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Everything posted by Kiwi
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Any autographs?
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My current rig is the best I've ever had. Articulate, clean, powerful and compact. Before then, the GK RB700 combo was the first gigging amp I ever owned that left me feeling impressed...apart from the rubber wheel tread breaking and falling off and the weight.
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I like how it sounds. I'd buy one.
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Me too - in fact the more functions I can cover with hardware, the easier it is for the computer. I think software based solutions are convenient but they also become redundant after a couple of years.
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[quote name='Rich' timestamp='1448997478' post='2919971'] Arrgh. I've been trying to forget he exists, and was doing very nicely right up until a few moments ago. So, ta [/quote] Sounds like The Game.
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There was one I had to endure before my band went on where clearly the song was all about catharsis. But his tortured performance style was an unfortunate mix of abusive acoustic guitar, anguished wailing and tortured posturing. The overall visual effect was something along the lines of a 6ft tall weasel repeatedly and intensely failing to climax by copulating with the space immediately in front of him...for 4 and a half minutes.
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No name acts that stand out as bad for me but there a few amateur nights with solo singer songwriters that I'll never recover from. Surprised noone's mentioned Pete Doherty yet
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[quote name='leftybassman392' timestamp='1448908051' post='2919104'] I'm not normally a fan of relicing (is that even a word? ), but that looks really rather good. Any numbers to go with it - time it took, cost, etc. From the text I'm guessing that the parts were sourced very specifically for this instrument...? [/quote] The build took about 6 weeks and the quoted cost was £650 but I supplied the sperzels and the pickguard so he knocked £30 off. He makes each instrument to order so yes parts were sourced specifically for this instrument. [quote name='EBS_freak' timestamp='1448967129' post='2919594'] Nice tribute! Have you managed to source a genuine chrome plated brass pick guard? The only reason why I ask, is that they are aren't readily available... [/quote] It was a genuine chrome plated brass pickguard made by Kahler but sold as NOS by a guitar salvage guy on Ebay for £45. I didn't think much of it at the time but it sounds like I might have been super lucky? Al has someone who can make them for £60 each.
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A couple of months ago I dropped Alan Knight a line and asked if he might be interested in making a replica...sorry, a TRIBUTE to Nile Rodger's original hitmaker guitar. You know, the white one that he's never seen without these days...? It's got an interesting story behind it - started off as sunburst '59 with a rosewood fingerboard and over the years it turned into Triggers Broom with changes that included an Oly white refin and maple fingerboard neck off a 60 strat, the plastic pickguard was replaced with a chrome plated brass job to screen EM interference, the Klusons were replaced with Sperzels for faster restrings and the top hat knobs replaced with Gibson Speed knobs. The wood for the body was from a batch of alder that Fender bought very cheaply in a remote location only to discover later that the cost of shipping was way more than anticipated. Apparently Leo instructed the mill to saw the body blanks slightly thinner than normal so that they'd get more bodies out of the shipment and cover their losses. Apparently these bodies were being used on instruments up to 1962 at least. Anyways, here's the one Al made. [attachment=206273:DSC03457.JPG] The attention to production details is very impressive. He made the body from scratch and I think the neck was licensed Fender as the profile is classic and chunky. The pickups come from a Russian supplier who can do vintage recreations at very reasonable prices. To finish, I put a Fender decal logo on it and added a few more key fob dents, scrapes and scratches. I'll stain the exposed wood a little to dirty it up in places too. [attachment=206274:DSC03464.JPG] Al mentioned that on the real one, the Fender part of the decal sits further from the headstock edge. However, on the custom shop Hitmakers, the logo is inline as on all the other Fenders. So if anyone ever needed a way to tell whether Mr Rodgers was playing the real thing on stage, this is how! Hitmaker OEM: Hitmaker CS: Sound wise, I didn't have high expectations but was stunned by how close it sounds to the records. Fender's custom shop reckoned the scratch plate changed the inductance on the original so it sounded mellower and slightly less spanky. I think the same has happened on this instrument too. There's a very distinctive chime to the muted notes which has been captured brilliantly. Really happy with how things turned out and Al's prices were extremely reasonable.
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Show some love for...Fender valve amps, lets see what you have.
Kiwi replied to Kiwi's topic in Guitar Amplifiers
[quote name='Skezza' timestamp='1444040067' post='2879604'] 60s champ 70s vibro cahmp 60s vibrochamp superchamp x3 princeton reverb 2 deluxe reverb 2 30 75 x2 pro reverb twin reverb I now have a silverface delux reverb [/quote] How many of those amps had valve rectifiers? -
No gig t-shirts unfortunately. I have a t-shirt from a visit to Boston in 1996 though which I wear almost every week and it hasn't worn out yet. I also have a pair of white jeans from 1987 which were way too big in the waist when I bought them. Unfortunately now, they fit perfectly...not that I wear them much any way.
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Extremely well engineered. Jon makes basses that are built to last and are very stable. He also works to very high tolerances and isn't afraid to take on projects that are demanding. He sets the standard for other master craftsman. Every bit as well built as Sei basses (and Fodera for that matter).
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Prince 2007 at the O2 but NOT the stadium gig. The after show party in the indigo blew my mind...twice - his ability to manage the band like a mixer desk was astonishing. The cues to the bridge, the break downs and improv were stunning.
