dannybuoy

I ordered the B7K plus a EHX Enigma, the latter of which I wanted to return - they emailed me a pre-paid postage label, couldn't be simpler unless they came to pick it up. Pretty impressive considering it won't be cheap to go back to Germany. They are taking a hit on this, but by doing so are ensuring my future business. Compare this to my recent experience of returning a pedal to Guitar Guitar here in the UK, I had to pay my own return shipping and my refund was deducted the priced of shipping it out to me even though it was 'free' shipping at the time of purchase. I won't be buying from there again!

If nobody can help, don't forget that in this day and age you can order online then return it if you don't like it for a full refund - some even pay for the return postage, such as Thomann who are selling it for just over £250!

[quote name='Machines' timestamp='1428869012' post='2745544'] Solid as a rock, heavy and brutish but some great sounds. I found I only ever used mine one pickup at a time though, it sounded too 'hollow' with both on at once for me. [/quote] I found the exact opposite, I always used it with all knobs turned up set to both pickups!

Do I have to be invited into this voucher scheme, or do I just go on the site and write some reviews?

Sound like a VT Bass pedal with the character knob cranked up to harsh. Clank city. Save some dough and buy a VT DI, compressor and power amp!

By the same designers of the GK amp sim, here's a boost that uses a transformer to create some drive: http://johnkvintageguitars.homestead.com/Transboost.html Schematic: http://www.talkbass.com/threads/an-inexpensive-audio-transformer-with-diy-boost-project.1113802/page-17#post-17125268

You can build your own too: http://www.talkbass.com/threads/an-inexpensive-audio-transformer-with-diy-boost-project.1113802/page-17#post-17125268

Also, I and I know at least two other members of this forum have taken part in a band named the Overdrive Orchestra. A band that never has different members each time they play, the general premise is the bassist (or one of the bassists) makes up a loop and sticks to it while everyone improvises over the top. There's not as much freedom being stuck to that loop but everyone else can go wild within the constraints of that pattern, and there's something satisfying about being the foundation of the track that everyone else is following.

In my opinion, a jam is when you all make everything up as you go along, you have total freedom and may come up with something strong enough to form the foundation of a future song. The last band I was in, I met a guitarist and drummer and we did exactly that and I recorded it for posterity: http://www.box.net/shared/k5j1a64v7t Listening out for cues from the other members and taking turns to either follow or lead the pack, when you have that synergy it's a great feeling. Most pubs idea of a jam night though is either an open mic night, or a house band plays a few covers and lets anyone else take over an instrument or the entire setup to play tracks everyone knows. I only took part in one of these once, it was pointless me going on bass as I've always just played my own stuff on bass rather than covers, but knew quite a bit of Hendrix, Nirvana, Metallica, and RATM from my teen days of learning guitar. So I picked up a six-string for the first time in years and played a few random tracks. It was a good laugh, but more painting by numbers than true jamming IMHO.

Yes the new models are supposed to have this problem resolved. If not, you can use an inline XLR attenuator adapter. And you don't need a cab connected to record, only full tube amps have that requirement (like the 15W guitar version of the Tiny Terror), this is a hybrid with a solid state power section and no output transformer.

They are great basses, I have the 4 string and the neck is amazing quality for the price. Only downside is the preamp is too hot so it doesn't play nice with some pedals. This can be modded however.

Looks nicer than the Thomann version, I'd be interested if they do a fretless.

[quote name='Bassnut62' timestamp='1428439717' post='2741341'] Have you played with the up/down sweep and range yet? [/quote] Yeah, up sweep and low range is where it's at for me.

[quote name='Bo0tsy' timestamp='1428090290' post='2738059'] I got my Mu Tron 3x from Thomann, it was assembled in Germany from U.S. parts via A.T. Music Electronix which I guess is a Mu-FX subsidiary company and came with an EU AC two pronged adapter. As you say in Europe Mike can use the Mu Tron brand name but he lost the U.S. trademark many years ago and had to rename it. I kinda like it that we get the Mu Tron name with the vintage logo on a new pedal. I really hope you enjoy the new Mu. It was the pedal that effectively ended my filter quest. Here's a pick of mine with my Bootsy bass... [/quote] Mine doesn't have the logo though!

And the other bits:

Page 37:

Mu-Tron 3X in the house! Sounds similar yet different to the Mini Q-Tron. The Mutron has much more quack going on which requires more subtle right hand technique to keep under control, whereas the Q-Tron can be played with a more relaxed feel as it's not so resonant down low. The Mutron has control over the output volume too, but I've found it distorts more easily than the Q-Tron with my BB1025X which has a pretty hot output for a passive bass. The bandpass mix setting on the Mu is also just as useable as the lowpass setting. So, quest complete for now, I will be keeping the Mutron, the Mini QT and the MXR!

Have you chaps seen the Gallien Krueger power-amp distortion sim pedal designed in collaboration with Frank from FEA Labs and pedal nut John K over at Talkbass? Full details and schematics are over here: [url="http://www.talkbass.com/threads/gk-rails-in-a-pedal.1122467/"]http://www.talkbass....-pedal.1122467/[/url] Clips: [url="http://soundcloud.com/johnk_10/gk800rbv5"]http://soundcloud.co...nk_10/gk800rbv5[/url] [url="http://soundcloud.com/johnk_10/gk800rbv5-2"]http://soundcloud.co..._10/gk800rbv5-2[/url] I'd love to try one if anyone's up for building me one!

I tried a Stinger (pre-EB clone) in my Sub Ray4 and took it straight out again, as it also did not have enough treble.

Loads of basses have 'neck dive'. Suede backed straps are the best solution I've found, lighter tuners if you want to go the whole hog. It's not really a quality control issue or anything to blame a seller about not disclosing beforehand. I also find supporting the bass neck with your left hand whilst playing helps massively.

It's a lot more aggressive than the Beta, but since you can dial the gain right down to clean you can control that aggression. It has more low end on tap then any pedal I've ever tried too! It just has a lovely bite when paired with a pick, but still with a thump behind the note. Funnily enough I think it sounds crap when played fingerstyle though!

Also, for pick playing, the finest dirt pedal I've tried is the Idiot Box Blower Box. I have it set to fairly low gain where it excels, whereas the youtube demos concentrate more on the harsher high gain sounds from it. I played some QOTSA with my Precision through it just now to confirm this! I have the new smaller one on order and expect to put my original up for sale once it comes in BTW.

You should go on Dragon's Den!

If anything the SFT is more coloured, seeing as I could set the VT to sound transparent with the gain and treble turned down. Do you really want uncoloured though? Do you want a transparent boost to push your Ampeg into distortion? Then maybe get a Phat Phuk B or Barbershop. Or a more coloured amp-like pedal that replicates what the SVT sounds like when cranked (VT Bass, SFT, Ginger, digital modelling)? Also, I'd look at an Ampeg V4B so you can get that power tube overdrive at more sensible volumes (100W rather than 300W).