dannybuoy

I've got the Hotone Bass Press. Great little wah pedal, much better sounding than the Dunlop 105Q in my opinion. Are any of the Helix wah models decent on bass? I've not tried them but I know there aren't any bass-specific ones. You could of course blend it with clean or have it on the high channel of a crossover if you had the blocks to spare. It does the job as an expression pedal, but the Dunlop DVP4 Mini outclasses it in every respect. Wider, smoother, more stable, more travel, built like it would last forever.

One of these hooked up to a hardware synth would be fun to play with then: https://www.keithmcmillen.com/products/12-step/

@owen sounds like you are describing the EHX Freeze pedal?

It’d be a total marketing fail if it had those fx and they just couldn’t be bothered to list them, I think what you see is what you get. Shame, as they had the Spectradrive out so they could’ve included some drive models, then all they had to do was put out a filter before getting to work on the multi!

From the product page: FX include Hall Of Fame 2 Reverb, Flashback 2 Delay, Sub n Up Octaver, Brainwaves Pitch Shifter, Corona Chorus, Hypergravity Compressor, Mimiq Doubler, Vortex Flanger, Pipeline Tap Tremolo, Quintessence Harmony, Sentry Noise Gate, Shaker Vibrato, Viscous Vibe, Helix Phaser, Tape Deck Looper Lack of drive and filter rules it out for me as a multi fx, they’re the most important effects to me. Even if you were happy to have those as separates, you would be forced to have them before or after everything in the Plethora.

I've still not even bothered with the editor! Although I might do just do bring down the volume a tad. When it comes to pedals, I generally hate multi-fx and app-driven pedals, and this is coming from a techie that works in IT that spends all day fiddling around with scripts and settings. Maybe that's why in my downtime I just prefer simplicity! Luckily the Spectracomp works just as well in that regard, with it having just one knob.

I liked the stock one the best after going through them. I don’t find the volume boost a problem as I leave it always on and I prefer the sound of my drive pedals with a bit of boost into them anyway. You can always adjust the master volume via the app.

Dunlop 105Q Mini.

I also had a hum issues caused by a dimmer, but only when combined with the flat EBS cables which didn't have great shielding! Maybe try a simple DI box into the interface as a means to isolate ground loops etc?

The pickups in the old ones are great, high output and aggressive, these look to be similar. I tried every Fender PJ in the shop one time and the 'Jazz' Bass Special was my favourite by far.

I second the Yamaha recommendation - I went through a bunch of 5 strings including a Fender Precision and Jazz, but they were all too wide at the nut for me, until I found a BB415 that was 42mm, the same width as my 4-string P-Bass! I didn't get on with the Sterling Ray35 or Sandberg TT5 necks either. Ibanez would also be a good bet!

Ok, technically that is a filter. But it's not a filter.

Scan are legit, I bought various bits from them to build a PC about 10 years ago!

My top 3: Octabvre, OC-2, Markbass But there's not much in it and I'd be very happy with either of them! Markbass might be the best choice for size alone!

As far as I know the Octabvre Mini is no different in sound to the full size MkII / MkIII in TIM mode.

Give some Tech21 stuff a try - Sansamp BDDI (of which there is a dirt cheap Behringer version, the BDI21 if you fancy dipping your toe in on the cheap), VTDI, YYZ, or DP-3X. The last 2 in particular - as the YYZ has a bass-heavy EQ'd clean channel and the DP-3X a crossover and compressor on the low end side. Also the Orange Bass Butler - there's one in the classifieds!

You don’t need one if you have an active bass, or a pedal with a buffered bypass early on in the signal path. It’s likely that you already have at least one in your chain already!

Baby Sumo possibly, but is also a bit big for a pedalboard: https://www.guitarsoundsystems.com/gss-baby-sumo-ampxlite-bass-guitar-power-amp-c2x21844846 Personally I’d prefer to use a clean sounding bass amp so you can tweak your stage EQ without affecting FOH.

Yup!

Film (and instant film) cameras are seeing a massive resurgence also, used prices for old cameras are going up and up.

https://www.joyoaudio.co.uk/joyo-zgp-guitar-effect-pedal-filter-isolated-output-power https://www.thomann.de/gb/joyo_zgp_noise_blocker.htm

Best tip when it comes to stacking, if you have a bright clanky sound set up, don’t boost into it with the same. It’s best to use a darker overdrive to boost into it; if you’re stacking a VTDI into the SH1 for example, turn the bite off on the VTDI.

Keep both until you’ve compared them in a full band mix and/or at high volume. I preferred the VTDI in the end and sold the SH1!

I had the Cali, then I upgraded to the TC Spectracomp and pocketed the difference! Multi-band compression is where it’s at if you have any kind of high mids / treble in your tone IMHO. Hyper Gravity is the same comp with more knobs, but the Spectracomp is dialled in for bass and comes with a bunch of bass presets... although it is possible to map these to the Hyper Gravity using the settings that someone dumped into a spreadsheet!