Kiwi

I love the look of these basses but could never get on with how so much wenge makes the bass feel dead in my hands. Came so close to owning one on a number of occasions. Nice score though - hope you enjoy it.

[quote name='Graham' timestamp='1486924215' post='3235585'] I believe Ebay being predominately traders and more private sellers on Gumtree was a deliberate business decision by Ebay, as they own Gumtree as well and wanted to seperate them that way. [/quote] This would be my perception too and my wife makes our living these days off Ebay exclusively. Gumtree is a load more hassle to shop from though if you're looking for something rare or unusual.

Looks quite nice. I did have doubts about the all maple construction, could make a semi acoustic bass sound a bit weedy. But the Fender Starcaster bass has a lot of maple in it too and it sounds pretty sweet. Wish they'd make a 5 though.

[quote name='dood' timestamp='1486929671' post='3235679'] I think it's easy to get 'crystal clear' confused with 'toppy'. The BF BB cabinets (for example) only reproduce what you put in to them, like a top quality PA. (Quite the opposite from coloured bass cabinets... [/quote] By contrast, I think the Big Baby is coloured. It's a subtle colouring but there's an upper midrange bulge and I thought it lacked clarity at least compared to the cabs I use. My cabs are coloured too but like a pair of headphones - a peak in the deep lows and crystaline but not brittle highs.

[quote name='Greg.Bassman' timestamp='1486839956' post='3234961'] Hi bakerster135. Thanks for your response. Yes, now that you mention it, I [i]do[/i] recall the 'Funkmaster' set. Do you reckon he is still using these then, or has perhaps moved on to something else since? [/quote] Status Hotwires these days.

It's almost certainly a dry solder joint. I've had the same thing happen in other bits of kit.

I suspect that the colouring of the Eden may have had an influence. They're a little scooped in the mids like SWR but not to the same degree. Technically they fantastically versatile amps, stereo, biamp, bridges mono, it can do almost anything apart from 16 ohm cabs. They fatten up brittle sounding basses nicely too.

I like every 5 string I own for slightly different reasons but they all sound great and have their individual strengths and weaknesses. The Spector is very growly but the pickups need to be swapped out with some that have a slightly more vintage sounding high end and it has a slight s curve in the neck which is being sorted out at the moment. The Status is a fantastic bass, huge keyboard like presence in the mix and the string spacing is perfect. I wish it had more flexible eq for the mids and lows though. The Pedulla is one of the best fretlesses on the market (on a par with Wal and Godin) but again I wish it had more flexible eq for the mids and lows. Finally the bass I built is the best sounding of all four, very articulate in the mids and lows, nice clean highs and very versatile. But I would like to tweak the outline of the body shape a little bit for neck clearance and balance.

I love mine after 6 months of use. But I agree with the points about the parameter knob - maybe they couldn't find one that was indented and offered the momentary switch functionality too. I think the comments about staying similar to Deep Impact are pretty fair and I was a little surprised by the footprint given the size of the PCB. BTW if anyone has a box for one that they don't want any more, I would be very grateful for it. Mine got destroyed and thrown out by our domestic "help".

I took on responsibility for raising her son and moved to another country where I don't speak the language and can't join a band.

Upright bass - never realised how much you had to fight it to get a good sound. Tried a NS Design CR5 and it was still no better. Shame really because that CR5 made a phenomenally powerful sound.

[quote name='project_c' timestamp='1485075606' post='3220835'] Lots of people live in small apartments with no storage space, thin walls and have neighbors really close by. Those people tend to live in big cities where they have to use public transport to get to gigs and carry everything by hand, and many of those gigs are in tiny venues where loudness and power are not much of an issue as sound quality. As long as they sound good, they should do well with these. [/quote] As one of those people, I still used a car. While my Shuttle 6 fitted in the gig bag pocket there was no [i]way[/i] I was going to cart a cab 15min to the nearest tube station and carry a laden trolley up flights of 10 steps or more. If venues provided cabs that would be good but they frequently don't and I did two shared billings in two years and at one of those I was expected to provide the kit without no advance warning. (And the c*** who used my amp played it redlined through their first song until I came on stage and turned it down for him with a glare).