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OK update time I guess...it's been over two years! [i]Gone: [/i] Both Celinders (I wouldn't mind picking up a blue J Update 5 with a birdseye neck at some point in the future.) Both EBS Neo 212 cabs Trace Elliot V8 Roland JV1080 (replaced by a Yamaha CS6R I own) EBS Session 60 combo Akai Unibass Eventide Pitchfactor TL Audio 4 band parametric [i]Arrived:[/i] Genz Benz Shuttle 6 (another) Zoom B3 fEARless F112 cabs (x2) Status Series 1 5 string [i]On the way out:[/i] 1975 Fender Jazz Steinberger XL25A (again) Spector NS5CR (sunburst) Peavey DPC750 amp [i]On the way in:[/i] Custom self build basses (but won't be finished until a year from now due to a lack of time) Guitarwise there has been a little bit of churn: [i]Arrived:[/i] Yamaha MSG (blonde, stunning flamed maple top) Two Ibanez TSA5 5w combos [i]On the way out:[/i] Yamaha MSG No. 3 (sunburst top) [i]On the way in:[/i] Alan Knight custom Hitmaker replica (Nile Rodger's guitar) Finishing a custom Kleinberger replica (routing the control cavity for the sustainer electronics and fitting all the hardware - like the self builds, won't be ready for at least another year).
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Lovely score - thanks for sharing.
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[size=4][font=Arial]The bass is a standard Fender Jazz with all the typical hallmarks of production for that year. The only modification to the instrument is a badass bridge to add extra mass. I did have plans to replace it with an original bridge - they can be had for about £70.[/font] [font=Arial]Player wear is described in the photos, it's all honest and the bass is in great condition for a 40 year old instrument. The neck is straight and the action is very playable. For gnats wing action though, the Badass will need to be replaced with an original bridge. The bass will come with a hard tolex case.[/font] [font=Arial]Collection from Lee, London or an agreed location in central London is preferred but arrangements can be made to post at the buyers expense if sufficient notice is given for packing and weighing. I would expect it to cost about £40.[/font][/size]
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In house - I've been inside his paint booth. He's refinishing my Pangborn for me at the moment.
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[quote name='ProfFrink' timestamp='1447590495' post='2908678'] It's the kind of design that makes you stop and think... [/quote] Think about what though?
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[quote name='JTUK' timestamp='1447525368' post='2908365'] I believe he uses Sims... and if he doesn't, he only stopped recently..?? [/quote] Martin told me a number of years ago he used someone who also finished roulette tables. But maybe he's changed supplier since then and uses Sims.
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[quote name='EBS_freak' timestamp='1447346677' post='2906946'] Bow Finishing. [url="https://www.facebook.com/bowfinishing/"]https://www.facebook.com/bowfinishing/[/url] - some examples of their work on here. [/quote] Is that the place that Martin Petersen uses too?
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[font=arial,helvetica,sans-serif][size=4][color=#000000]For those familiar with the work of legends Alan Murphy or Bireli Lagrene these instruments won't need any introduction. For those who don't, they're perhaps one of the most under rated guitars currently available on the used market and enjoy a cult following for a good reason. The instrument was designed by British luthier Martyn Booth for Yamaha and was released to rave reviews in 1989. The build quality and tone is easily on a par with PRS and Gibson and the Signature range of instruments now built by Martyn independently are based on the same design and his prices start at £2995. By comparison, this instrument represents one a hell of a bargain...which is why I currently own three.[/color] [color=#000000]The instrument weighs 3.9 kg, the body and neck are both mahogany and the 25" scale neck is glue-set into the body. The fingerboard is ebony and body is capped with a AAA grade maple top which the pictures don't do justice to. The electronics are passive and both stock pickups can be coil split providing an enormous variety of tones to suit genres from jazz to metal. If there was industry crown for a single instrument that could cover a wide range of musical genres, this guitar would have to be a serious contender. The neck on this instrument is straight with little fret wear and capable of providing very easy action with little fret buzz when strung with 009's.[/color] [color=#000000]The instrument has a limited amount of player wear as shown in the photographs. The worst is probably on the bottom horn as shown in photos, but the chips are very isolated and could be easily repaired using [color=#545454]Cyanoacrylate[/color] without needing to refinish the whole instrument. There are also buckle indentations on the back of the instrument which don't photograph very well or crack the finish. A gig bag will be included with the sale.[/color] [color=#000000]I've owned it for just under two years and originally purchased it from Angel Music on Denmark Street. I'm selling because I need to rationalise my collection so if it doesn't sell, the instrument will go on consignment.[/color] [color=#000000]Would prefer to meet in central London or for collection from Lee, SE London. But given reasonable notice to pack and weigh, the seller is welcome to arrange their own courier collection after Nov 23.[/color][/size][/font] [color=#000000][font=Arial][size=1][/size][/font][/color] [color=#000000][font=Arial][size=1][/size][/font][/color] [color=#000000][font=Arial][size=1][/size][/font][/color] [color=#000000][color=#222222][/color][/color] [color=#000000][color=#222222][/color][/color] [color=#000000][color=#222222][/color][/color] [color=#000000][/color]
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[quote name='EBS_freak' timestamp='1447424326' post='2907574'] I'm sure Akai would have something to say about it all. Anyway, I'd be surprised if the long outdated microchips in there were available in any significant quantities to warrant production. [/quote] I cant' remember where I read it - perhaps TB, but Akai were approached and weren't interested, perhaps because of the microchip issue...? But I'd find it hard to believe more modern equivalents weren't available even if a few tweaks to other components were needed. It may simply be a lack of political will as much as anything, maybe the company has decided to focus on a more profitable market.