jrixn1

There are two good solo handovers in https://www.youtube.com/watch?v=k94zDsJ-JMU (Milestones), at 1:50 and 3:15.

There is no user-controlled DSP on the RCF. I assume there is a limiter somewhere in there but don't actually know for sure. FWIW in my setup, I don't chain the RCF and the desk. Instead my pre-amp has a DI out which goes straight to the desk, and a separate line out which goes to HPF and then to the RCF. The separate line out also has its own volume control, which is useful. I have complete faith in the RCF, but I suppose not chaining it to the desk means that if it were to malfunction during a gig, FOH would remain unaffected.

Make sure the sub has two inputs and two high-passed outputs, as some (many?) only have one. @Teebs what are your current speakers and mixer?

I think the issue is that the cab which comes as part of the Walkabout Scout system is already 4 ohms. Therefore a second cab cannot be used without taking the amp below the official minimum of 4 ohms.

Not sure if this is exactly what you're after, but iReal Pro has a numbering mode.

As for cables, it looks like you'll probably need a stereo mini jack (3.5mm) to mini jack. I'd avoid the cheapest ones, which cost only a few quid, as I've found them to be of the poorest quality; they develop crackle, or only one side works. I usually go to Designacable.com - either their website or their ebay store; here's a link to a mini jack cable - https://www.ebay.co.uk/itm/Van-Damme-Stereo-Mini-Jack-Lead-3-5mm-Car-iPod-iPhone-AUX-Headphone-Cable/161775144057 However, do check which size you need before ordering - for example if your playback device only has a standard (1/4") jack output, then you'll need a 1/4" jack to 3.5mm jack, etc.

What amp do you have?

Yep, you've done it completely correctly. For info - each cab is 8ohms, and you have indeed connected them in parallel.

That was a promotional video, not a review.

"Imitate, assimilate, innovate" Start by transcribing the improvisations of your favourite players.

I'm also doubling and my previous setup was quite similar: a Zoom into a Genz Benz Shuttle 9.2 into one or two Barefaced cabs. The wedge format of a powered speaker is really great, and one of the reasons I'm glad I switched over from separates. The powered speaker is slightly heavier (18kg) than any other single component of a separates system, but the handle placement is really good so overall I prefer hauling it vs my previous setup. Also I pocketed some money by switching, as an RCF 732A is about £650 new whereas my separates rig was sold for about £1000 used. I think for your situation, I'd avoid any 8" or 10" unit and go for a quality 12" or 15" (I see RCF or QSC most often recommended). Some online retailers (e.g. gear4music) have a generous returns policy (30 days instead of the 14-day statutory requirement) so that might be long enough to decide if the new setup works in your situation.

Right, exactly - everyone has the following signal chain somewhere: 1.pre-amp ⟶ 2.power amp ⟶ 3.speaker. There are four ways to combine these three elements: all as separate units = a touring rack system combine the pre-amp and power amp = a head & cab setup combine the pre-amp, power amp, and speaker = a combo combine the power amp and speaker = a powered speaker The first three are established form factors, whereas the fourth is less so. Each has its pros and cons; I don't think any particular form factor is inherently better than any other. Completely distinct from the form factor, all of the above may or may not be "FRFR" (full range, flat response).

I wonder if that 8" speaker is going to cut it. I do myself have a QSC CP8 (also an 8" speaker), although I haven't used it much yet; certainly not enough to form a judgement. In its favour, it is very small; I got it to use at the occasional very quiet gig. My normal rig is an RCF 732A, which sounds lush and can go louder than I'll ever need it to. I don't always know in advance what the gig scenario is going to be, but I'm confident the RCF 732A can handle any situation I'm likely to encounter. The QSC CP8 definitely couldn't. What's your current setup?

Been years since I've browsed it, but try https://www.facebook.com/groups/22473888020/ or similar. Edit Ah, it might be a private group. It's called "Dep Musicians in the UK - Needed and Available"

Ah I could be wrong. On the first-gen K and the CP series, you can set the switch/dial to "EXT SUB".

Sounds like a really good setup to me 👍

Are you very very loud, or is the Darkglass + Big Twin 2 just ticking over? Because if it's the first option, I'm not sure what single powered speaker could match the volume of 900W into a Big Twin 2.

I don't have a K10.2 but does it make a difference if you turn the high-pass filter on? I think it's an option in the "sub" menu.

What's the underlying problem - you can't hear yourself? What have you tried which hasn't worked? Can the rest of the band and the audience hear you ok? Raising the cab so high (60cm) can potentially affect how things sound - I think due to the direct sound and the indirect sound (from floor bounce) ending up out of phase, cancelling out low mids. Won't a flight case for an 18kg Rumble 800 be at least 25kg? As for the general practicability of rolling flight cases - they're great if your van has a ramp and the venue load-in is easy, flat/ramped, and wide. But can quickly become a pain if you encounter any steps or narrow doorways/corridors. Also over time a flight case is more likely to mark your vehicle and doorways in wherever your store the equipment.

I recently bought a bass bar and am happy with it. Nearly all my gigs are doubling, and it allows me to switch instruments quickly and without faff. Then when the upright is not being played it's now taking up a smaller footprint on stage. It's light, folds down small, and can confirm it does come with a bag. Good product 👍

Google 'hackspace'