BigRedX

If you already have an audio interface for your Mac you don't need anything else. Connect the outputs of your cassette player to the line ins on your interface, and record into your DAW of choice. Cut the resulting audio file up into individual tracks. Job done. My personal method is Aiwa F660 cassette recorder > TC Finalizer > MotU 2408 > Logic 9. Which is probably overkill for cassette demos but produces excellent results.

And therefore IMO he's made a rod for his own back. If he was doing something original and different (like Alan who has brought this video to our attention) I might have some more sympathy. But by choosing simply to rehash "classic" designs he deliberately sets himself up against the high-volume low cost mass manufacturers, and finds himself in a market where the average musician isn't bothered enough to want to pay the premium for a hand-crafted instrument. So instead of getting on and producing some designs that are truly original he's made a video to have a moan on the internet. Besides the whole point of the Fender-style instrument that make up much of his output is that they were originally designed not to require the skills of a master luthier to produce them.

Yes he's got a point, but as a maker of small volume hand-made instruments are you really competing with large-scale mass production? IME your customers are very different people. Also I take him a lot more seriously as a master luthier if his web site featured some actual original designs and not rehashed versions the same old suspects...

That's more like it. The amp won't go for as much as it could, because the seller won't post, but I still expect it to be over £100 by the time the auction ends

What's the problem? If you don't like the modifications and/or you think it's overpriced just move on. I'm sure there will be something you do like popping up in the for sale section very soon.

Interesting. Unfortunately for me (and anyone else with an interest in proper scientific methodology) one sample of three different instruments does not prove anything. Now if they made 100 sets and got consistent results across each set then I might be convinced. Also if the photos that accompany the sound clips are of the basses in question, there are extra pieces of wood in the set neck and through neck constructions, which could be skewing the results. And finally TBH the difference between the bolt-on and through neck to me was close to imperceptible and would be even more so in the context of a band mix.

Surely no-one still using XP should be on the internet in the first place?

Played on Thursday with In Isolation at the Tap n Tumbler in Nottingham. We were supposed to be supporting Rodney Bakerr (legendary Chicago house music pioneer) in his Strange Circuits guise, but it turned out that the promoter wanted us to "headline". We were a little bit worried that most of the audience would leave after Mr Bakerr had done his thing, but luckily that wasn't the case at all, and we ended up with a decent sized and very enthusiastic audience. Rodney Bakerr was excellent too - like Gil Scott-Heron being backed by The Normal. Edit: found a photo of Rodney Bakerr from this gig:

There is a mistaken tendency for musicians to think that technical ability is more important than putting on a good performance. Obviously you need a certain amount of technical ability to be able to play the music competently, but anything above that is IMO purely for your own personal satisfaction and nothing more. In fact these days where the live performance is the product and the recording is simply the promotional item (and besides all but the most dire of takes in the studio can be fixed in production) it is far more important to look right and have the passion for putting on a show your audience will enjoy, rather than simply standing there concentrating on playing the right notes perfectly.

Confirmation dialogue box for making all threads in a forum as read by clicking on the forum icon was active briefly over the weekend but now appears to be off again. Also now that the mobile version of BassChat is essentially a resized version of the standard layout it is quite tricky to differentiate between the thread title and the bullet icon next to it that takes you directly to the first unread post, on smaller screens - phones and iPad Mini. Previously on the mobile version clicking either the thread title or the bullet icon would take you to the first unread post. Finally going to first unread post in a thread tends to overshoot, usually ending up a post or two further down. I think this may be a a browser issue caused by the page dynamically resizing as the content loads. Certainly affecting the Mac OS version of Safari.

But there is still over 24 hours to go. All the serious bidding will happen in the last 30 seconds.

From my own experience very much this. I've posted that link in another thread the OP started so he doesn't need to read it again, but for those who haven't seen it before it's little cautionary tale of home recording. That's not to say the OP can't do it all himself, but he really needs to stop asking questions here and just get on and start experimenting with recording. The great advantage with having your own space and recording equipment, is that you're not constantly watching the clock and worrying that your time/money is going to run out before you get the results you are after. But you really need to be in the "studio" every day working on refining your recording skills and techniques.

Once you've got them set up they are both excellent bridges. However IME the 2000 is a complete pain to adjust. I would seriously have to be in love with everything else about a bass to contemplate buying one fitted with the 2000 bridge again. If I was going to retro-fit one to a bass it would have to be the 3D.

IIRC the pre-amp for Super-8 pickups is specially designed by John East and also functions to balance the output between the 3 pickup modes. So not a Glockenklang.

Because in the past the accepted way was to make your solid electric instrument out of as few pieces as possible of the most stable wood available. Nowadays with modern construction techniques it is possible to make multi-layer bodies and use interesting looking wood which isn't strong or stable enough on its own as a facing (most fancy tops/backs are less than 5mm thick).

Entirely depends on what I am playing.

Scored 100% on both, although a couple were lucky guesses. What you could see of the musicians clothes and hands did help a lot to narrow down the choices in some cases. If it had just been the instruments on their own I'd have probably done better on the guitars.

You are so boring!

Unfortunately extremely overpriced. A few years ago you could pick up a brand new one for about half the current asking price.

That's what I've done. Also the switch on the reply box seems to be a global setting. Once it's turned off it appears to stay turned off until it's turned back on which is a relief!

Is there any proper scientific evidence that bolt-on necks make the bass sound different to neck through construction? IME the actual neck construction of a bolt-on neck is completely different to that of a neck through, so how do we know that is is the neck joint that gives a particular sonic characteristic and not the overall construction? Is there any luthier/manufacturer offering basses that are identical in every way (in so far as something made out of wood can be identical) except that one has a bolt-on neck and the other has a neck through. And do they offer sound clips that obviously demonstrate this sonic difference?

I've gone and turned it off for me. But it was rather disconcerting since there are some threads that I follow but I was getting notifications for absolutely everything. I've also noticed that at the bottom of this reply box there is a "Notify me of replies" switch that is ON by default. It's going to be a complete ball-ache if I have to specifically turn it off every time I post.

Weirdness with the "Following" preferences. Since the weekend I appear to be automatically following any thread that I have posted in. In certainly wasn't like that before and I haven't changed anything in my settings.

Bartolini's work well for fretless bass IME. My Sei has the same pickups as the Ibanez GW1 bass, but these are being fed into an ACG EQ1 filter pre-amp rather than the standard Ibanez pre-amp.

I think the Kubicki version is the best way of doing this on a bass guitar. The double bass method works because of the way the instrument is played and the relatively extreme angle of the headstock. BTW are the tuners for the E and A string reversed on the extended version?