Bass → effects pedals → BDDI.
Then:
BDDI XLR → FOH;
BDDI 1/4" → GK → Bergs.
Set up the BDDI with your preferred eq & tube drive for FOH.
Use the GK's controls to tweak the on-stage sound without affecting FOH.
I also still own a B1on, and the B1 Four interface is easier to use and with a clearer display and lights. The B1on is an older chipset, I think.
I've not used a B3n but I think it and the B1 Four share the most-recent processor. The B3n has more buttons but it is larger.
The list of effects of the B1 Four is here: https://www.zoom-na.com/sites/default/files/products/downloads/pdfs/E_B1FOUR_FX-list_1.pdf
Was it this thread: https://www.basschat.co.uk/topic/34334-the-old-west-end/
You can tag people by putting an 'at' sign in front of their username.Like this: @Stingray5
Update: Now sold
Zoom's newest bass pedal - you can read about it on this thread: https://www.basschat.co.uk/topic/337340-zoom-b1-four/
I bought it new in May but have decided to stick with my MS-60B - which isn't the latest, and has fewer functions, but it is smaller.
£50 collected from London W4 (Gunnersbury) or N12 (Woodside Park), or add £5 for UK postage.
No batteries included. Very small light scuff on the base where velcro was attached.
Is it a wolf tone? My bass developed one in the same place as you, but I found a wolf tone eliminator helped a lot. It's a small metal mass which screws onto the afterlength to counter the resonance.
I think it depends exactly what you're looking to get from your LPF in the first place, and a cab sim isn't the same as a LPF - but it might serve a similar purpose , namely rolling off the highs.
The new Zoom B1 Four does have a specifc LPF effect (called "High EQ") which I don't think was in the older units - although I haven't tried it myself.
I'm not sure which cab sim is the best - I cycled through them and ended up with the Bassman 4x12.
Actually I'm a bit confused now... PM1 manual says "Signals should be sent from a stereo headphone amplifier to the PM1. Note that the PM1 XLR input is not meant for balanced line signals."
But is our desk indeed sending a balanced line signal? Mackie manual: "These 14 male XLR connectors provide balanced line-level signals"
In which case, what am I hearing... is one of my ears out-of-phase?
There are three Behringer in-ear products: P1, PM1, and P2. Yes the P1 is the larger one, but the one we have in our band is the PM1, which is only 80g. I don't know the weight of a P2 but the two AA batteries it needs will be about 20g already.
Our mixer is a Mackie DL32R, which has 12 line-level XLR outputs - I wonder if technically that is wrong and i.e. we should be using headphone amps (like the P2). However the PM1 seem to work well and I don't have any volume issues - normally have the dial about half way up.
It's a different scenario, as the band I'm in is a function band. But if it helps, they recently flew into Jordan on a Friday, for a gig on Sat, and flew back on Sunday. All expenses (flights, hotels, gear/instrument hire) were covered. The fee paid was £350/musician. FWIW I didn't fancy it and depped it out.
Yes, it's a legacy website. Genz Benz was bought by Fender around 10 (?) years ago, continued for a few years, and then was shut down.
Jeff Genzler's current operation is https://www.genzleramplification.com/.
Your wording would make a difference:
"Hello seller, I demand a short video"
I would find this off-putting.
"Hello seller, Would you be able to record a short video?"
I would happily do this if I can find the time.
What musical style is this?
Have you done much transcribing? This helps to learn the idioms of your chosen musical style.
If this is straightahead jazz, I'd transcribe horns not bass players.
I'm not 100% of your intention, but since you've posted in the "Amps and Cabs" forum - are going to play a bass guitar through them? I don't think it will sound very good.