puzzled looks in the crowd though. Turns out that the caters had their share of problems too with the client leaving things until the last minute. On Tuesday we played the Cafe de Paris just off Leicester Square. Man that place SMELLS! Its very gaudy and baroque inside but we had excellent on stage monitoring which was a bonus. The soundman was great to work with and we managed to set up and sound check inside 90mins (we didn’t need to bring a PA or lighting this time). The party was for a property company to celebrate the 60th birthdays of both the directors and what struck us about this crowd was they were all up for a laugh. Many of them had gone to a lot of trouble to dress up for the late 60’s fancy dress theme. What was great however was that we had our regular drummer and guitarist back and we kicked ass on stage. Tight as Gordon Brown caught between a Morie poll and Bank of England interest rates. Every note was There, all the changes were smooth and the punters went crazy for us. On Friday we played a gig in Bognor but I couldn’t make it because of work commitments. But last night we played a wedding in Bosham, just over from Chichester. We were inside a marquee on Quay meadow for the marriage of a couple of 20 somethings, a large party of their mates and family. The crowd at this gig was even better than Café De Paris, there was no warming up. They were straight out on the dance floor the moment we started playing the first set. Slightly more mistakes on our part than the Café de Paris gig because but nothing too noticeable. At the end of our second set, the crowd went completely mental – it was like being at a rock concert. The girls just stood there grinning sheepishly but loving the attention. They toyed with the crowd a bit and mentioned we were undecided about an encore only for someone from the back of the crowd to yell "PLAY ANYTHING, BUT TURN UP THE BASS!!" The whole room cheered their approval and then we launched into our encore "Think" only to be met with more cheers after we finished. So we played them a slower encore 'Take Another Piece of My Heart' to finish the night off. Awesome, hope we get more gigs with mad but up-for-it punters like that.
  10. [quote name='bilbo230763' post='209687' date='May 30 2008, 03:27 PM']Chaka Khan's 'Ain't Nobody' (all beat and no groove),[/quote] In my band we make it groove. In fact I think its got a pretty cool syncopated bass line. Certainly it's challenged the whole band in trying to play it cohesively. The bassline needs spot on timing though, which I don't always manage to nail if I play it when I'm tired. [quote name='bilbo230763' post='209687' date='May 30 2008, 03:27 PM']This isn't about what the punters want. This is about doing the thing as superficially as possible and still getting away with it. Two rehearsals and you're gigging because you've all done it 1,000 times before.[/quote] For us as a band, it's not about the music so much as its about providing a setting for the punters to enjoy themselves. We're not getting away with anything if the punters don't enjoy themselves. Last Saturday we had our crappiest gig ever, but the punters still had a good time although the whole wedding was appallingly organised. On Tuesday we had our best gig ever, the punters went mental - it was like being at a rock concert. Same set both times. We've found the song choice is generally less critical so long as they hit the right mood. But its helpful to stick some new stuff in with the old stuff to broaden the appeal of our sets.
  11. I would volunteer our band for that gig (assuming we're affordable) but we're already doing a wedding that day. However, if you can PM me the details of your gig and the budget I might still be able to hook you up.
  12. Welcome, pull up a sofa and have a cold one. The footie's about to begin.
  13. For me, yes. When I plugged the Cutlass into the V8 and EBS 212neo and gigged it the first time it was hitting the g-spot quite nicely. G=groove BTW. Hopefully might get a similar reaction from the Shuttle 6.0, EBS and Smith bass.
  14. I'm fortunate in that (touch wood) I have no regrets about stuff I've sold on apart from one time when I sold a graphite necked stingray I had put together and it was snapped up in 3 hours. Should have whacked another £150 on that I think...
  15. [quote name='Youngatheart' post='206729' date='May 26 2008, 07:01 PM']Was that in the Medieval Hall? been out there many times through work, what was the sound like?[/quote] Yes the "Barons Hall" I think - the one with the chestnut arches and octagonal fireplace set in the floor? The sound wasn't brilliant but it was mostly the bass that was reverbing. The layout was dreadful though, they stuck the dancefloor at the other end of the room from the dias we were supposed to play on. Completely ruined the band-audience relationship. We felt like we were a side show.
  16. i like the grain of those hi fi speaker cabinets.
  17. [quote name='Youngatheart' post='206572' date='May 26 2008, 02:36 PM']I haven't put any price because I honestly don't know the current value of a V4 therefore I'm open to sensible offers. Obviously due to its weight it has to be collection only, I live in Tonbridge, Kent.[/quote] Lovely amp, I have a V8. I was gigging at Penshurst Place on Saturday night with the V8 in fact. Could have popped in to say hello
  18. Look what I found: [attachment=9049:0006open.jpg] [url="http://www.musicgadgets.net/2006/12/27/scott-french-travel-guitar/"]http://www.musicgadgets.net/2006/12/27/sco...-travel-guitar/[/url] Looks a lot like the Status Streamliner.
  19. nobody loves a fairy when they're forty.
  20. [quote name='loafer' post='206353' date='May 26 2008, 09:17 AM']My amp is a locally made 12" 100w combo, very cheap but I love its clear sound reproduction.[/quote] Mmmm, do you have any pics to share?
  21. I'd like to know what this guy did to deserve such an abrasive and unwelcome response? Whats so f***ing difficult about being nice to people?
  22. I had a play through an identical rig on Tuesday. Very nice! Have a bump.
  23. Modulus and barts are a lovely combination. They compliment each other nicely. Good luck with the sale.
  24. Kiwi

    Rig Porn

    I can't see a reason why not.
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