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Kiwi

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Everything posted by Kiwi

  1. [quote name='BB2000' post='10399' date='Jun 1 2007, 09:39 AM']They can leave a bad imprint on the instrument finish around the edge of the guard, which can't be removed.[/quote] A bit of a rub down with wet and dry will sort that out.
  2. [quote name='bassjamm' post='10281' date='May 31 2007, 11:29 PM']A platent plug here...but i've got my Ken Smith BSRB Deluxe 5 up for grabs if you're interested?[/quote] Very, very few ever made in that charcoal finish too, according to Ken. Someone on the Smith forum has the 6 string version.
  3. [quote name='pete.young' post='10138' date='May 31 2007, 08:09 PM']Um. My Burman guitar combo has exactly the same transformers as my Burman bass head, and they both definitly cut it when it comes to 5 string basses. Generalise at your own risk.[/quote] LOL, you beat me to it!
  4. [url="http://www.smithbassforums.com/showthread.php?p=4567#post4567"]http://www.smithbassforums.com/showthread....p=4567#post4567[/url] I've posted something on your behalf on Ken Smiths forum.
  5. I smell a business opportunity for someone to make a separate website...
  6. [quote name='paul, the' post='9674' date='May 31 2007, 01:58 AM']and Bootsy Collins[/quote] Bootsy slaps I'm afraid.
  7. Kiwi

    Hi

    Hi Chris - welcome back to the forum. Use it up and wear it out because the only way is up. *A-ha* How much of the original line up are you playing with in Odyssey?
  8. Slaps just a technique like any other as far as I can see. If the music you play doesn't need slap then there's probably no need for you to worry about not being able to do it. (However every drummer I've played with likes the bass player to slap it up a bit during a jam.) Loads of name bassists out there who don't slap too Anthony Jackson Jeff Berlin Francis 'Rocco' Prestia James Jamerson Carole King Donald 'Duck' Dunn Bob Babbit John Entwhistle Jaco to name but a few.
  9. I'd love to be able to play with the facility of Dood. But it must take an astounding amount of self discipline and tenaciousness to reach that level, and then the standard has to be [i]maintained[/i] at that level by frequent practice and gigging. Much like slaphappygarry and OBBM say, I see "being good enough" is about having sufficient technical and musical facility to play what the song needs. The style of music I play isn't particularly demanding in terms of speed but I have to be super accurate with my timing (because often a neo-soul bassline I play won't come exactly in on the first beat in a bar) and make sure I don't push other musicians out by overplaying. I'm developing an ever greater awareness of what makes the song strong and playing bass is getting easier and less frustrating as a result. That involves using the notes to define the feeling and shape of the spaces inbetween (if I'm not riffing in time with the guitarist).
  10. I find the prospect of creating my own custom bass daunting, having already done it once and ended up with a bit of a lemon which I progressively modified into... ...a modified lemon. One bass would have to be all things to me and my tastes range from Jaydee to Smith to Musicman. Clearly an unreasonable request, so I haven't bothered. In terms of the sound in my head, only one bass has hit the spot (and its not a Smith) but the maker has told me he's not interested in making custom instruments unless he's commissioned on an hourly rate. I think I'd be more comfortable tweaking an existing design rather than starting from scratch.
  11. Kiwi

    Post counts

    Is it REALLY bugging you that much?
  12. if there enough of these factory tours around, lets post them here and i'll turn this thread into a sticky
  13. I'd say go with the Yamaha out of those you've given, if its the only bass you're going to use. Its a solid, well-built workhorse that won't let you down in a variety of gigging situations. Also consider the Status Groove 5 if you are considering a Stingray, they're outstanding value for money secondhand.
  14. I don't think it makes much of a difference personally, but I've done it anyway
  15. I remember posting this one on BT. Great vid, I moved it to Build Diaries BTW.
  16. Hey, you were the one who had been drinking the shirley temples, not me.
  17. [quote name='ped' post='8744' date='May 29 2007, 07:10 PM']I was playing musical chairs mate, I think it can be attributed to wishful thinking and a vivd imagination on your part.[/quote] I believe you were going commando under those chaps and threatening to sit on laps if they didn't give you a seat.
  18. It was your impersonations of the rape scene from Deliverance that did it.
  19. because you got me into the cowboy clothing thing.
  20. [quote name='ped' post='8735' date='May 29 2007, 07:04 PM']Kiwi has a jaded sexual appetite. Perhaps with your kind donations we can have him neutered[/quote] Yes please, neuter me. It would be the kindest cut with my rampant sexual appetite.
  21. [quote name='ped' post='8731' date='May 29 2007, 07:00 PM']and Kiwi tried to touch us too but we were anticipating that, so could run away.[/quote] You anticipated it because you asked and said there was fifty quid in it.
  22. Yep, I own a couple of them which are the newer, more powerful version and they lack for nothing (IMO). What I like most is that I have to decide what to take away from what I hear, not worry about what's missing like I had with the Eden, Trace and SWR heads I used to own. I've used them in gigs up to the Clapham Grand in size with no issues with volume at all. I can also use ALL my basses from the Alembic to the Smith 6 and get very consistent results. Pair one of these with the 210RBH (or even just a normal 2x10") and I get all the warmth plus LOADS of punch and growl at ear bleeding volumes. Have a bump mate
  23. [quote name='tinyviking' post='8311' date='May 28 2007, 09:00 PM']hee hee, haa haa, woo woo jibber <twitch>.[/quote] I like you, you're going to be my new best friend.
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