Wolverinebass

On my Vanderkley 2x12 the tweeter is always on maximum. Not because I slap like Mark King, but just because I like the cut you can get with it. It's basically so nothing of the signal is cut. So basically the DI you hear (post fx or not) is more or less the same as what comes out the speakers.

So, just to be clear. Does this mean that Facebook groups aren't good for metal?

Ernie Ball can go do one. Not just for this, but for their pricing of all basses. It's price gouging almost on a par with Warwick's innovative "let's add another 7 grand to the price and folk will still buy them" pricing strategy. Anyone with an IQ above 2 won't buy one of them as they'll realise they're being done.

@neepheid to be fair, at the time I had got a temporary promotion at work and had a significant pay rise. I had always fancied getting one so i just thought "why not?" If I don't like it I can send it back. I don't do that job anymore (it made me truly miserable) so i quit and run my own studio (see @Erax Sound in the affiliates section - shameless plug alert!!), but it's a really good bass. Ironically, I've been recording with it this morning.

Never having played one, I would say the Aluminati necks are grotesquely overpriced. A grand for a neck? Really?!! For that much I'd want to be able to customise loads more stuff. The nut width for one. For those saying the Klos necks are overpriced, being that these are about double that, it'd be a no from me.

Well, I'm getting a Klos neck. It was meant to have been delivered in April, but now looks more like November. Which is a pity. I had a chat with Ian about what I wanted as I wanted the nut to be 43mm and I got the feeling that this would create problems. He offered me to put the deposit towards a 24 fret Musicman bass they have in the works. If I hadn't bought the body and whatnot I might have said yes, but as I had already I declined. So here's the body. It's a Warmoth G4. Walnut body, Black Korina top. Babicz Bridge, Herrick multicoil pickups and Lusithand pre with Harley Benton knobs. As the neck has been so delayed, this has been put together and sitting in my studio for the past 4 months. I shall report back when I get the neck.

U2 have been finished for quite some time. They are following the Rolling Stones "continue forever" career path. All the best work is done before 31 or so. Get to 40. No album will have more than 3 good songs on it. The rest is dreck. Anything after 50 and the albums are mainly miss as they are devoid of soul, content or even meaning. Quite often a truly spectacular turkey is pulled out of the oven. They effectively tanked their career totally with No Line On the Horizon which may very well be their worst album. Bono's voice is gone and I would say it has been for at least a decade. Bet he's wishing he never took up smoking 30 years ago now. Hearing their new single, I just couldn't believe how rubbish it was. It was the sort of "Snow Patrol knock off U2" that would be discounted for not being very good. The fact that they did "U2 do U2 covers album" or "lower the keys of the songs until Bono can mumble them" depending on ones viewpoint. A pitiful end.

I've got the X7 Ultra pedal. On paper it should be better than the Dug pedal due to the variable crossover. It's not. It's immensely fiddly and the distortion sound is wrong. Worse still, there's a small touch of fuzz on the low end of the clean channel! I could barely get a sound I liked out of it. I attribute this to the fact that Darkglass make products for 5 string players for the most part which is why there is always that tiny smidgeon of fuzz on the low end. After all, you'll need it in drop A. Play in C# standard or higher and not only do you not need it, you don't want it. Running the pedal at 24v does alleviate it slightly, but I'd imagine the amp wouldn't work the same way.

