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P-T-P

⭐Supporting Member⭐
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Everything posted by P-T-P

  1. Had a few interesting offers but nothing stuck yet. What have you got? Peter
  2. [quote name='kai' timestamp='1324248613' post='1472306'] Dear Pete, Do you still have the SMX Dual Compressor?, if you do, are you willing to send it to the Netherlands?. Please let me know, Cheers, Peter. [/quote] Hi Peter, would be happy to post to Netherlands. E-mail me pete at peteward.co.uk to discuss. Pete
  3. Just to clarify on trades... I'm not looking simply to trade this bass for a different bass. I really like this bass and am quite happy to keep it. Examples of the kind of trades where I would include this bass... Your DJ5 for my jazz plus AKG mic and Trace compressor Your Allen Woody Rumblekat and Markbass NY 121 for my jazz and AKG mic. Rough idea of kinda things I'm looking for in general... [list] [*]Basses - Fender/Lakland/etc Js and Ps, Warwicks, Epiphone Allen Woody, MMan, fretlesses, 6 strings [*]Amps/Cabs - MarkBass NY121 cab would be great. Could be tempted into some Aguilar DB112 or Ashdown LB112. Any others? Maybe. [*]Stage/Disco Lighting - colour changers, par cans etc. [*]Wharfedale Titan 12 PA cabs or similar decent but lightweight passive cabs [*]Audio interface - just need jack and mic in and stereo out [*]In-ear monitor system - I have the phones, just need the system really [/list] Again though, not looking to just trade/sell this bass on its own so we may need to be creative!
  4. [quote name='bayles' timestamp='1323994767' post='1469735'] Hi Mate I dont have anything to trade but if you were "concidering" selling for cash how much might you be asking . [/quote] HI, Not looking to sell at this point, will let you know if things change.
  5. I made a wanted post the other suggesting a possible trade of some gear I have and in it I mentioned the possibility of including this bass. I've had a few people ask about the bass and while I'm not specifically looking to sell or trade it, if something really tempting came along and the deal involved this bass alongside some of the other gear I have for sale (see signature)... Anyway, it's a Fender CIJ '62 Re-Issue Jazz finished in Shell Pink and I spent a long time waiting to find one of these. For sheer playability, it's probably the best 4 string jazz I've had (and I've had a few, including custom shop jobs). The action is ridiculously low - though I have a light touch so for some it will need a set-up - and the neck is lightning quick. As you'll see from the pics, it has seen some action and is definitely well worn in. I was never one for the trend of "road-worn" and always tend to want basses that are in good cosmetic shape but these are real scars and there's something quite endearing about it which has won me over. Pics... [attachment=95375:IMG_0677.jpg][attachment=95376:IMG_0683.jpg][attachment=95377:IMG_0691.jpg][attachment=95378:IMG_0700.jpg][attachment=95379:IMG_0702.jpg][attachment=95380:IMG_0705.jpg][attachment=95381:IMG_0706.jpg] Anyway, if you're interested in a trade of some kind, get in touch and we'll see if there's a deal to be had. Not 100% sure what I'd be interested in so open to ideas, even if they're a bit out there. Worst that can happen is we don't have a deal, no harm done. Additional trade info added a couple of posts down.
  6. P-T-P

    SOLD

    [quote name='Mike Kenny' timestamp='1323734193' post='1466496'] Hey there, I'm interested in buying the RC-2 if it's still up for grabs? [/quote] [s]Hi Mike, still available. Give me a call on 07515 929935 Pete[/s] SOLD
  7. Ashton D253EQTRB Electro Acoustic Guitar I bought this a while back just for noodling with at home. Sounds great and plays very nicely for a cheap guitar. Has built-in tuner and eq. [attachment=94829:IMG_0632.jpg] [attachment=94830:IMG_0637.jpg] Cost me about £160 new but I think they're about £140 now so looking for [s]£95[/s] £60 ono. Not sure about postage as no case so ideally collection from Newport/Bristol/Cardiff area (I'm in Chepstow) or can possibly meet for cost of fuel. OM me or call me on 07515 929935. Cheers, Pete
  8. [b]AKG C1000s Mic SOLD[/b] Fab mic for all round recording applications - voice, amp, acoustic. Comes with box, carry bag, mic clip, windshield etc. Full details here [url="http://www.akg.com/site/products/powerslave,id,759,pid,759,nodeid,2,_language,EN.html"]http://www.akg.com/s...anguage,EN.html[/url] [attachment=94828:IMG_0661.jpg] £60 posted in UK [b]QTX 15" Driver Brand New in Box[/b] Bought as a replacement for a PA cab which, it turned out, just had a loose connection so this is still in the box, never even unwrapped. Impedance: 8 ohms Power max.: 360W Power rms: 180W Diameter: 38cm (15") Frequency response: 42Hz - 5kHz £20 collected. £30 posted. Please PM me or call me on 07515 929935 Pete
  9. P-T-P

