dannybuoy

150mA should do.

If it's a 12V DHA pedal, you can run it a 9V no problem, Dave Hall himself (RIP) said so. Just make sure it has plenty of mA on tap (no idea how much it needs though) and expect slightly more breakup at lower gain levels than you would get from 12V.

All of those look horrific, but especially the Marcus one. Italics, serif and handwriting fonts, silhouettes, and red & gold. Each one a design crime alone, but combined?! Mesa, Aguilar, Darkglass and Genzler make the classiest looking heads IMHO.

Not jumping on the C4 train Al? Seeing as you're already MIDI'd up and all for presets, it should even be able to replace the Manta (and who knows, maybe the GR2 and FI depending how good a job they did!).

What kind of noise issue, could it be an earthing problem? There's a chance it could be fixed without replacing the electronics.

If you don't find someone, one option that I did once was to buy the cheapest hard case I could find for about £35, get it sent direct to them and get them to put the bass in and reseal, then pay for and arrange a courier to bring it to me. Might be a bit too much effort, but worth it for the right bass!

It's better than the Boss as in the toggle switch gives you an entire preset including knob positions, whereas the Boss looks like it just has a 'mode' switch without presets (not sure, I've not read up on it)? It's not too much hassle for most people to just flick one switch before a song. MIDI's not for everyone, it's a balance between how many presets you need, how badly you need those on a footswitch, and your willingness to sacrifice £ and board space and deal with additional complexity.

If I needed more than 6 presets and I was playing live (which I no longer am), then if course I'd go down the MIDI route. Until then I'll just use the toggle switch and footswitch to access the 6 presets directly, or use the app if messing about at home or in the studio.

MIDI? Nope, I’ve no desire to go down that path! I didn’t gel that well with the Manta, but I wouldn’t mind a more compact version with more filter models, features and a realistic Mutron III and OC-2 model on board for instance. I didn’t even realise this pedal was out, their site says it’s still in development! Whatever happened to the Spectrum filter then, I would have expected to see that out too as I thought it was a cut down version of the C4.

I don’t have much use for a synth pedal, but the fact this is supposed to replace the Manta and cop a whole bunch of different envelope filter tones, plus cop an OC-2 has me interested.

I think the point was, you think your know which are your favourite dirt pedals are, until you play them with a band at high volume, then you change your mind! I ended up using the SolidgoldFX Beta as my dirty boost in the band, even though I thought it sounded meh at home.

Plenty of pedals out there without a blend that do not drop lows. Blueberry, Mojomojo, Beta, Blower Box for starters! I find with the Mojomojo I have to raise the treble up to 3 o'clock, it still doesn't sound bright, but it does remove the murkiness. I'd choose the Spark over the Grizzly even if the prices were reversed. You might like it Al. Then again you might not!

I've not tried the TC but I would probably go for that due to the sheer number of options it has, you may be more likely to find the sound you seek. If you delve into the editor you can EQ the affected signal to remove some of the shrill upper frequency content from the octave up for example, which the Mooer can't. Also there are 2 versions of the Tender Octaver. The first one (which I have) got pulled from the shelves because it was a direct clone of the EHX MicroPOG. The MkII is their reworked version, which I''m not sure is as good, you'd have to search for some comparisons!

This stinks. I can understand Gibson going after those making cheap replicas of their instruments that could eat into their sales, but the D-Bird is nothing like any Gibson bass. It's not like there are people tossing up whether to buy a Dingwall or a real Gibson/Epiphone, they are worlds apart.

Just bought a pedal from Daryl, met up in town and nice easy transaction. Cheers!

The low gain drive sounds are almost identical between the Mojomojo and Spark, just the Mojomojo is way fatter and darker (boost in the lows and low mids, treble and high mids rolled off), the Spark has more clarity (i.e. top end) and transparency (i.e. it's pretty flat with the EQ at noon on 'clean' mode, a mode which still has plenty of drive on tap btw!).

Don't forget that was recorded run into the VT Bass which will be affecting things somewhat. Fizz to me is content above 5kHz, which the Sansamp products in general all filter out. It does have plenty of 'clank' though, which is more 1.5kHz!

Lucky you, one of the first to get one over here I expect! No crossover in this one as far as I can gather - the clean channel has a ‘deep EQ’ applied which I expect means a bass boost and treble cut, plus you can cut the lows going into the drive side with the tight switch. So almost the same thing. The mid EQ is pre-drive, so acts a bit like the character knob in the VT too! It is designed to be heard direct, seeing as it’s a replica of Geddy’s rack preamp that he uses direct to the PA, so it will have the usual Sansamp speaker emulation. I don’t think this one is particularly scooped or fizzy from what I’ve heard. Lots of midrange presence, and a speaker sim to tame the fizz. Looking forward to getting one myself!

For rock/metal, I want dirt focused on the upper midrange blended with clean lows. The dirt is really there to accentuate string growl when digging in. That's where the DP3X shines! Forclassic rock, blues, Motown, etc, I want the lows distorted, with zero blending. When I dig in here with ancient flatwounds, there's no appreciable string growl, but there is an increase in volume and low end, and I want a fart sound on the peak of the note. Two very different sounds! I could get Helix Native to cover the first case nicely, but didn't have as much luck copping my Tonehammer or Mojomojo with it. As for the Grizzly, I found that to just give me harsh clipping rather then a pleasing squelch when digging in, it just didn't give me the response I was looking for.

I find my BB1025 sounds nothing like my Fender P though. I'd reach for the P every time for this music. Not sure how much of that is down to the strings vs the pickup, probably 50/50! Spark Boost just arrived btw, and just gave it a quick 2 minutes. The clipping sounds extremely similar to the Mojomojo, just brighter and not as fat, more transparent. I like em both!

Yes you can, Dave was referring to fact you can't stomp the AGS switch without boosting volume. You either leave it on or off permanently. On if you know what's good for you!

It still has two channels - on and off! With the EQ flat, the AGS rolls off the top end and the deepest sub lows, leaving you with plenty of usable low end and mids. You can be very extreme with the mid scoop if you boost the treble, since the treble control still affects your upper mids. It does tend to lose a bit of low end at high drive settings, but this is not what the pedal is really for, I treat it more like an amp sim.

I set my amp up clean and played Tonehammer vs Mojomojo for a bit last night. Struggled to pick a winner, so for £40 it’s a bargain! I’d say I prefer the Tonehammer sound in headphones but the Mojomojo through the amp at this stage. Oh and forget about treating the AGS like a 2nd channel, it has too much volume boost. They should have made it a toggle switch or added a 2nd master volume control for AGS mode! The Tonehammer is way more versatile though, you can get scooped growly rock tones from it, whereas the Mojomojo is more of a one trick pony.