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JohnFitzgerald

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Everything posted by JohnFitzgerald

  1. Just like this one - ish. Fab sounding bass. http://www.youtube.com/watch?v=n3yUniSTH1w
  2. I'm in Glasgow (ish) just trying to work out how I might do it.
  3. Ash Where in the northwest are you ? JF
  4. These were also sold under the Kay brand in the early 80s. I had one brand new out of Golumbs music in Glasgow. It was the first bass I ever bought myself. I bought it because I loved the neck through look and secretly wanted an Alembic. Yep, still want one, still can't have one ;-)
  5. Saw that myself. Given I scored a JV Precision recently for a decent price, I can't begrudge you that bargain. His description was rubbish though. Hid it well.
  6. Any interest in a trade at all ? TRB1005F, fretless in natural colour ? Tis a beauty. Just like this one.
  7. If you like your time signatures odd and irregular, your Mellotron sounds present and correct, your bass pedals Taurus and you guitar and synth solos aplenty, The Peel tomorrow night (7th Dec) is the place to be. We're on along with Pallas. If you make it along, say hello. I'm on bass with Comedy Of Errors.
  8. I'd go with the TC as above. Well, actually, that's what I did do. Others haven't had as positive an experience as I have, so it seems, but I love it.
  9. I should add that in my opinion personal tone makes a huge difference. At our gig last night the bloke in the other band had a R*ck*nb*ck*r played with a pick into an SVT 8x10 stack. It was all top and bottom and he was at knee buckling volume on stage. His level through the PA was pretty immense too. Certainly, it was all louder than I'd ever want to be. Nobody could hear him, he couldn't hear himself, but everyone complained that the bass was too loud. No mid, all top and bottom. On its own, sounded immense. In a band, too loud, but inaudible. Thundering through you, but you couldn't hear any notes. I was quieter through my backline, I was quieter through FOH too by a considerable margin. I could hear myself fine, people in the venue could hear me too. Tone has a huge influence on audibility. Ashdowns have never delivered for me in this regard. Too much bottom, not enough mid. YMMV.
  10. Back to the question, if I may. My old Trace stack was 130 watts. It was a 1x15 and 2x10. My current TC BG250 is, rather unsurprisingly, 250 watts, that's into a 15" speaker. Which one had the capacity for being loudest ? The one with the Big stack of speakers. 130 watts was more than sufficient to make the speakers do what they had to do. No question about it. The Trace would have blown the TC clean off the stage. The watts were no more than part of the equation. Now, having said that. Is the BG250 loud enough for me on stage ? Without a doubt. If I buy a TC 250 watt head and a 2x10 and 2x12 stack, will it be louder than my 1x15 combo. Yep, it certainly will. Buy speaker capability, not watts.
  11. I'm still very happy with mine. I ask no more of it than it neutrally amplify the tone I put into it at a reasonably loud stage volume. It seems to have no issues doing that and I very much appreciate the light weight. On our bill last night, the bass player in the other band had an SVT and 8x10 cab. With a state of the art line array EV pa there, who really needs that ? Not me, that's for sure. I feel for you though, if you've invested belief in it doing the job for you and it lets you down. Confidence is shattered at that point.
  12. Man, that's a beauty. Trust me to miss out on the perfect backup to my TRB1005F. If it falls through, you can find me here. ;-)
  13. I have one of these and love it. It does what I need an amp to do. I have no interest in having an amp that goes louder than this and wouldn't want the job of moving a bigger amp these days. With the gain set just short of the clipping point and the master at half, it's just right for me. The PA can do the job of making it loud enough for the audience. To me, it sound pretty neutral and lets the bass have its own voice. Suits me fine. Occasionally, I'll use an Ashdown ABM and 6 x 10 at the rehearsal room, it sound horrid and unfocused in comparison. If anything replaces the TC for me, it might be a head from the same range and possibly a 2x10 or two, but as it is right now, I'm a fan.
  14. See you there David. Heading down tomorrow
  15. I'm glad you guys have have had largely positive experiences. Just goes to show you that my experience maybe wasn't typical.
  16. I'll be at the above with Comedy Of Errors next Saturday, 23rd November. Great line up over the two days. It's described as a Prog Extravaganza. I'll let the genre police decide what it is We're on last band on Saturday afternoon. Anyone who happens to be there, please say hello
  17. I'd be delighted to be found wrong, but the ones I had my hands on today missed the target by some distance. As I said, hopefully the pukka ones are more representative of what a German one is really like.
  18. Tried a couple in Guitarguitar Glasgow. Really wanted to like them. These are the ones with a satin finish and were P and J type basses, whatever model that might be. £499 and £569 respectively. As I say, I really wanted to like them. I must confess, I was genuinely surprised by build quality - and not positively. Countersunk neck screws were all a bit skew whiff. Heads didn't line up and the screws were offset in the countersink. The J type had stack knobs for the tone control. Those felt gritty and fouled each other. They both looked ok on first glance, but a bit closer, not for me. I'm sure the higher end ones will be much much better, but these ones aren't for me. YMMV etc.
  19. I'd think so, yes. One has the Sterling SUB 5 in it. The other has the TRB1005 in it, with 35" scale. If those fit in, a P will fit easily.
  20. Just back home. Bought two, just shy of £100 for both as in the link above. To me, that's excellent value when you consider what you're getting. I don't take good gear for granted, so this is a blessing to me to have a couple of decent basses and to have them in good quality cases.
  21. I feel lucky. The mellifluous sound of the Yam and the sheer Musicman sound of the SUB. Awfully pleased with these two. [attachment=148513:PICT0035.JPG]
  22. Thinking of a couple of these. [url="http://www.guitarguitar.co.uk/hardcases_detail.asp?stock=09121810585128"]http://www.guitarguitar.co.uk/hardcases_detail.asp?stock=09121810585128[/url] My own pavlovian response right now would be to recommend two Hiscox liteflites but I don't have the wedge for that. Anyone got one of these Peavey cases ? I want something that'll hold the bass well.
  23. These are fantastic amps. Set your gain to just below clipping, set the master volume to half and it's plenty loud for most stages. The days of heavy iron and huge speakers are behind us. I'm absolutely a convert. Even better, you'll lift it with one hand. A great, great amp and this is an excellent price.
  24. Did a deal with Ted for a bass I was selling. Excellent to deal with throughout the whole process. Deal with confidence.
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