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Kiwi

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Everything posted by Kiwi

  1. Sterling Ball will be all over this at some point, I'm sure. He collects pieces of MM memorabilia for display at EB HQ. Not sure he'll be interested in paying over the odds for it though.
  2. Kiwi

    Punchiest 2x12

    EBS Neo212 - neo cabs generally have a bit more midrange bark though.
  3. 1) Drummer was too loud and didn't back off even after repeat requests. The one time he played quiet, the band tightened up massively and it was wonderful. I got fed up with competing. I think Beedster was in the same band after me. 2) I moved out of London 3) No gigs, too many egoes. 4) Unreliable members
  4. Kiwi

    DIY Effects

    [quote name='Bigwan' timestamp='1457535957' post='2999479'] Having just read that again I think I initially misunderstood what you were looking for. I'd assumed you wanted to run both JOYOs in parallel and blend between them. Given that, why would you want to go to the expense of putting these in a new enclosure? You could achieve what you're wanting to do with an A/B looper pedal: [url="http://buildyourownclone.com/products/tblooper"]http://buildyourownc...oducts/tblooper[/url] [/quote] I've just discovered that Effectrode do a channel switching blackface-based preamp pedal which does everything the Joyo does but with tubes. Its called the Blackbird but costs a bit more than the cost of two Joyos and an A/B though.
  5. [quote name='ahpook' timestamp='1431946072' post='2776385'] I have one of their 'American' pedals which is meant to be Fender-ish. It's very nice - a bit hissy at hight gain, but not bad at all What does TLDR mean ? [/quote] I have the same pedal. Punches way above its weight for the price. I agree about the hiss so tend to avoid using compression after it. Does great Alan Murphy impressions with the treble and mids at 5 oclock, gain at 3 and voice about 1. [quote name='Ancient Mariner' timestamp='1431959776' post='2776601'] I wanted something crunchier & more solid than the 2 overdrive/distortion pedals I've been using. [/quote] I'm expecting an Amptweaker Tight Rock to land at my door specifically for this purpose some time this week. Very crunchy and raw sounding overdrive. The designer James Brown (no sniggering at the back, thanks) designed the 5150 head and some stuff for Joe Satriani.
  6. [quote name='EBS_freak' timestamp='1461843361' post='3038075'] YouTube has never had so much Prince content. [/quote] I agree - it's virtually exploded with Prince content!! I'm seeing legitimately recorded stuff from shows I've never seen before and it's pretty good. He was pretty possessive about his music and I say that from the point of view that he turned down many many opportunities to license his music and boost his royalties by some margin but turned them all down. Licensing is what turned Paul McCartney from merely a wealthy man into a near billionaire. Its better known as a song writers pension. Prince died with cashflow issues - he was still wealthy in terms of assets but there wasn't much in the bank and he lost loads in those secret last minute gigs.
  7. [quote name='BigRedX' timestamp='1461757005' post='3037339'] Do you really mean [b]NON[/b] MIDI programmable? [/quote] Yep. The pitchfactor arpeggiates though pitch shifing and it has tap tempo for on the fly adjustments. All of the MIDI based arp pedals I've seen so far use a waveform generator which is less useful for using with the Future Impact.
  8. Some of the Steinberger non headless units are superb - unfortunately they're not very easy to get hold of.
  9. Almost bought a '65 Jazz but wouldn't have played it live and looking at it would have just reminded me of what else the money could have been spent on. Felt very nice to play though. Having said that, I do enjoy owning a beaten up 78 Stingray...not sure if that counts as vintage compared to preCBS Fenders but it snarls very nicely.
  10. It's cheesy but very nicely executed.
  11. None of his albums - I've found a lot of his songs are a bit meh (and I say that as a Prince fan). His live jams are what do it for me so I've only got DVDs. Live at the Aladdin is the best, shortly followed by Y2K (let down by the cringeworthy sermon half way through). Sign of the Times DVD is (ironically) a sign of it's time - its a bit self conscious and doesn't show Prince's band leading talents to the same degree as the other two.
