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Everything posted by Kiwi
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lol I have to confess, I showed Ped OnlyBass.com last night because he's into French basses. I've been lurking on your site for a while. Welcome Nuf!
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welcome back Si, what kept you away so long?
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[quote name='dr.funk' post='47926' date='Aug 20 2007, 08:28 PM']Can you advise me on some albums to purchase for essential listening?[/quote] The [url="http://www.amazon.com/Prince-Rave-un2-Year-2000/dp/B00004Y2QS"]Rave Un2 The Year 2000 [/url]DVD was filmed at the Paisley Park sound stage and its a good performance. I really liked the [url="http://www.amazon.com/Prince-Live-Aladdin-Las-Vegas/dp/B0000AVHDC/ref=pd_sim_v_title/105-2965997-6370060"]Live at The Aladdin, Las Vegas[/url] DVD as well. I can take or leave his greatest hits but the good thing is that both feature funky jams which are the real reason I like Prince. He's the only one really pushing the musical boundaries of pop performance in this way. Beverley Knight gave it a good try the other night though.
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My custom jaydee jazz looked the shizzle. My spec My parts sounded crap My fault.
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Hi Igor, [quote name='MileBG' post='47361' date='Aug 19 2007, 01:26 PM']and after all these years I find myself satisfied with Fender Marcus Miller Jazz Bass![/quote] You say that you're satisfied at the moment, but you're HERE now... You might need one of these for the G.A.S. you may experience through using this site: Welcome aboard!
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[quote name='P-T-P' post='47459' date='Aug 19 2007, 06:16 PM']THis is an exquisite instrument, that is utterly loaded with tone and which plays like a dream. Apart from the obvious good looks, it is far lighter than you would imagine and after a brief initial stumble over the extra string, I found myself whizzing about like I'd been playing 6 all my life.[/quote] [quote name='silverfoxnik' post='47464' date='Aug 19 2007, 06:37 PM']It is a beautiful instrument that seems to make you want to play it more, almost as though there's something inherent in the design that makes you adapt and develop your playing.[/quote] Pete and Nik - Wow, thanks for the endorsement! It was great to meet you both yesterday too. With comments like that I hope the Smith 6 sells before I change my mind...
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[quote name='lukeward2004' post='47314' date='Aug 19 2007, 11:35 AM']Oh by the way - I owe someone my share of the room - can whoever organised it please PM me and ill sort you out with some spondooleys? Cheers![/quote] Me too - is paypal OK?
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[quote name='Hamster' post='47277' date='Aug 19 2007, 08:18 AM']You can come if you have a Tardis - please bring an air freshener and a +600w cab with jack connectors Hamster[/quote] LMAO!! Oh yes. BTW I had a go on this bass yesterday and I was very impressed with the sound - loads of firm mid range growl and strong sounds from both pickups, without any trace of boom or brittleness.
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[quote name='Oxblood' post='47192' date='Aug 18 2007, 06:54 PM']Really disappointed we never got to hear the V8, CK Next time, eh? Maybe by then I'll be able to bring the full VA350 rig and the two of us can have a mammoth ACME-vs-BFM Trace-Off! [/quote] Ken, how about I bring the V8 next time (cabs permitting) and a Burman AND the Mesa Boogie Strategy 400 power amp?
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I think your voice sounded pretty good mate, I had no problems hearing it.
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[quote name='ped' post='47213' date='Aug 18 2007, 08:42 PM']By the way kiwi, sort yer' captions out - its a Passion bass, not an Arpege ;0)[/quote] Noone cares about it mate, get over it.
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There's thumbo, Telebass and a few others as well based in Plymouth. You should all have a get together somewhere - it would be good to see some photos.
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[quote name='Sibob' post='47188' date='Aug 18 2007, 06:34 PM']No pics showing up for me dude! Yup, cheers for the play on the Smith, will write more of my thoughts of the bash later, just shooting off to my gig Si[/quote] They're working now.
