BassTractor

[quote name='neepheid' timestamp='1400762497' post='2456729'] I think that's unfair and presumptuous. I prefer to email, I'm not very confident on the phone, I don't enjoy phoning people I don't know. Email is way more comfortable for me, and I'm no timewaster - if I make an enquiry about something it's because I want to buy it. [/quote] I think I sense where you're coming from, and myself often feel way more comfy when writing and having the time to iron out the worst blunders. But I don't think Iconic was being unfair and presumptuous, as what he wrote was a pun-like condensate of our experiences. Also, I feel quite confident that your e-mail to a firm would be easily recognised as a serious one, by most firms. I think one can see the difference in most cases.

[quote name='waynepunkdude' timestamp='1400855131' post='2457608'] Never got the appeal of Will Ferrell, this remains the case. [/quote] I must admit I've never ever liked his humour, but I did like him here. "In America?"

Not funny. This imposter got away with way too much, ruining the [i]camaraderie[/i] in one of my fave bands!!!!! Thanks for posting, I guess. [color=#ffffff].[/color] [color=#ffffff].[/color] [color=#ffffff].[/color] [color=#ffffff].[/color] [color=#ffffff].[/color] [color=#ffffff].[/color]

http://basschat.co.uk/topic/235744-1-unit-power-amp-options/ might help? Unless I've overlooked an important detail, of course.

[quote name='OliverBlackman' timestamp='1400689851' post='2456154'] You can do that, or if you really want to develop your hearing in the process the alternative would be playing along to music. [/quote] Thanks, Oliver, for trying. However, and I'm not sure about this, I think you answered the question "How do I work on MY intonation" whilst I meant to ask "How to start working on the best placement of the individual saddles", seeing as that Gaf had worked on the bass's intonation and got it to be spot on. Language, eh?

Wow. That was kinda yummy, and a good example how gold hardware can tone down rather than ostentatiate (well ... it [b]should[/b] have been a word!) Well done! BTW, what is the smart/quick way of starting to work on the intonation of a fretless? Simply measuring up 17" from the nut and remember/mark that point, or?

[quote name='HowieBass' timestamp='1400673735' post='2455964'] ... and from hence forth your nickname shall be "Smashed'n" [/quote]

Told it before IMS, but a friend of my uncle had horns through several floors in his house, starting in the basement where the turntable and the amp were, and finishing in the lving room where he'd listen to the music. So he'd put on a record and jump up the stairs, always arriving too late to hear the beginning. Bliss!

Wow! Hadn't expected that. Still made to last then, eh? I suspect that in time you'll fill in the rough bits with wood "splinters" and colour them black. Just always play on dark stages, and you'll be fine.

Another BC accomplishment and victory! I'm so proud of myself now! Oh.... wait! Another SlapbassSteve accomplishment and victory! Kudos to SlapbassSteve! Congrats, Sam. Does it play OK?

BTW, IBWT: In Belfast We Trust, or?

Al is right, you know. Welcome to BC, and enjoy the banter! Bert (I'll bake us some fresh bread. No, no bother. Had to anyway.)

[quote name='skankdelvar' timestamp='1400430759' post='2453754'] [/quote] Ellesley?

Even though they made a lot of terribly tacky stuff alongside some great tracks, I've always loved Ekseption. They'd have two horns most of the time, but during two or three periods had three (two saxes and one trumpet). But here's something else: Motorpsycho and the horns from Jaga Jazzist. This happened after they'd gotten inspired by a one-off concert together when someone discovered that the bands' paths would cross when they were doing coastal Norway but in opposite directions. A simple song, but good fun, methinks. For slightly more special stuff, check the song "Tristano". [media]http://youtu.be/prdpOWoSR4k[/media]

[quote name='BetaFunk' timestamp='1400370936' post='2453339'] The first two Chicago Transit Authority albums are great. [/quote] This! I mean: Huh? There are two of them? Anyway, a few albums after that/those are very good too, I feel, before it goes quicklyfastly downhill. [quote name='Grangur' timestamp='1400387561' post='2453362'] "25 or 6 2 4", and "Colour my world" are among my favourites. [/quote] Aye! Unforgettable! (You are aware it's "25 or 6 [b]to[/b] 4", yes? As in: 25 or 26 minutes before 4 AM?) I'd advise anybody to track down Chicago II and Chicago IV. Quite rare though.

[quote name='lowdown' timestamp='1400322918' post='2452871'] Don't get me started on those Wagner Horns and the depth of the conical bore these days. [/quote] Aye! Gets on my tits, that. If you're gonna do it, do it well. Those modern digital, polyphonic conical bores don't sound at all like the period correct analogue, monophonic conical bores.

[quote name='discreet' timestamp='1400346415' post='2453121'] [size=4]you should never measure anything when you've got a hangover...[/size] [/quote] Yes. Hangovers are detrimental to what you wish to measure, Mark.

[quote name='Bolo' timestamp='1400354536' post='2453195'] [/quote] Assuming that I understand what you mean, I respectfully disagree.

[quote name='EssentialTension' timestamp='1400330748' post='2452976'] Because of excellent songs, excellently played in an excellent performance ... and so an excellent night out. I think that's usually why. [/quote] Fantastic response. IMHO of course. Looking from a distance, I feel no attraction to a tribute band gig, but I'm also aware that if I actually went to one, I'd immerse myself and most probably have a blast. IOW, I'd go if something was close enough to where I live. It's all just a bit of fun, not a philosophical debate. For me, a vastly more important distinction is whether they play exactly like the albums or not. This is probably the reason I've never seen Genesis back in the days, as they were reportedly terribly close to the studio albums when playing live. But I'd probably go and see The Musical Box nevertheless, for the sheer fun of the immersion blast.

[quote name='howdenspur' timestamp='1400173561' post='2451487'] No, not that one...one of them thunderbirds... [/quote] If it's the non-reversed T-bird you mean, then better hurry. The guy mentioned by Bolo has just told that those are definitely not coming back.

I've been to a lot of Bach and Strawinsky tribute shows. Music was always good, but they tend to dress poorly, really looking nothing like the originals. I think I'm done with this now.

[quote name='neepheid' timestamp='1400274692' post='2452633'] And don't forget the other "cousin" - the Gibson G-3... [/quote] Good call that, and thanks also for the list! I'd forgotten most of it, but after your list now do remember how we used to look at headstock colour when one was on tv. No HDTV then. @GrammeFriday, also note that the G-3 has three single coils, so the three models are quite easy to discern from each other. With the different phasing options, the G-3 might possible rip AND grab, Idunno.

[quote name='RhysP' timestamp='1400264008' post='2452480'] I dislike far more music than I like. [/quote] Just list them all, and I'll present them to my son the music lover. The older I grow, the more music I like. I started out, in 1963 or so, as the little boy explaining to the grown ups why they shouldn't listen to "She Loves You" and other beat music, and rather listen to Bach and Beethoven. These days, I can even muster quite some c&w and blues. Back on topic then: Hearing "She Loves You" always brings back memories about how I as a little boy explained to the grown ups... I was little enough that I could stand in the car, in the back but half between the front seats, so the grown ups could clearly hear all the wisdom. They never seemed that interested though.

[quote name='RhysP' timestamp='1400257088' post='2452396'] Whenever I hear anything by Rage Against The Machine it always reminds me that I can't stand Rage Against the Machine. [/quote] I'll present this to my son the RAtM fan.