dannybuoy

[quote name='steve-bbb' timestamp='1472382180' post='3120648'] [url="http://www.groovemonster.de/content/img/downloads/CADFAELS-Schaltplan-Sammlung-E-Bass-Bassschaltungen1.pdf"]http://www.groovemon...chaltungen1.pdf[/url] [url="http://www.groovemonster.de/content/img/downloads/Bassschaltungen403.pdf"]http://www.groovemon...altungen403.pdf[/url] (page 27 ? ) [/quote] Those all look like parallel setups to me?

[quote name='ikay' timestamp='1472373577' post='3120580'] Here you go [/quote] Black = Cold Both pickups are always on with that setup, is that what you want?

Work in progress... Just got the Cioks DC5 mounted under a Pedaltrain Metro 24. I have a Pedaltrain PB1 wedge shaped pedal riser incoming to go under the expression pedal to reduce foot strain in the heel down position, then have to connect everything up! Bass will go straight into the Octabvre followed by the Manta - I want the expression pedal at the end with the Manta next to it, so this should work quite nicely. The Thumpinator and Diamond both alter the tone of the Octabvre if placed before it, so they are placed later in the chain.

I don't see the point in these massive octavers... There's not enough tonal variation in my T16 for me to want two presets out of it, I'd much rather have 2 smaller and very different sounding octaves on board. The FX loop could be handy but it tracks surprisingly well after other pedals - funnily enough the Diabolik sends the tracking all over the place but it is rock solid placed after a Prunes & Custard! I have a special one-off gig coming up where I think everyone will be running direct to the PA and am just trying to work out what's going on the board... So far it's looking like: Polytune Mini -> Octabvre Mini -> Source Audio Manta with hub and Dunlop DVP4 expression pedal -> Corona Mini chorus -> Tone Hammer DI 90% of the time it will be just a P with flats into the Tone Hammer with a bit of overdrive courtesy of the AGS circuit. Then a dash of chorus used in the chorus of one song... and then octave synth / filter used for one track. Currently trying to decide if the Diamond Compressor I just picked up is going on, but I think I prefer the way the Tone Hammer AGS circuit responds to my P plugged in direct; I could try the comp at the end but then I would need another DI!

Jeebus tiddy fudging christ.

[quote name='Johnny Wishbone' timestamp='1472154089' post='3118998'] Been the same for a while now. Nothing too exotic I guess. The two Boss octaves are soon to be replaced by a COG T47. [/quote] I'd hang onto that OC-2 if I were you until you have a chance to A/B them! The COG has awesome tracking and a very smooth sub octave that sounds wicked blended, but it can't quite cop that hollow sounding solo octave sound like the Octabvre can.

Both diagrams achieve the same thing, I just lost patience getting the arrows to look right! The LS-2 takes loops A + B (Meatbox + Synth), blends and sends them to the DI. The dry feed from the Meatbox is used to go to the rest of the pedals and rig.

Try a Classic 50s as well if you like a chunky neck!

Old round wounds? Sounds like new strings aren't for you, I thought Sunbeams were pretty mellow.

I take it you used a Roland to copy it also?

This way should work as well and do without the need for an additional signal splitter... (the LS-2 hookup looks confusing because I don't know how to use Visio properly, but its just the meatbox in one loop and the synth pedals in the other):

I thought as much, most pedals do naff all without something in the main input. But you can just use the Meatbox signal as the main input, and blend that with the Synth in one of the loop inputs, which will save you a few grams on your pedalboard!

I think I've gathered what you want and you might be able to do it with what you already have. First you'll need a cable with one stereo TRS jack to two mono TS jacks. They are commonly known as insert cables, low profile ones for pedalboard use are hard to come by but can be custom made. This will save you using the LS-2 to split the signal before the Meatbox, as we'll need to use this pedal as a mixer later! Secondly you need another signal splitter before the synth rig. You can use a blender or LS-2 for this, but also a stereo chorus pedal or even a Boss tuner, so try to use something you already own if possible. Then the LS-2 can be used to blend the Meatbox and Synth and send to the DI. You might be able to just plug them into the return sockets with noting in the main input socket or sends, I'm not sure... otherwise you can route the Meatbox through the main LS-2 main input and the synth rig through one of the returns. Whatever way works to get it to behave like a mixer!

If Bass Direct manage to sell it for that price, then good luck to them and the only person you should be pissed off with is yourself for letting it go for less than its market value. If I buy something I consider underpriced I would have no worries putting it up for sale again at a higher price. If I manage to make a profit on it, it will help to balance out the trades where I ended up out of pocket.

Bearfoot Blueberry, Aguilar Tonehammer, or Xotic Bass BB Preamp would be my recommendation then. Also heard good things about the Creation Audio Grizzly but I can't vouch for it personally. SolidgoldFX Beta, Catalinbread SFT and Way Huge Pork Loin are all good for this also (but I preferred the ones previously mentioned to these).

[quote name='NancyJohnson' timestamp='1471945551' post='3117111'] I don't think it's necessary to go as far as taking vocal lessons...[/quote] I don't think it's necessary to go as far as purchasing a pedal! Maybe try some vocal coach tutorials from YouTube as a taster, you might be surprised at what you can do with technique alone. Mouth shape, mic position, etc can make a big difference.

Bolo is right. I recently did this with filters, I only kept the pedal if it made me gurn.

Lots to choose from in this area, depending on budget. Are you after a brighter more clanging sound, or a more vintage/wooly/thumpy sound? The VT Bass is a top shout, I liked it so much I bought the VT500 amp. The DI, amp, and Fly Rig variants also have a 'bite' switch unlike the others (they have the bite permanently baked in), turning that off gives you access to some nice mellower sounds too.

Watch live online: http://www.bbc.co.uk/iplayer/live/bbcfour

A lot of those necks and bodies are cheaper from Strings Direct by the way. But Stratosphere obviously have a much better selection!

I'm 36 and in the same boat and will be starting with this: http://www.amazon.co.uk/dp/0996727604/ref=cm_sw_r_tw_awdl_x_QtIUxbGZSQQC9

[quote name='P Kool B' timestamp='1471805906' post='3116043'] After having a listen online (I know, not the perfect way to find out the sounds of amps), I'm torn between the GK mb200 (because cheap), GK mb Fusion, and Aguilar Tonehammer. I LOVE the Tech21 micro amp, BUT the sound would just not fit. Thing is, if I got the mb200, I could possibly afford a little cab for home use too. The possibilities. [/quote] The Tech21 is actually a lot more flexible than you might think. With the blend knob off it is essentially a clean flat amp with EQ. It also has the bite button, which when disengaged takes out the high-mid / treble boost baked into the signature VT Bass tone and gives you a really warm vintage sound. A lot of the demos concentrate on the overdriven tones but it has some great clean sounds in it too. The DI output level is affected by the amp's master volume though, which is dumb to say the least!