Assuming there's no train strokes and stuff, I'll be along. 1. @cetera - Charvel 3B, ESP Surveyor '87, Fender FSR PJ Precision, Hamer Impact, Italia Imola, Spector NS2, Spector Euro, Spector EuroX (Spectorbird), Spector Pulse II, Spector Dimension 4HP, Gallien Krueger 400RB & Legacy800 heads, GenzBenz Neox 2x12 cab 2. @TheGreek - All short scale this year - a @Jabba_the_gut scale 5er, Mini Ray, Short scale P bass 3. @Harlequin74 - Zoot Performer, Status Shark, Spector QV4 , Markbass TTE501 and Matching CAB. Maybe the Lehle Basswitch… 4. @Frank Blank - @Jabba_the_gut short scale fretted and fretless, JMJ Mustang, QSC K12.2, Grace Design Alix 5. @TrevorR - Mk 1 Wal, Wal Pro IIE, Aria SB700, Frankenjazz, pedals and MarkBass LMII & Traveler 2x10 6. @bnt - travelling light, probably a couple of pedals such as T-Rex Diva Drive, Orange KongPressor 7. @bass_dinger - 1999 Washburn XB500, 1994 Washburn XB500, Washburn XB925 in zebrawood, Washburn XB925 in bits, Boulder Creek 5 string (likely to be for sale), SWR Workingmans 12. 8. @greentext- 2008 Spector NS4-H2, 2015 Sandberg VS4, 2000 Trace Elliot T-Bass, my pedalboard and my tin of picks 😈 9. @prowla - Probably a couple of Rickenbackers and some interesting oddities. Amp-wise a Markbass EVO and a 1x12 (last year I bought some others to try and never switched them on, as the EVO sounded spot-on). 10. @SuperSeagull - Status S2, Feline P Bass, Modded Fender Lyte, Flea Jazz, MB Combo 11. @Merton - various short and medium scale ACGs, Zoots and Conway basses, Barefaced cabs, modern Trace Elliot amps 12. @MacDaddy - Shuker (probably no3), Snapdragon Folding Bass, possibly a Rob Allen Mouse. 13. @neilp - matching pair of fretted and fretless 1980 Aria SB1000s, possibly my fretless Wal mk1, Ashdown ABM500/Ampeg 4x10, Tech 21 Bass Fly Rig 14. @NickD - Strunal Schonbach 5 String DB, and whatever else I can shoehorn in the car around it... hopefully a MD CMD121 H, Zoom B6, and maybe a Maruszczyk Jake and a Shuker Series 2. 15. @WalMan - converted Wal Pro, Zon Legacy Elite, Status S2, G&L L2500 fretless, McMillen 12Step & DSI MoPho, Two Notes Bass Revolt, Trondheim Audio SkarBassOne, BackBeat2 (and my BackBeat1 will probably be available for sale). 16. Darkglass Microtubes500 and one of the Barefaced cabs. All depends how late I leave and what will fit in the new car 🚙 😁 16. @Smanth - With my small, light, battery powered gear (mostly) ... IBBY-Ibanez GSRM25 5 str sub short scale, 'ELIMA - Kala California 5 str fretless ubass, QUINN- HB 5 Str Fretless, MOD Dwarf based pedalboard, Boss Dual Cube Bass LX. (Also some toys to sell) 17. @Jean-Luc Pickguard - NS Design CR5M, Squier Bass VI, Roland MicroCube Bass RX and some pedals. 18. @tauzero - the basses that @TheGreek made me buy (handmade 6-string headless, Pedulla 6 fretless), Roland GR-55, one or two Seis, anything else that occurs to me, Mrs Zero (probably) 19. @Stingray5 - EBMM Stingray 5, a trio of Tunes i.e. TWB-6, TWB-4z, SWV4-BB, Boss GT-6B, Eden EC180 combo. 20. @rumblefish - Reverend Rumblefish, GB basses, Mesa Walkabout amp, Vanderkley 112 MNT. 21. @Paul S - might be space for a shorty? If not never mind. I have nothing of interest 22. @bassace97 - Musicman stingray basses, Fender Mustang bass, Pedalboard and my Mesa TT800 + SL112 cabs 23. @BillyBass - Reverend Decision P, Gallien-Krueger Fusion S1200 and Barefaced Midget 24. @silverfoxnik - some basses and noise amplifying boxes. 25. @Simon C : G&L L2000 Tribute, Sire V7 Fretless, Ibanez EHB1000S Headless Shortscale. Various pedals (switch, tuner, Hypergravity compressor, Laney 85 Bass Octave, Bass Clone Chorus, Spectradrive, Ditto+ looper pedal and a Bluetooth page turner). Carlsboro Colt Keyboard Amp. 26. @Wolverinebass - Hamer Chaparral B12L, Tech 21 Dug Pinnick. Sideburns. Sarcasm.

When I got my 4003 it wasn't set up either. The relief was all wrong so that it had a choke on the 3rd fret. The intonation was a fair bit off too and the pickups were too high. Plus, the case was broken with one of the studs having been bashed through the abs. It was new. Guitar Guitar couldn't have been more helpful and exchanged the case in a day and I did the "lower than the 9th circle of hell" setup on it. Sounds amazing now. I only got it for a laugh and now it's one of my favourite basses.

