dannybuoy

I would end up with the favourites from what I already have - Darkglass B7K & Vintage Deluxe Bearfoot Blueberry Mutron 3X Polytune Mini Noir That's not even all the ones I wanted to list - damn I didn't realise how much all my pedals were worth! If all those were sourced used and there was enough left over, a Team Awesome Fuzz Machine.

I bought a B3K when I had a Markbass rig - hated it and returned it same day. Now I have an Orange Terror into sealed tweeterless cabs, the B7K sounds great!

All I can say is, I think there's a very good reason why it's so rare!

Depends, basses off even the same production line can vary by quite a bit. My old BB415 was really light and my BB1025X relatively heavy.

£239 / £269 with free delivery! http://www.gak.co.uk/en/yamaha-bb424-standard-bb-black/36228 http://www.gak.co.uk/en/yamaha-yamaha-bb425-standard-bb-(black/48077

If by any chance these get sold and anyone else is looking, I have two not being used!

So, some clever sods have miniaturised a charge pump / voltage regulator circuit that can clamp around a regular alkaline battery to keep its charge at a consistent 1.5v until it has depleted. Most batteries are considered dress when their charge drops to 1.2v, at which point 80% of the energy is still inside. http://www.pcworld.com/article/2928997/batteriser-is-a-250-gadget-that-extends-disposable-battery-life-by-800-percent.html I find it amazing that nobody had thought of this before - that's hindsight for you. I wonder if this circuitry will be built directly into batteries and/or devices in future. Certainly worth of note if your rely on batteries in pedals or active basses!

Nice! Where did you get it, anymore available?

[quote name='lee650' timestamp='1432766714' post='2784890'] so would you say it would give a nice tubey/motown type of drive, the same way the solid gold beta drive does? I quite fancy one of these myself [/quote] I've not played one in person, but the demos suggest to me that Motown style is not it's forte. Best pedals for that (IMHO) are either a v1 Catalinbread SFT (older one with the white knobs) or a Bearfoot Blueberry. Both more expensive than the EHX though, granted!

My B9 tracks below A no problem - but for some reason it can't handle the actual open A!

There's an Epiphone Classic Pro Thunderbird out now though Blue, which has neck through construction and Gibson USA pickups, there's not much between that model and the Gibson. Unfortunately they don't have a Flying V equivalent though!

Ignore the preamp label, it's basically a bass friendly tubescreamer overdrive pedal!

I've not tried it with an aggressive active bass yet, so not entirely sure! In my hands the pedal sounds totally different - it is a very dark/warm/tubey sound, much like the Blueberry. I doubt I will be keeping both as they are so similar, after this weekend you might even see this in the classifieds!

[quote name='LukeFRC' timestamp='1432017766' post='2777198'] if that 10% is weight then worth it. [/quote] Good luck, my BB1025X is much heavier than my old BB415! I think it is purely luck of the draw, assuming they both use the same body wood it varies from tree to tree!

Wow, ordered from Tonefactor on Saturday night and it's here already! Just did a quick A/B with the Bearfoot Blueberry. They sound VERY close indeed, it's definitely a Honey Bee / Blueberry derivative rather than a screamer-type drive. I think the Blueberry just about edges it though. But only just!

I was just going to say - makes me want to get a TFR again! Studio monitors are rumbling!

PMT Cambridge had a 1025X in last time I was there but that was quite a while ago! The only reason I'd get rid of mine is if a black 2025X came up for sale!

[url="http://www.tonefactor.com/ProductDetails.asp?ProductCode=OCHGB"]Tonefactor[/url]

Just ordered one of these, sounds like a nice tubey OD, tiny footprint and BJF designed so may share some similarities with the Blueberry (sure sounds like it from the demo): http://www.one-control.com/hookers-green-bassmachine.html http://www.youtube.com/watch?v=ww1civXp2-I http://www.youtube.com/watch?v=nHTk_xikJqc

I love TIs on my P-Bass but my favourites for fretless are Status half-rounds. Smooth like flats but with a bit more zing, low tension, and won't chew up the fretboard like rounds can.

How about taking the 78 in for a pro setup to see if you can get the playability to match the other bass? And if you've already tried that, perhaps try a different luthier or a PLEK setup?