jrixn1

What solution are you going for in the end? If you can't find the rack ears, perhaps a clamp shelf might work?

Sorry - I didn't mean that the existence of the iReal Pro app lowers the usefulness of your charts, by any means. The context I meant was that it's another option to be aware of in the wider conversation of having a library of chord charts. For songs I don't know, I probably use hand-written charts for 90% and iReal Pro only for the remaining 10% - mostly for songs which are sprung on me just before (or during) a gig. Myself, I prefer to write out my own charts, as the act of transcription itself helps to learn the song. Having listened to the song carefully a couple of times and written out the chart, I often find I now no longer need it! Happy to share if anyone is looking for function/soul/Motown -style tunes.

As dand666 points out above, check out the "iReal Pro" app. Once installed, you search and download whatever songs you are interested in from the iReal Pro forum, https://irealb.com/forums/ (Originally, the app had the songs built in; but the system was changed after a legal copyright claim was made against the app developer.) Example: suppose you playing a Beatles set - download the charts from: https://www.irealb.com/forums/showthread.php?1188-The-Beatles The app can transpose, display as Nashville number system, or even as guitar tabs. You can edit existing charts and create your own. You can play along with the app as it has a backing track function.

Thanks. They stack vertically too!

Could you drive there?

You can use Google to search basschat (or any website). Limit the search to only basschat pages by adding "site:basschat.co.uk" to your search terms.

Bumping this old thread! I'm about to pull the trigger on a Feather Micro Coil, to use on quieter gigs (where I hope feedback will not be a problem). https://www.myerspickups.com/products/the-feather-mirco-coil-pickup-system Anyone tried one?

Could you use the "AUX IN" of the Streamliner, instead of the effects loop? I think it should sum the aux signal with the main (front) input stage.

Another variable worth considering is the power of the head. The Barefaced one10 webpage says "safe with up to 500W if you're running fairly clean sounds" - so if your desire is to be louder, it could be the head which is the limiting factor, not the fact that you only have one cab. A PF350 outputs 250W into 8ohms (one cab) or 350W into 4ohms (two cabs). As a comparison, I have a Shuttle 9.2 which outputs 500W or 900W. But what difference will it make? BTW I don't have any technical expertise in this area, so please point out if I've misunderstood or misinterpreted any of the following! I used the sound pressure level calculator at http://www.sengpielaudio.com/calculator-efficiency.htm, with a sensitivity of 95dB (as per Barefaced one10 webpage), and the calculator's default distance of 3m. The starting point is PF350 into one cab, which gave 109.5dB. The results: PF350 into two cabs → 113.9dB (an increase of 4.4dB). Shuttle 9.2 into one cab → 112.5dB (an increase of 3.0dB). As an approximate guide, a increase of 10dB is a doubling of perceived loudness. So with 4.4dB increase vs the Shuttle's 3.0dB, the winner is the PF350 with two cabs - but I think it's close enough that a more powerful head remains a comparable alternative to getting a second cab. Some other results: Shuttle 9.2 with two one10s → 118.0dB. PF350 with a two10 (sensitivity 98dB) → 116.94dB. PF350 with a four10 (sensitivity 101dB) → 119.94dN. Anyway - hope it's interesting. There are other differences between one cab or two: using one means less carrying, whereas two cabs probably have a deeper tone and will be taller. And anyway, theoretical calculations should probably yield to any real-world experiences. FWIW I use my Shuttle 9.2 and a single one10 most of the time (although I do own two). This is with a ten-piece function band who is still quite loud on stage despite owning a huge PA.

[quote name='Al Krow' timestamp='1510046768' post='3403391'] [color=#282828][font=helvetica, arial, sans-serif]- I moved the bass combo (which is not going through our PA) to a raised platform area adjacent to the PA and out from behind me and the mics. EQ: I backed off the lows a little and [/font][/color][color=#282828][font=helvetica, arial, sans-serif]pushed the [/font][/color][color=#282828][font=helvetica, arial, sans-serif]upper mids and treble a touch. Seemed to entirely eliminate bass 'boominess'. [/font][/color] [/quote] Perhaps I've misunderstood - but does "[color=#282828][font=helvetica, arial, sans-serif]adjacent to the PA and out from behind me"[/font][/color] mean the bass combo is now at the front of the band, facing forwards (into the audience)? If so, how do you hear it yourself? Was the previous boominess caused by the placement of the bass amp in the room, or by the mics picking up the bass, or the previous EQ setting?

Where did you connect the AER "line out" to, on the Tone Hammer: the "input" or the "return"? "Return" is probably the correct one, as that will be expecting a line level signal, which will then go straight to the power amp section, bypassing the pre-amp section (the drive, gain, and eq).

The one I've used on Android is https://www.zubersoft.com/mobilesheets/ It can import your existing PDFs, and then you create a setlist by dragging the songs into whichever order you like.

@naxos10 - yes, I initially thought about putting the Dual Lock just on the feet - but I wasn't sure if the bottom of the feet had enough surface area for the glue to attach to, and if (like @Kirky says) I'd just end up ripping the piece of Dual Lock off. It is really strong! Just with one strip (as pictured below), if I lift the head up vertically then it stays completely attached and picks the cab up off the floor. But if I lift the head from the back and sort of rotate it up and forwards at the same time (if that makes sense?) then it comes off pretty easily. I suppose time will tell if the glue eventually fails...

Actually - having now realized the strength of Dual Lock, the metal L-plate is redundant. Extreme tilt angle shown for demonstration purposes - this head is not going anywhere!

[quote name='discreet' timestamp='1462364403' post='3042377'] The stand is a Stagg 14707 [/quote] @discreet - thanks for the tip-off re the Stagg 14707 stand. It seems to be an exact match for a One10. I wasn't completely comfortable just hooking the head's feet over the front of the cab. I'm often on a cramped stage and I felt a brush or knock from a clumsy band member (or indeed myself) might knock the head off. This was my solution: Although it's a shame the Barefaced logo is now covered. Anyone do anything similar? BTW I used strips of 3M Dual Lock (like super velcro) but I probably only needed about half of what I used. That stuff is strong!

Update: J&D Mini has been in the back of my van for the last year or so. Haven't needed it as an actual back-up, but have done a couple of gigs with it out of choice. It sounds good, it's really fun to play - and it's so, so light! Happy with it stock, including the strings - just pimped it recently with the cream pickup covers. (N.B. can confirm pickups are standard/full-size.)