It's called the Elf, prepare to be underwhelmed though - only 200w into 4 ohms. [url="http://www.traceelliot.com/#elf"]http://www.traceelliot.com/#elf[/url] SMX preamp in a pedal with eq preshape, tuner and drive. [url="http://www.traceelliot.com/#transit-b"]http://www.traceelliot.com/#transit-b[/url] No sign of effects loops in either yet...doh.

[quote name='uk_lefty' timestamp='1484559685' post='3216242'] I'm now renouncing GAS. it's a destructive force that never satisfies, just fuels itself. A dangerous addiction. [/quote] Good luck! For most people, it's a journey of discovery for the gear that makes the sound that's in their head. For a small minority it can be about owning stuff to prevent others from having it. If you haven't found your sound, you may relapse. In the meantime make a nuisance of yourself in music shops trying gear out and when the time is right make a plan to spend once and spend right. Investigate every detail of the gear you think might fit the bill for that sound but don't commit.

Mesa Boogie Bass 400+ and an efficient cab like a Barefaced 215 would be phenomenal. The Ray is snarly and muscular with a bass 400. Failing that, one of the Warwick heads because they're coloured for Warwick basses which are in the same ballpark tonally as a Ray. If you value mids, avoid Eden and SWR. They're better suited to bright sounding basses like those with graphite necks or all maple through body neck construction.

[quote name='Graham' timestamp='1484490509' post='3215825'] Bearing in mind my EBS 2x12 used to belong to you, how does it compare? [/quote] The F112 is slightly fuller sounding and slightly flatter in the growly lower mids but otherwise pretty close. The Neo212 is only 4kg heavier BTW (and a lot bigger) [quote name='Raggy' timestamp='1484570337' post='3216351'] Ive got an F115, and the jury is still out with me. I keep going back to the Barefaced cabs. [/quote] If the Barefaced are giving you want you are looking for, I see nothing wrong with that. Others might claim that nothing in the world beats an old 8x10. I wouldn't understand where they're coming from but if it delivers the sound in their head then good on them for ending their search. I'm not suggesting the Barefaced or Bergs are bad cabs BTW. They definitely have different flavours though...a bit like farts I guess, we each like our own. The closest analogy I can think of for the F112 is that they're like studio monitors.

[quote name='Graham' timestamp='1484468207' post='3215580'] Just watched this video, and now I want one [media]http://youtu.be/O-YUbQyK5Ls[/media] [/quote] Yep although it doesn't do the cabs justice in real life. I was at the bassbash shoot out mentioned above and it was the first time I'd heard a fEARless cab played with any amount of decent volume or from a distance. I was shocked not only at how much [i]better[/i] the fEARless was against the Berg and Barefaced, but also at how that was completely overlooked by so many others in the final round of voting after it had attracted so many votes initially. They're everything I've ever wanted in a bass cab. Cleaner highs than the Barefaced and more articulate lows than the Berg.

Getting good musicians is next to impossible unless you have gigs lined up. Then you'll need to beat them off your leg with a rolled up newspaper.

If any of you had tried fEARless, you wouldn't be having this debate. Jus' sayin'.

[quote name='SpondonBassed' timestamp='1484389309' post='3215084'] You will be looking for people to conform either to left or right handedness next. [/quote] I can't see how, the two aren't related to each other. [quote name='SpondonBassed' timestamp='1484389309' post='3215084'] Do all pedals tend to be counter intuitive? If the majority do there may be a precedent for making it so. As for pedal size... I'd agree that some of us larger footed, hairy arsed types may struggle with some of the pedals I have seen. Heeheehee, twinkle toes I ain't. [/quote] A modular footprint and consistent socket locations would make pedalboard planning and wiring up significantly easier.

[quote name='keeponehandloose' timestamp='1483740130' post='3209833'] Fx pedals have the input and output on the wrong sides. Input should be on left, out on right. [/quote] Different sized footprints, different socket locations...if ever there was a need for standardisation...

[quote name='BigRedX' timestamp='1484235301' post='3213818'] [url="http://www.industrialradio.com.au"]The only one bothering with IMO[/url] [/quote] Technically yes, but I've played it and in practice...not quite. it still glitches and requires exactly the same adaptations to technique that a pitch to MIDI system needs. Having said that, there's less lag on the low notes so still an improvement of sorts. Forget playing anything below an open A string on stage if using pitch to MIDI conversion. It's impossible to play in the groove. Or...play a piccolo bass and transpose down an octave.