    SOLD

    BOSS TU-2 Pedal Tuner [attachment=94824:IMG_0652.jpg] WITHDRAWN BOSS RC-2 Loop Station [attachment=94825:IMG_0644.jpg] Selling this on behalf of a mate, don't know too much about it myself so here's the manufacturer's page [url="http://www.bossus.com/gear/productdetails.php?ProductId=819"]http://www.bossus.co...p?ProductId=819[/url] It's in excellent condition and has box and manual. SOLD
  10. I have a Trace dual band compressor in excellent condition, boxed with instructions (box a bit tatty). SOLD [attachment=94823:IMG_0638.jpg] PM me or give me a bell/txt on 07515 929935 Pete
  11. [quote name='clarkpegasus4001' post='1361238' date='Sep 3 2011, 07:43 PM']Do you think an 8" active monitor would be loud enough for a pub/club rock band? Tony.[/quote] We use a couple of passive 8s for monitors and even rehearsing full band with just vox going in and they cope fine. If space is an issue they'll do the job but the 12s have a heck of a lot more poke for not an awful lot more cash or weight so they'd be my preferred option if I didn't already have 8s.
  12. My band are using Titan 12s for FOH and 8s for monitors at the moment and they are fab bit of kit. Can only think that these 15s would be every bit as good, and louder!
  13. [quote name='JTUK' post='1284098' date='Jun 27 2011, 01:58 PM']How many times do I have to say the same thing..????? they have nowhere else to go with this vehicle. IMO. Plenty of bands are in the situation.. but artistically they revive things or don't depending on what they have left in the tank. This applies to all levels of musicians though..or really should, IMO.. If U2 were as good as their status suggests, they might be able to do this.. but they don't seem able...or willing. My bet is on the former but If they still sell tickets, who cares..? I guess they wont. Going round in circles here and there are too many of these types of threads to keep up with..besides, the fest is over, this is all done, I'm out.[/quote] Just from my PoV, not having a go at you personally, just interesting to discuss. I'll be honest and say I'm not entirely sure what you're saying though. I mean, I get the words, just missing the point I suppose. First, the nerves thing... yeah, at that level you'd expect them to overcome it - and I think they did to a large extent and would have been much better with more favourable weather - but it's been 20+ years since they played a full set for a non-partisan audience and they came into it with a huge weight of expectation from both the supporters and detractors. They already knew that whatever they did, there would be people falling over themselves to pick them apart. If they were to do Glastonbury in a couple of years or perhaps a few other festivals, the nerves would be less forgivable. I think they're capable of changing things up, they've done so several times in their career - compare War to the Joshua Tree to Achtung Baby to POP to No Line on the Horizon - and there's some very different material going on. I think the last album was, for many, not enough of a change from it's predecessors for some people. Or too different depending on who you ask. I think it's true that they are not a slick, fluid band in a natural musician kinda way and their shows are very much a production, rather than simply a gig - but they know that and that's why something like Glastonbury puts them outside their comfort zone. I disagree there's nowhere artistically for them to go, I just think for them it comes about through new songs and looking for a new sounds rather than reworking old songs. If an old song stops working, they have a ton of others to choose from. I can see how it would be far more interesting to them to juggle the set-list and work on new songs than to spend that creative time re-working old songs. Maybe you could cite some examples from other bands of what you feel U2 could be doing.
  14. JTUK, just wondering how many U2 concerts you've been to in the last 25 years or so (not talking about Live Aid, Top of the Pops type appearances). I'm a big U2 fan and I agree with you to an extent. Glastonbury was, by their standards, a "safe" performance. They were clearly really tense at the start of the show and in comparison to their own gigs, the distance from the crowd and general stage layout didn't help. All that being said, they're in bit of a no-win situation really, to please someone looking for the kinda dynamics you are looking for would mean the risk of boring a whole host of others. With their own shows, because of the sheer size of the b®and and the weight of expectation, they are somewhat restricted as to how much they can mess around. They do/have changed things up over the years, though sometimes the changes are subtle and wouldn't be as noticed by someone who is a more casual listener. Also, because a large part of their audience is not going to accept wholesale sweeping re-workings of the songs they're paying good money to hear, they will use the production to give a different flavour rather than the music itself. The shows I saw on the 360 tour all had 6 or 7 numbers from the most recent album and about 10 post 2000 numbers all told. Each album's accompanying tour has always featured a bunch of songs from the new album and every tour since ZOO-TV has featured a section of the show where they do a stripped back version of one or two numbers (and karaoke versions on POP tour) For as long as people bill them as "the biggest band in the world" thy will be treading a line between living up to that billing and their own artistry and innevitably they will always be on the wrong side of the line for different people at different times. FWIW though, check out I'll Go Crazy If I Don't Crazy Tonight and compare the recorded version (or very early TV show live performances) with the version they do on the 360 tour.
  15. Mike bought my Aguilar Octamizer and I've nothing but good things to say.
  16. Bought my Bottom Feeder. Very easy and pleasant transaction.
  17. Andy bought my IEMs, pleasure to deal with.
  18. P-T-P

    SOLD

    bump for prices dropped by £10
  19. P-T-P

    SOLD

    You meant 200GBP and you're happy to deliver it to me personally right? Lovely bass, used to have similar but with rosewood board, it's one of the basses I totally regret selling. Would love this if I had the funds.
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