BigRedX

First a photo from Friday night's gig at the Fulford Arms in York: There should be some better photos up soon. There's also some pretty good videos but unfortunately they are embedded into Facebook so I can't repost them here :-((

Have a look at EMS cases then. Their system comes in two depths and is modular in 3U units, so if you find you want to more stuff later, you can simply get the relevant extensions. The cases also have rack attachments back and front which is essential for securing heavy amps properly.

Yes, but it’s one of many I had for a previous band. Otherwise I probably be looking for something with a bit of tone shaping.

Has there been a firmware up date since 3.5? I’m in the middle of a load of gigs and rehearsals and don’t want to change anything until I have plenty of time to fix stuff should it all go a bit wrong (IIRC one of the firmware updates reset all my global settings). However if it’s just a new version of the editor I’ll download it.

Just cut the years of mucking out with “bass” amps and cabs and go straight for a modelling multi-effects and FRFR.

Love the way this thread as been derailed onto the topic of accordions (accordia?)

In Isolation, plus Gothzilla and Eyrx London in York last night at the Fulford Arms. The venue has completely changed since The Terrortones use play on the tiny stage crammed into one corner of the room. Big proper stage and a decent PA and lighting rig. Everything wass much more relaxed that Thursday's gig probably helped by the fact there were only 3 bands playing and everyone was sound-checked in plenty of time before the doors opened. And a decent sized crowd for a rainy Friday night. Played well, sounded good and got a proper encore too! There will be photos but no-one's posted any on Facebook yet. Last gig of the tour tonight at The Acoustic Couch in Bracknell.

The image probably has been AI generated, but that's all it is an image, nothing more. There's a whole site dedicated to AI generated synthesisers, which is interesting, but AI hasn't yet realised that the black and white keys on a "piano" style keyboard have to follow to particular pattern (unless you just want to make atonal "musique concrète"). In the same way you get "interesting frets" in the guitar image. It's a pity that on the whole the guitar image is rather too conventional.

You do know what the date is?

And the obligatory photo from Thursday:

In Isolation mini tour at The Fidler's Elbow in Camden along with X-Superstar, Gothzilla and Feather Trade. On the whole went well although with the venue not opening until 5, getting all 4 bands sound checked before Feather Trade were due on-stage at 8.00 was a bit of a struggle. However well done to the venue's sound engineer who managed to keep on top of all the bands' different sound requirements and made sure that everything ended up being plugged in where it should be during each changeover. And according to those members of the audience I spoke to afterwards made us sound awesome FoH. No photos as yet, but there were at least 2 professional looking photographers in attendance so no doubt I'll be posting something later. Off to York (Fulford Arms) tonight with Gothzilla and Eyrx London.

Actually it was on a plain G on a guitar, so I doubt any coating would have helped. Personally I can't stand the feeling of Elixier guitar strings - I used to be in a band where both guitarists used them, and playing one of their guitars to show them a song idea, was for me a thoroughly unpleasant experience. I've not tried their bass strings as the guitar experience has been enough to put me off for life!

Have a look at Boschma and EMS rack cases. The problem with rack cases is hardly ever the case itself but the weight of the gear in them. I have an EMS 3U deep case, which is feather-light when empty. However when full (MacBook, Focusrite Scarlet Interface, ART DTI Box, Patch Panel, PSUs cables etc.) it's suddenly a lot more heavy. Just taking the computer out makes a very noticeable difference.

TBH that's a pretty good price for an 8-string set. These days there are plenty of 4-string sets that at a similar price.

At least it is legible. That goes a long way when it comes to pedals as far as I am concerned

And as someone who has sold basses and guitars, if I didn't want to bother with this I would either state specifically "collection only" or just sell locally and make no exceptions. If you want to reach a wider audience and have better chance of selling for a higher price, then you have to take the fact that you will need to sort out the postage and packing into account.

Depends entirely on the genre of music you are playing, the arrangements of the songs and what the other instruments are how they have been EQ'd. There is no right or wrong answer. Having said that most of the music I listen to has the bass guitar prominent in the mix with plenty of mids.

The questions the OP needs to answer are: 1. What is value of the Volume Pot? 2. What is value of the Blend Pot? 3. Does the Blend Pot have a centre dent? 4. Will there be enough room in the control cavity for all the circuit boards if the Volume and Blend controls are separate to the boards they are currently fitted to while keeping everything suitably far enough apart so that there are no shorts where the 3 boards could inadvertently touch? 5. How are you going to support the Volume/Blend board if it is no longer being held in place by the controls?

IMO that's a bit of a cop-out. I don't drive either, but have never had any problem walking 2 miles into town (here in Nottingham) and going to one of the Bicycle shops and picking up a bike box, sometimes I'll even walk back carrying it rather than catching the bus. Bike boxes are much better than the typical guitar box for strength and rigidity and overall protection of the contents. They do need cutting down to size, but you can use the surplus material as additional packaging and bracing. For me getting a suitable box for sending the instrument is an essential part of the selling process.

One of the advantages of using the drum kit/drum machine plug-in that come with your DAW is that it integrates properly with the rest of the interface, and it updates automatically with the rest of your DAW.

Line6 have got around the supposed lack of processing power by producing new versions of many of the modules with a lower processor overhead. There was a major update last year where most of the amp and cab sims were replaced with more processor efficient versions. Personally I've not yet run into these kinds of problems on my Helix Floor (so you must be thinking of someone else), but then I don't have any need for the extremely processor hungry effects like the polyphonic pitchshifters. My needs are all capable of being address with firmware upgrades. What I would most like is VCF and VCA modules with full ADSR envelope control and ability for the envelopes to respond to external MIDI note on and off commands as an alternative to the audio input signal. Other than that some more flexibility with the footswitch assignments, and then I'd be happy. I'm sure that there would be some who need more processing power, but right now if that was me, I would simply daisy-chain a second Helix/HX unit using the digital audio and MIDI connections to give me the additional facilities I needed.

There's a thread about a similar looking model on TalkBass. Those filled holes in the headstock appear to be where the original A and D string machine heads went. Obviously they were too close to the others for the replacement tuners. Edit: according to the Vintage Framus website it's actually a Hollywood Bass

Any chance of posting some photos for those of us who don't do Facebook?

The thing with the Helix/HX range is that all the improvements are in the software which is where it really matters. There are generally 2-3 each year and they are all free. There's now a wide range of form factors and processing power throughout the range, so there is pretty much a model for everyone and if you need something "better" you simply move up to the next model in the range. I have the Helix Floor and the only improvements they could make for me would be the addition of a few specialised modules and additional scope for MIDI control all of which can be done without the need to release any new hardware.

My definition of lots of bass and/or lots of volume is obviously different yours. AFAIAC home practice means that the sound coming out of the speaker is just loud enough to mask the acoustic sound of the bass, nothing more. Also I don't want lots of bass because most of the time I want to be able to properly hear the pitch of the notes. You obviously have different goals when practicing at home.