I did indeed. A couple of friends had one of each at roughly the same time, so I asked if it'd be possible to try them both. Obviously, my opinion is subjective of course as to what constitutes "better" per se, but I feel Gibson would have to up their game a lot to get me to buy a bass from them. I got an Epiphone Silverburst Thunderbird earlier this year and that's brilliant. For me, easily better than any of the recent Gibson ones.

To be fair, the Bach version was much better.

I would imagine they won't sell that many? Even if one were a Kiss superfan would you pay £7200 for one? It's a Gibson. The QC won't be amazing. Take off a zero maybe? Or maybe 2 zeros given Gibson's previous bass record recently.

Hamer it is then!

Come on Lozz, I've heard you play. Don't sell yourself short. Bragging rights are nothing without living in Monaco for tax reasons. In saying that, I'd play bass for The Who any day. It'd be back to the 4 piece setup with full on "free-form rampage" bass playing. None of this safe as houses gloopy bass getting played by that American session musician who looks like an iced gem.

I played a gig the day after my brother died. Much like your mum, he'd have been furious if I hadn't. However, my brother wasn't in the band and I didn't draft a replacement brother in right away if you see my point. I dunno. Maybe I kind of felt that Charlie is much more than "just a drummer" and it just didn't seem right to just immediately carry on without a beat. Zeppelin probably had the best take on it. However, it's a thorny issue. Thousands of people will see them without him. Does it matter? To me, yes, but I'm probably in the minority.

Whilst I don't have anything resembling a problem with The Stones or anyone continuing to an advanced age, what I do have a problem with is it all comes down to "the show must go on." I mean Charlie had been in the band for almost 60 years and they didn't even stop for a second. Much in the same way as The Who after Entwistle. I appreciate that there's touring commitments and all that, but those guys in those bands have known each other since they were kids. To not give up the merest second for grief leaves a bit of a bad taste really. Maybe that's why folk object to them carrying on? As for Rod Stewart, he should have packed it in 20 years ago after he had throat surgery. Or maybe just never started depending on your personal viewpoint.

You are JTUK and I claim my five pounds.

Should be along as long as there isn't a train strike or anything. Not sure what to bring other than sideburns and sarcasm as is my usual contribution. However, if @greentext is after trying an 8 or 12 string, I happen to have an 8 string explorer and a 12 string Hamer, maybe i should bring one of those?

Or, Darkglass actually.

"Sunn amps are back! And our prices are on crack!"

I once made a joke that Hofner basses were like DFS sofas. Stuffed full of sawdust and dead cats. The fact that they sound like it kind of clinches it really.

@CiciBass As far as I'm concerned, using any effects is fair game. Otherwise everyone would still be playing a precision with flats playing a singular root note per bar with the kick drum. From a personal perspective, I think your use of effects is great. Very creative and expressive. Isn't that why any of us play music? You don't have to justify yourself to anyone. I'm sure some of the folk commenting on your appearance or style on YouTube are probably still muttering something about "that third Billy Goat Gruff" they met the other day.

I think it depends on context. Are backing tracks wrong? Not if it's sitting in stuff like synths or backing vocals where there is only 1 singer. However, as much as I love Porcupine Tree, they've "done a Periphery" by replacing one of the core musicians with a backing track. They did that when Nolly decided to stop touring and at various times when Mark Holcomb had to bail on a tour after getting caught cheating on his wife and also when Jake's father was ill I believe. Margins for tours being as they are these days, it's not a surprise. Why pay for someone to play when you can just sample someone and play along to their performance. Hence not paying for another person on the tour. Music will soon be reduced to idiots like David Guetta who had a cancel a tour after he lost his set at an airport. It was on a USB stick. Turn up with a laptop, press play and pretend you're fiddling with things and rake the cash in. We're so in the wrong game here. Ian Brown doing a tour with a laptop was another new low even for him. I guess he should have just mimed totally as his vocals seemed to have hit an even more startling nadir. Steven Wilson is a tosser though and I think Colin Edwin doesn't want to work with him anymore which is why they haven't been in touch for years.

Maybe another thought is that has anyone noticed the prices on the Series 23's are all the same? Some don't have LEDs. Or composite fretboards either. So, what is the upcharge for them? In fact, those ones don't have the colour change finishes either. So why are they the same price as the ones which have all the bells and whistles? Curious.