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dannybuoy

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Everything posted by dannybuoy

  1. dannybuoy
    In general they have higher tension so you should adjust your truss-rod accordingly. TI's are pretty loose though, whereas Jamerson LaBellas for instance are like bridge cables. If you don't know how to do this then it's worth learning how (be careful) or take it to a pro - if your action is high because your neck is bowed, it's not going to be good for the neck. And more people need to try Pyramid Gold flats, I am loving em!
  2. dannybuoy

    Sold

    dannybuoy replied to chenzo_1's topic in Effects For Sale

    Should be, and if so 'tis a very good price!
  3. dannybuoy

    Boss LS-2

    dannybuoy replied to silverfoxnik's topic in Effects

    It can do quite a few things... - A/B switch between 2 amps or instruments wit hvolume adjustment for each - Select between 2 different FX loops or have both in parallel. Handy for blending say overdrive and fuzz in parallel, or switching from one to the other without having to tap dance - Blend an effect with your clean signal It can't reverse the order of 2 pedals like the Wobo Inverter, but I don't think that's what you were after anyway? But even when it's bypassed you'll have the Boss buffer in your signal path, which some people are fine with whilst others insist it 'sucks tone'.
  4. dannybuoy
    I wouldn't put the comp before the envelope filters unless you're trying to limit the dynamic range of the filter on purpose. Compressor after filter can help tame the wild resonant peaks and protect your speakers too! Fuzz before filter and fuzz after filter are 2 good sounds to have, so I try putting one filter before the Brown Dog and one after. In fact, the 00Funk and Brown Dog can be linked together with an extra cable so that you can have the Brown Dog going into the Funk, but with your clean signal triggering the filter. This is well worth doing. So how about: OctaBass -> BassIQ -> Brown Dog -> 00Funk -> MultiComp -> UniChorus (with Brown Dog envelope out connected to 00Funk envelope in) If the BassIQ doesn't sound too great before the Brown Dog then you can switch em around. It's also worth trying octave after fuzz, which will give you worse tracking but will generate a clean octave underneath the fuzzy higher register which I think sounds great.
  5. dannybuoy
    If you send the payment as a gift, you can elect to pay the fees yourself instead of the seller.
  6. dannybuoy
    Zephyr Song Throw Away Your Television Around The World Sir Psycho Sexy
  7. dannybuoy
    Damn, I would've jumped on that if I'd seen it sooner!
  8. dannybuoy
    Position your fingers just behind and touching the fret rather than bang in the middle between frets - this will let you play with half as much pressure and let you play for much longer. I only discovered this tip yesterday and the difference was amazing! Also, if you're using steel rounds, switch to nickel or even half-rounds / pressure-wounds / flats. Some people also swear by Fast Fret, but I've never tried it.
  9. dannybuoy
    And sold!
  10. dannybuoy

    PCB's

    dannybuoy replied to Al Heeley's topic in Effects

    Eagle CAD make a free version of their software, although you need to download some parts libraries (links somewhere on diystompboxes). It can auto route your PCBs too. For simpler circuits or vero layouts, DIY Layout Creator is great.
  11. dannybuoy
    I forgot to add, it also works perfectly with active basses. In fact it works even better with active as it sounds real heavy with a hot signal going into it. I'm busy this weekend but will try and find time to record a clip!
  12. dannybuoy
    Bought this here not so long ago out of curiousity, but have decided it's not for me so would rather pass it on to fund more GAS induced purchases! It has 2 controls, blend and texture. Blend is a clean blend so you can have it full on fuzz or just a hair of distortion behind your clean bass sound. Texture is plain fuzz at the far right and nasty octave up fuzz at the far left. Because of the blend you can have the octave up fuzz (which sucks lows) and blend the lows back in from the clean signal. A nice trick I found was to play very softly high up on the neck with 60/40 blend and texture about halfway, it sounds like a guitar due to the octave up - then dig in hard and the clean blended sound then becomes relatively louder than the fuzz so it's like a bass kicks in to join the guitar - sound like two instruments! Here's the product page: [url="http://www.freewebs.com/paisleypedals/paisleyquasar.htm"]http://www.freewebs.com/paisleypedals/paisleyquasar.htm[/url] Excellent condition (just 2 [i]miniscule[/i] paint chips) and £80 new, yours for £45 posted!
  13. dannybuoy
    Lots of people rave about the VMJ, I bought one hoping to upgrade my Yamaha RBX270F with something a bit nicer. I personally couldn't get on with the ebanol fingerboard, and it didn't play or sound as nice as the Yamaha, so I sold the Squier and kept the Yam. Made me realise what a great instrument my old Yam is, it was my first ever bass too!
  14. dannybuoy
    A Markbass rep posted on Talkbass today and said the synth was still being tweaked and refined, so don't expect to see it for a while yet. He didn't mention any of the other pedals though.
  15. dannybuoy
    Lee4 - your avatar is like an optical illusion. I thought it looked like an old bald man with a big nose, pointy chin and wobbly neck until I realised there was a hat!
  16. dannybuoy
    I've just been experimenting too. I've always had Status half-rounds on my fretless, which are actually ground down roundwounds, but look and feel just like flats - they sound great on fretless and not a bad price either. Then I tried out a set of D'Addario Chromes recently on my Squier VM P-Bass. I'm not a huge fan, but apparently they sound a million times better after they've mellowed out from a few weeks of playing. I'm probably gonna put rounds back on it and use it for pickstyle punk sounds because I'm really digging the sound of my newly acquired Warmoth SG with Dark Star pickups after I strung it with Pyramid Gold flats. These flats are expensive (£40 delivered on eBay) but I reckon they're worth it. A decent set of flats lasts years anyway! There are many Talkbass posts singing their praises, they sound good straight away and don't need to be broken in like the Chromes.
  17. dannybuoy
    Most I've seen use the jack socket as an extra hole and re-locate the jack to the side of the body.
  18. dannybuoy
    I'll be having the Blue Steels people, but the D'Addarios are still available to whoever was next in the queue. If I find I don't like these then I'll put them back up here and keep 'em in the family!
  19. dannybuoy
    Bump - surprised there's been no interest in the Diamond, both will go on eBay by the weekend if they don't go here!
  20. dannybuoy
    Are they Dean Markley Blue Steels (not heard of Sadwosky Blue Steels)? I might give em a go if they're not too dead'n'dirty!
  21. dannybuoy
    You'd also need a tap-tempo tremolo to get the pulsing effect in time with the beat.
  22. dannybuoy
    The Squier 5-string P has jazz pickups in it which means it's not really a P anymore! The Yamaha BB415 is a great bass for not a lot of dough, 5 strings in a PJ configuration, meant to sound pretty close to a Fender too.
  23. dannybuoy
    By the way, if you don't have the manual for this I've got one that I found after I sold mine! Free to whoever wants it.
  24. dannybuoy
    Any clips Tayste? I'm thinking it's a bit too big for my board, but some nothing gets a GAS fire going like some decent soundclips!
  25. dannybuoy
    Knocked a fiver off the Diamond Comp...
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