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OK here are some photos from the SE Bassbash - the location of the venue was excellent! Top marks and thanks to OBBM for setting it up. It was nice to see some new faces and a load more players having a bash on the Smith 6 compared to the first time I brought it. One day I hope we'll be able to organise an impromptu jam! Don't tell the wife! He's supposed to be limiting his salt intake!! Hamster offered to bring his spiders in next time! He reckoned they got a bit excited by low frequencies! Dr Funk (aka Thebassistformerlyknownasfunky_bass_guy) gets nasty on the Vig Arpeige "Deltametal"(tm) fretless G-77 on MacDaddy's Shuker 6. I tried this bass and it was as punchy as a Jaydee! Made me rethink the spec for my own impending Shuker 6... In the meantime, MacDaddy had a go on my Smith... ...and so did Lukeward2004! The hardest man in Whitney showed up and put the lot of us in our place via the gift of sign language. I asked Si-Bob (right) to stand next to him but he was too intimidated. I think we all were coz once he'd stepped outside most of us left for home!
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I'm a former lefty drummer, converted to bass after wrist issues at the tender age of 14. Started in blues, then jazz/funk and dance covers. In the last few years I've settled in soul/rnb very comfortably. For 12 years I played a Jaydee MK until my career finally took off (thanks to a skills shortage) and then I was lucky enough to dabble in a few other instruments. Influences started with Adam Clayton and Herbie Flowers. Then I switched to a load of 80's bass gods like Jaco, Stanley Clarke and Mark King. The 90's sucked for me (which is when I played mostly jazz and my influences were Marcus, John Patitucci and other fusion players like Marc Johnson and Jonas Hellborg), then I listened to a load of Meshell N'degeocello, Bernard Edwards, Robbie Shakespeare, Nathan Watts, Norman Watt Roy and other groove players. Its been goin' on since then. Julian Crampton is one of my favourite players right now - he's just taken up the bass chair with Incognito. I was lined up for some lessons with him but he had a nasty habit of going off on tour and could never commit to a date...
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Hi Al, I'm still keeping the Smith 5's as my main basses for the forseeable future. The Smith 6 is a completely different beast and I simply don't have the facility to play it live yet. So I'd rather sell it to someone who can use it the way its supposed to be used. Jon's agreed to make a 6 for me that is more in line with how I'd normally use a 6 - ie for mucking about with at home for chordal work or to save me faffing about with a keyboard too much. I can take it out occasionally for a live gig if/when I get comfortable enough with it. If I ever reach that point then a matching fretless may well be on the cards too. After approaching a few makers for quotes, Jon's basses impressed me with their value for money and ergonomics. He had the Smith 6 for a few hours yesterday so he knows what he's up against in terms of sound. I asked him for a bass that sounds the same but with more prominent midrange. Whether that means using wenge laminates of 6mm or 12mm wide is up to him as the master craftsman. I'll let you all know how it turns out.
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What kills basses is when the instrument is being subjected to either extreme changes in temperature or humidity. In normal room temperatures your instrument will probably be OK. Just keep it away from direct sources of heat. In the US keeping a bass overnight in a car during a winter frost (say any temperature below freezing) and then taking it into the house (heated to 22-25 degrees C) the morning after can cause the wood to relax faster than the finish resulting in cracking (which is why you sometimes see the linear crazing on some older basses with cellulose or nitro finishes). Condensation can cause the wood to swell unevenly also which may make the instrument warp. But the chances of this happening are greatly reduced if your instrument is completely covered with a polyester finish (ie no oil finishes). Finally, sometimes there are just inbuilt tensions in the wood that have not been released by adequate drying and there's not much anyone can do to avoid these apart from making sure you buy from a reputable maker. For example, some of the cheaper Parker guitars, the P38's and P40's have been experiencing problems with warped necks because of this maturation process. The wood for the necks probably wasn't dried out properly enough when first milled. I remember with my status necked Stingray after it came back from the Bass Gallery, that the neck was significantly bowed. The reason for this was that the bass had been stored in a cold room and the cold had caused the epoxy resin or even the truss rod in the neck to contract. It took 48 hours for the whole bass to relax again so that the action was half playable.
