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Kiwi

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Everything posted by Kiwi

  1. Think I'm going to badger them about a bit more than that: 1) ADSR options 2) Envelope filter applied to individual steps 3) UI of the editing software - returns the user to the top level rather than where they left off after downloading/installing a patch. 4) Impact of form factor on connectivity + accessibility (ie. tap tempo button, patch change buttons and lack of MIDI ports)
  2. OK so another update. 1) Mimmotronics sent the modded pedal through but the EHX Freeze no longer freezes. Noone knows why but Mimmo has offered a repair at no cost to me. Now just have to wait until CNY is over before the post service is working again. Sigh. 2) Now that the family is housebound, I had a play around in depth with the editing options on the C4 and discovered that it may suffer from the same issue that the Moment Machine had. Two adjacent steps at the same pitch merge into each other and become one step of double length. I'm hoping ( @Quatschmacher) that there are some settings around envelopes that I've missed where I can assign an envelope to steps rather than to the whole sequence. Also, while I was trying to replicate some Stock Aitken Waterman basslines, I was starting to find the ADSR options a little limiting on the C4. It seems I can only choose from presets rather than set the curve. It makes dialing in some SAW sounds impossible as they used ADSR to fine tune filter responses.
  3. Ha hah! They're great instruments, highly underrated and very smooth sounding. They do a very, very convincing LP sound with a nice set of PAFs in. Whole Lotta Love is an absolute hoot to play. I guess you could even throw a set of SD P Rails in and have everything. I used to have three but one was a little brighter than the others so I sold it. The only thing that might top them for me would be a PRS Custom 22, but at nearly three times the price it would be hard to justify and possibly wouldn't sound as close.
  4. I've plugged my Yammies and Strats into my GB Shuttle 6 into fEARful 2x10 cabs and it sounded quite nice for cleans - almost JC120 but extra hi-fi. It was a little harsh for distortion though. I run a fairly clean and neutral bass rig.
  5. The tele tends to be fat and sweet with both pickups on and it carries a nice bite. Prince used one as a main guitar for this reason. But the strat gets a look in as well, with Nile Rodgers and pretty much anyone playing in the 4th position (Cory Wong, I'm looking at you). BUT...don't write the LP off. I'm not a fan of the LP body shape so I have a couple of Yammie MSG's instead and in one I replaced the stock pickups with jazzier/archtop type PAF by Aaron Armstrong. So on the neck pickup I can get some mellow stuff and on the bridge pickup I can still get some decent chunk with distortion on. For clean LP - Long Train Running, Play That Funky Music, most of the Brothers Johnson stuff, Brick House, a lot of Bobby Womack stuff, Tower of Power stuff, one of James Brown's guitarists used an LP...even the intro to the Theme from Shaft. You could even swap out the humbuckers for P90's for a fat sound with more single coil bite and be set up for the solo to Another Brick In The Wall (Gilmour played it on a LP with P90's)
  6. Town Like Alice - Jam Sex On Fire - Kings of Leon Let Me Entertain You (if there are keyboards) - Robbie Williams Crocodile Rock - Elton John Brass In T'Pocket - Pretenders Anything sung by the Blues Brothers
  7. It kind of does depend on the audience but the middle ground is probably pop hits from the last 10 years plus some blue chip funk standards or blues brothers tracks that mum and dad will recognise.
  8. Spector is selling to Korg. Sadowsky is licensing construction to Warwick (possible future buyout?) Smith has licensed construction to Brubaker. Pedulla has recently retired. Amptweaker is being sold to Alpha Distribution due to James Browns ill health. Anything else happening that hasn't been covered above?!
  9. Or Shuker, the finish is basically a rock hard polyeurathane.
  10. All I can say, as an former owner of three Celinders, is thank goodness it isn't a 5 stringer.
  11. Ibanez have consistently put together great designs and well specified instruments on paper. But I've tended to be a bit disappointed by how the through-necked Soundgear range sounded.
  12. Yeah I meant setting up the sensors on the bass.
  13. John is one of the best in the biz and he has a background in electrical engineering. I just hope IR are willing to part with the information needed to set the bass up properly. If they are, he'll figure out how it all works I'm sure.
  14. Well done, how are you going to manage the setting up of the bass to cater for your own technique and preferences?
  15. I had a gig at the Cafe de Paris one time and miraculously found a parking spot on Lisle Street close to the Hippodrome. Came back after the gig and found my car had been broken into. All the scrotes took was my GPS suction cup stand - they'd tried to jimmy out the radio but unsuccessfully. I took the detachable head with me when locking up. The screwdriver scratches in the dash were permanent though. The car was otherwise undamaged as they got access by popping the driver's side window out of the frame and when I filed the police report, I discovered the parking bay was in a CCTV blindspot, suggesting the thieves knew exactly what they were doing.
  16. I'm really fond of my Series 1. Really wish it was a 5 string but the only one I'm aware of with the same spec as mine is Jimmy Haslips. His sounds phenomenal.
  17. My family had a succession of siamese and oriental cats from when I was 11 through to 3 years ago. They're fantastic cats, very quirky and interesting, but a bit prone to health issues.
  18. This is precisely why I like them. Very comfortable for my 194cm frame. I agree about the price though and it looks like a weird Supernatural Calibas love mutant.
  19. We once had a gig at the top of the Gherkin (aka St Mary's Axe) in the City of London. The load in consisted of driving into the basement and lugging the PA and other stuff into the service elevator and it took multiple lift journeys to get everything to the top. Half way up we had to change lifts as for building code reasons, lifts aren't supposed to go higher than a certain number of floors. So we had to lug everything out of the first lift and into the second, which as a walk around the other side of the central lift cluster. THAT lift then only reached one floor lower than the place we were actually playing in. So everything had to be hauled up one more flight of stairs to the roof space. And the acoustics were terrible. An all glass dome meant frequencies were bouncing around like demented chimpanzees. Nice views though. Then, at the end of the gig, we had to do it all again but this time in reverse.
  20. I have found most pedals track better if a few criteria are met in the bass. The FI and SB1 both track single pickup basses with limited amounts of high frequencies and lots of mids better than other basses. So that vintage P bass or stingray are just the ticket. That Status Empathy with lots of fret noise probably won't be.
  21. Brief update - Mimmotronics eventually replied to my FB message and apologised for not seeing it sooner. An EHX Freeze with the wet only mod and soft arcade style button has been ordered - it's a cheaper alternative to the Gamechanger Audio pedal and I avoid paying for features I'm unlikely to use.
  22. I think what you are suggesting might be true with two conditions: 1) That the starting point was having an SY1000, which is different to where I am as I had already invested in half the pedals in the signal chain anyway, particularly the FI. 2) That there were alternatives to the SY1000, which as far as I can tell there aren't.
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