  12. He had ankle problems too, according to the Mail. He did have hip surgery but presumably not to an extent that would have required a transfusion. He must have been in a huge amount of pain and yet he still pushed himself. It sounds all too familiar given the road Michael Jackson went down with his own health issues and painkillers. BTW: Card carrying Prince fanatic here. Not for his stadium concerts which are relatively structured but for very much the less formal, improvised stuff that was seen at after show parties and (unfortunately) on bootlegs. A taste of it is on the Live at Aladdin and Y2K DVD's. Seeing him at the Indigo in 2007 after the main concert was life changing. He was arranging songs on the fly in his head while performing them at the same time and cueing the rest of the band. At one point he went around to the keyboardist and showed him how to play a specific phrase, then jumped on the drums...it was jaw dropping and awe inspiring in every sense of the word. He totally owned that stage and the 1300 of us in the audience.
  13. Gosh, even with no bass synth going in, it still sounds promising. It's a real shame Boss don't do a separate arp pedal...buying one of these just for the arp function would be a real PITA. Thanks for sharing that clip, really helpful!
  14. I never knew the 336 and 339 existed!
  15. [quote name='TheGreek' timestamp='1460995205' post='3030487'] Can you claim the mileage back?? [/quote] Good point, well presented, Sir. Unfortunately our company has been taken over so we don't need to pay any company tax now (until at least we start the next one) and we don't get charged personal income tax either where I am...
  16. I've heard it has one of the best arpeggiators in pedal form under the 'Autoslap' patch and it can be programmed (unlike more recent pedals such as the Pitchfactor). I'd be really grateful if someone could post some examples of the arp in action just so I can hear what the shifted sounds are like.
  17. [quote name='Mykesbass' timestamp='1460962891' post='3030083'] Ah, finally I know what made Milwaukee famous [/quote] Yeah but when he was three, the family moved from Milwaukee to California. His parents are both STILL alive and in their mid 90's too.
  18. Seriously?!! YOU GOT HERBIE TO COME?!!! I'm planning a return to the UK around that time any way...there's a lot on my list of things to do but I wonder if I could slide this in too...?
  19. [quote name='vintage_ben' timestamp='1460878563' post='3029422'] Just received an email saying mine will be ready to ship within days. From what I've seen on heard (physical niggles aside) this is an amazing (sounding) pedal. I'm thinking of hooking it up to my recently purchased Eventide pitch factor, so I can control some of the filters via midi using an expression pedal. Running before I can walk perhaps, but sounds like it could be fun. [/quote] I tried the Pitchfactor with my Deep Impact - it was OK but the Pitchfactor tended to compress things a little making it sound slightly less analogue and rich. The arpeggiator was fun though but its a massive faff to get around the factory arpeggio presets so I sold it. Really wish someone out there would make a non MIDI programmable arp pedal...a couple like the Pitchfactor get so close but there's always something that detracts from useability with bass synth.
  20. I've been messing about with mine this week. Patch 85 is Thriller's bass! Anyone found the knobs a bit wobbly compared to the Deep Impact? Has anyone tried editing patches in the software editor yet? Also, the edit/patch knob isn't indented making it easy to overshoot the desired patch. All niggles though. Where the Deep Impact was a pedal that made bass synth noises, the Future Impact is an authentic bass synth in pedal format.
  21. Bubinga top is really unusual! Nice purchase.
  22. Formerly owned by Danish session player and bassist for Kid Creole, Christian Danstrom. This bass is full on 70's jazz in sound especially with the pickups that are identical to those on 70's Jazz basses. It's also potentially a bass that someone could customise to their taste without risk of significant devaluation - say a new colour or top. Good luck with the sale John!
  23. [quote name='Deedee' timestamp='1459709066' post='3018843'] Just to give you guys an update, I've this afternoon pushed the button on a Hexavalve so once it arrives, I'll let you know how I get on. In the mean time, if there are any specific tips and tricks regarding one of these particular old heads, please let me know. [/quote] Well done! Wouldn't mind one myself in an ideal world.
  24. 120kg of tone! Incredible weight saving. How on earth do they manage this magic?
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