lowregisterhead

No. Unless you were to fit a white Dimarzio, in which case I would have to report you to the Bass Fashion Police.

Bought a Yamaha 5-string from Joe - a lovely bass at a fabulous price, excellent communication, very easy to deal with, a sound fella altogether. Thanks Joe, and good luck with the house move!

Free to good home, including postage within the UK, Griffin Airstrap protective case for iPad 1, excellent condition. Drop me a line if you want it! Dave ---------------------------------- The case has now gone to a better life in Northamptonshire...

Sold a Comfort Strapp to Mark - immediate payment, and as smooth a transaction as you could ask for! Highly recommended.

My old much-modded '79 pre-EB Stingray, which I parted company with in 1986 when I couldn't pay the rent one month. Regretted it ever since. If anyone knows of its whereabouts, I'd be keen to get it back...

I've been playing bass for over 35 years now (dear god, is it that long?? ) and have done [i]many[/i] auditions, for big names and unknowns alike. The criteria that a band or artist uses to judge whether an auditionee fits the bill are many and various, and can be bigoted, pointless, illogical, and sometimes downright rude. I've discovered that over the years I've been rejected as soon as I set foot in the studio and without even playing a note because of my colour, my clothes, my bass, my hair (or lack thereof) my musical tastes, but never my playing as such. They may not have liked how I played it, but it was never the case that I couldn't have played what was required. The dynamic between a band and a potential new member is a difficult thing to quantify, but ultimately they will choose what they [i]think[/i] they want, whether it's actually what they [i]need [/i]or not, and there's not a lot you can do about it. Also, if you misrepresent yourself, it will all come out in the end. My own impression from what you've said is that they could be "unhelpful and over-controlling", but equally by resisting a request to learn new songs, they will think you are the same! You don't know them, so give them the benefit of the doubt. They might be great people, an are probably not relishing the task of auditioning any more than you are. Learn the songs and show willing, and if you don't hit it off when you meet, no great loss. At least you'll know some new songs!

Looks pretty good all round, but did they do it in red in '83... and with a see-thru scratch plate?? I await the judgement of the experts! http://www.ebay.co.uk/itm/ws/eBayISAPI.dll?ViewItem&item=180867662407

Hi Ben... I've been an EBS user for over 10 years, and although I've occasionally dabbled with other amps, (Genz Benz, Eden, Aguilar) I've always come back to them because they are, for me, without equal. I personally prefer the TD650 head to the Fafner. If you like Trace gear (so do I, I used it for years until EBS came along) in my opinion the TD is closer to the Trace sound. The Fafner is a great amp, but I feel it leans more towards the classic big valve head sound. The TD also has a valve in the preamp stage so you can add more warmth. The 650 has now been superseded by the TD660 - basically the same head with a few tweaks in the preamp stage. I'd strongly advise you to try one out!

I just sold a bass to Ryan, and it was a pleasure to do business with him. Fast payment, excellent communication, a good guy all round - perfect!

I just sold a bass to Ed, and it was a pleasure to do business with him. Fast payment, excellent communication, a good guy all round - perfect!

I had one of these in the early 80's branded as a "Lincoln', as a couple of people have already said. It looked good, but the pickups were awful, and it had a serious neck dive problem - I tried to compensate for it by loading the control cavity with strips of lead, but it didn't help much! I got shot of it not long after and bought an Ibanez Roadster...

Fabulous. I know its not THE Stingray fretless, but it's close enough! Brings back memories of kneeling in front of the telly with my nose 2 inches from the screen in awe the first time I saw Pino playing live many years ago, on 'The Tube' with Paul Young and The Royal Family. Couldn't believe my eyes or my ears.