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tedmanzie

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Posts posted by tedmanzie

  1. Mint condition Digitakt with original elektron psu, elektron usb lead, manual, box.

    Latest OS installed and Overbridge (just released) is working perfectly.
    These are really great machines - I have two, selling one. This was my spare so it's barely been touched.
    Nearly 2 years guarantee remaining (warranty is transferable)

    https://www.elektron.se/products/digitakt/ 

    £440 posted (uk)

    SOLD ON REVERB
     

    IMG_5676.jpg?raw=1

    IMG_5677.jpg?raw=1

     

  2. I’m a huge fan of electronic drums and bass, and enjoyed the show, but I would rather these programmes stick to drums as in drummers, and bass as in bassists - otherwise we always end up in the same place (the programmable machine). I suppose at least the guitarist episode wil be relatively immune to that unless we go down the sampler road. 

  3. If I had the ambition and talent be a professional session bassist I’d be all over this course from SBL. Unfortunately I don’t, so I have time to join in with this discussion :) > 2 P-basses here, ALL other basses - you know where the door is!!

  4. I would be very happy with these on my desert island 🏝️ >

     

    Herbie Hancock  - Speak Like A Child 

    Herbie Hancock  - Takin' Off 

    Bill Evans - Everybody Digs Bill Evans

    Bill Evans - Waltz For Debby

    John Coltrane - Giant Steps

    John Coltrane - A Love Supreme

    Miles Davis - Kind Of Blue

    Duke Ellington / Charlie Mingus / Max Roach - Money Jungle

    Grant Green  - Matador

    Don Patterson - The Exciting New Organ Of Don Patterson*


    * not famous like the others but a personal favourite! marvel at the way Don plays fantastic walking bass with his left hand while improvising on his organ with his right 😜

     

     

     

    • Like 1
  5. Some Kind Of Monster is a great film, I could hardly believe they allowed it to go out... :)

    Bros film is hilarious too - although they are both twits I changed my mind who was biggest about half way through.

    The most awful doc I’ve seen (in a good way) was about Bucks Fizz - that guy from Dollar had bought the band name and was trying to pass his version off as the real one  while remaining members of the original band were trying to stop him. Really awful. Not sure if it’s available anywhere. 

  6. 6 minutes ago, Stylon Pilson said:

    Do you mean Guitar Guitar in Epsom, or Guitar Village in Farnham?

    Bass Gallery is a bit of a journey, yeah. It would take me as long to get there as to get to Bass Direct, if not more. Again, if I were going into London for any other reason then I would consider dropping in, but I don't want to make the journey just for that.

    S.P.

    Sorry! Guitar Village in Farnham was what I meant to type :)

    Although Guitar Guitar in Epsom does also have a small ish selection of basses.

     

  7. 7 hours ago, TimR said:

    Been in the news a bit this week following Michelle Obama’s speech. 

    How many of you guys have been in this situation?

    I did a dep gig on Saturday night. Was sent the set list, had a brief look through it, met the guitarist and ran through a few numbers. Didn’t seem anything too complex. 

    Turned up to the gig unloaded and set up and then realised I didn’t have a clue what I was doing. Not practiced any of the tunes at home, didn’t know the structure to half the tunes, no ideas of intros or endings. I was screwed. 

    Anyway, felt my way through the gig by using my eyes and ears and smiling a lot. 

    The band thought I was great, the audience thought we were great. We got paid and the band leader was asked for cards. 

    I suppose really that’s what musicians do when they play properly and all this endless rehearsals and preparation with semi-pro bands is mainly just to stoke the singer/guitarists ego. 

    Quite honestly I’d prefer to dep all gigs. Keeps it fresh and reminds me of what a real musician is. 

    I would definitely have shown them what a real imposter sounded like :)  I find it more successful if I just stay in and entertain the dog with random noodling over the adverts.

    • Haha 1
  8. I'll add this in case anyone isn't aware:
    https://www.musicianshearingservices.co.uk/musicians-union/musicans-hearing-health-scheme/

    £40 (£30 mu member) and you get a pro consultation, ear test, and a pair of custom moulded ACS pro ear plugs with choice of filters (and colours). Amazing deal I reckon. The ear plug technology has come on a bit (I had my last pair made 12 years ago) and they are now vented which apparently helps the feeling of being shut in.

    My ears were doing ok last time I had them tested in 2006, slight dip around 4k. However the test I did yesterday shows the 4k dip is now into the zone where it is classified as slight hearing loss, and as you may know there is no coming back once it's gone. I was surprised to learn that it is ALL frequencies of prolonged volume that cause the damage, not just the high end. I will be much more careful going forward - my last pair of plugs spent 99% of their life in the drawer.

    I went to a bar a few weeks ago (Heavenly Social upstairs) and it had the worst loudest sound I have heard in years.  I was there for a mate's record launch and I felt embarrassed about constantly asking the djs to turn down, and also I didn't want to leave early. Stupid decision - that 3 hour period (spent mostly with my finger in one ear) appears to have brought on tinnitus and sensitvity that wasn't there previously. 2 weeks later and it's still the same, hence the visit to the ear specialist.  :(

    Be careful out there! :)

     

     

     

    • Like 1
  9. I have gently sanded my jap p-bass neck back to the wood - rough to very fine sandpaper. I then put a super thin coat of tru oil, let it dry, super fine wire wool light rub, another coat of very light tru oil, dry and light rub wire wool again.

    My issue is the tru oil is still quite a shiny surface so it doesn’t feel like the really dry bare wood that some relics/custom shops have.  It’s more like a very light varnish.

    I’m concerned the neck will take on moisture if I just sand it back to plain wood.

    Any advice please? :)

     

  10. I'm quite surprised by the amount of vitriol directed at Yoko Ono and this version of Imagine :)  It has a kind of delicate frailty, like it's just holding together. It's not technically great of course, but that's the whole point isn't it? - Human frailty, old age (she's 85), a world going down the tubes where the sentiment in the song seems further away than ever, a message to her dead husband on his birthday, the pop melody of a multi million selling song reduced to bare bones, etc.  I thought it was quite strange and touching.  I must be getting old :)

    • Like 3
  11. Bit of simple clarity, organisation and team work required all round I reckon. From how to present/agree new songs, to how many gigs you can cope with, to simple online diary/text organisation. Sit down as a group and talk it out, agree a procedure going forward.  No need for Band Meltdown!

    EG clarity includes OP saying that texts/emails will be responded to daily at breakfast and lunch and not after 7pm (for example).  4 days for a reply would already drive me bananas if I’d sent the original text! :)  

  12. Bumping this - it is going to be great gig! I want someone to go to this :)

    "Join some of library music label KPM’s star composers and their big band for a night of this astonishing music.

    With Alan Hawkshaw, of The Mohawks fame, Keith Mansfield, a favourite provider of samples, Brian Bennett, the longest serving stick-man from The Shadows, John Cameron, award winning film composer and Alan Parker, guitarist who taught David Bowie and Jimi Hendrix a few tricks. Not to forget the star of the show, Hawkshaw’s battered Hammond which gave us the greatest organ groove ever written, The Mohawks The Champ.

    Plus DJ support from two library music fans in Andy Votel (of Finders Keepers Records) and Jane Weaver.

    KPM is the most established name in Library music and has been a division of EMI Music Publishing for well over 50 years. The KPM archive is now resident at the British Library.'

     

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