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I tried a very basic shuker jazz yesterday which was featherweight - he'd used white ash for the body. It had quite a bit of punch too.
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any takers? I'm calling the council on Monday...
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[quote name='overwater#1' post='46864' date='Aug 17 2007, 02:24 PM'] You know how much I love that bass Steve.. hey well.., good luck with the sale..!! [/quote] Thanks Matt - I hope it sells to a Basschatter, it would be nice to keep it in the family. I love the sound of this bass and nothing would make me happier than seeing it go to someone who can really exploit the way it sounds. [quote name='dood' post='46890' date='Aug 17 2007, 04:15 PM']I have that video... I really can't watch it seriously when he's pulling the 'face' lol lol[/quote] See? If you look like that you'll end up attracting Yamaha! Stand back baby! The Yamaha players got their mojo workin'...
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I think graphite neck manufacturers should stop mucking about with unnatural substances and get back to working with real living materials! Whats wrong with a nice bit of wood for a neck, hmm? There's no need to go pouring out all those air pollutants while sucking up oil reserves just for the sake of a fat B string!! There's loads of perfectly good wood sitting in the amazon and congo going to waste. Imagine all the time wasted on making plastic necks and basses so far, which could have been spent making more authentic vintage Fenders for example! For goodness sakes, there's not nearly enough of them on Ebay. If God had meant for us to work with plastics, he would have given us vacuum molding buttocks and xacto blades for fingernails.
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In order to make room for the Shuker Custom headless MIDI 6 which is heading my way at some point, I'm selling my beloved Smith BSR6GN. I probably don't need to describe the attention to detail and craftsmanship or Ken's reputation for no compromise in his quality control. Each bass is inspected and signed personally by him before leaving the factory. These basses are THE ultimate instrument for jazz-fusion, RnB and soul, but the warmth is such that the bass will sit in most genres happily and it records beautifully! Overall, the sound is completely different to anything else out there. Its warm, deep and growly in the lower and mid registers and the treble response is clear and sweet without being brittle. In the upper registers the instrument sounds very mellow almost like a flamenco guitar and it makes chordal playing extremely musical. The bass has NEVER BEEN GIGGED - thats right, home use and rehearsals only because I get confused by the number of strings sometimes and didn't want that to happen in front of a room full of punters! It was made in 2003, I bought it in 2004 and it features quilted maple facings on an unusual black walnut body core which gives is a crisp and clean sound with a full but not boomy bottom end. The 5 piece, graphite reinforced, through body neck is aged rock maple with bubinga laminates and a lovely, smooth carved cutaway heel. The neck is 34" scale, has 24 frets and is very flat which is also great for chordal work. Ken Smith uses many techniques that are employed in double bass construction so you can expect an instrument that is designed to last for years and can be easily repaired in the event of wear or an accident. The pickups are Smiths own passive humbuckers mated to a 9v Smith 3 band eq. and the frequency centres of each band are tuned to the characteristics of the bass. String spacing is 18mm at the bridge and the nut is 55mm wide which is very comfortable and easy to get around on. The action is very low and buzz free and the neck is free of any twists or warps thanks to that huge slab of ebony used for the fingerboard. Here's a couple of vids of John Patitucci playing an older Smith BT6 Custom, but the sound is almost identical to mine (although mine's probably warmer sounding though). Beautiful huh? It could be yours for £2000, no trades or offers thanks though because I need the cash! I can bring it to the SE Bassbash tomorrow if anyone asks but if it doesn't sell in the next few weeks before I put my deposit down on the Shuker, its going to go to the Bass Centre where their commission will be added on to the asking price. You also get the Smith hard case and lots of case candy such as brochures, allen keys, strap, duster, Smith polish and a packet of crisps.
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