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Pinball

⭐Supporting Member⭐
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Everything posted by Pinball

  1. I'm the type of player who finds favourite sounds and then sticks to them so I had to do a bit of exploring. Between the "A/B" and "Selection nob" there are 8 sound options Note: it has flats on at the moment, rounds would no doubt add more growl. Wild Dog isn't that "wild" in todays terms but it adds more bite on this bass, which is full of classic 60's sounds. Selecting Wild dog and "A" dials in a more treble and high mids for a more "jazzy" sound, where as on "B" it is more rounded like a good P bass. I really like that one. I love messing around with playing styles and palm muting with this bass. My favourite tones are: Split Sound and Bass on A and Wild Dog on B Best to check on youtube as it is hard to describe them
  2. It is a shade over 10lb, very playable though as it balances with the neck just above horazontal
  3. Pinball

    sold!

    I bought this bass at the end of last year and haven't had the chance to play it so am re-selling A unique bass built in Philppe's London workshop, the construction is good quality and lightweight. It has many signs of use such as light scratches but no notable dings or paint loss so I class it as being in good condition. The neck is fast and stable and I was told it was made by UK luthier Goodfellows. The neck is a 7 piece laminate. It looks like the finger board is ebony, frets are good. It is passive, with room to make it active if required. Pickups are unknown but I suspect Delano, the controls are VVT and the neck pickup volume pops up for a beefier sound option, although I am not sure what it actually does. The string spacing is currently 16mm but the bridge does appear adjustable so you could potentially squeeze a wider spacing. Philippe told me that this was constructed in the early 2000's and was in a studio in Denmark street so some of you musicians from London may have come across it. Here is his current site. There is no longer a case or truss rod cover I'm afraid Here is his current site. http://www.dubreuille-guitar.com/jbass.html and pictures: r7lgx7iilf6ypzjdi7iy.webp x9jrtyyrickndfxngtsb.webp zst6zvcahaafgacfhd9v.webp
  4. This bass hasn't been played much and is in showroom condition. The previous owner bought it used a couple of years back but became ill so it stayed in it's case. He also bought the case new from Burns and was told that it was the last one. I don't think that they make these new at the moment so it may well be a good investment. Everything works like it should. It has a great action and sound and is a nice instrument. Note: I am in no rush to sell so would rather trade for a nice passive P bass/replacement with a bit of thump-thinking G&L or Fender, either 4 or 5 strings as I play both. If you aren't familiar with these there is a nice review and video here: https://www.guitarinteractivemagazine.com/issues/issue-29/reviews/burns-bison-bass/ Thanks for looking. have been thumbnail.jfif thumbnail.jfif
  5. Thanks, good advice I guess as I have a couple of keepers already so it will probably end up on the market here.
  6. Hi, I have a Philippe Dubreuille custom jazz bass from the early 2000's and it just isn't my sound. I'm more of a P bass or Stingray guy. What I want is more roundness and thump I have been looking at alternative pickups on line and haven't found a decent comparison to help me choose. Q1. Any suggestions on pickups? Note: If possible I would like to keep it passive but guess that I could go active as there appears to be space. Q2. I know nothing of the existing electronics and couldn't see a name on the pups so will put a picture. Any ideas of what they are? The control system is a passive Vol, Vol tone but the front volume pops up to select both pickups. Q3. I haven't changed a bass like this before...would it be more sensible to trade or sell it and buy another? Here it is
  7. Bargain, I'd have that if I had the dosh. but don't. GLWTS
  8. This is a stunner and light weight, why is it still here?
  9. Yes that cracks me up every time, and the slight clumsiness and of the girl dancing was all I could think of when I saw that GAGA vid.
  10. It took me a couple of views to figure out what was wrong with this and it is just that Gaga isn't very good at dancing. It must have cost mega bucks too. It reminds me of the brilliant spoof by Darvid Brent/RG's Lady Gypsy below.
  11. +1 as thats the way that I like to set up a Ray. Cuts though lovely without too much the pic or finger noise, although there is a place for that as well.
  12. Hi all, I'm excited about this one. Here is the Spitify pre-save: https://show.co/37b8q4Z The actual track will be up on Youtube on Sunday night. I'll post the video if I remember. Thanks for the support/looking
  13. Yes always on the look out, when not creating my own. I'm pining to see live music at the moment as I love to go and see what oroiginal music is being made in and around Bristol. If it's recorded I like it I like to have the whole album or CD. Single tracks are just like flags that attract me to go and listen to more.
  14. Hmm maybe try a USA SB2, I had one that I rated as the best I had played. If I remember right it was between an Jazz and P and super smooth, especially with flats. A great bass all round.
  15. A big thumbs up from the band 😁 and good review here too.
  16. Wow that looks great and a great spec too. A stunner...GLWTS
  17. Thanks for answering. When I'm excited about a bass normally tap into the expertise in BC with a search or a post to get an idea of what others think and maybe tips on settings, which strings they like on them. This time I got zilch! I may as well be up front that I have tried and failed to get on with several Jazzers. I love G&L's and have had several of the L series and a wonderful SB2. The L's were too liveley and never worked in my band-the rest of the band didn't rate them at all. What have worked best are Stingrays and more recently a passive Dimension bass. I'm naturally drawn to precisions and considered my SB2 my "best bass" but as I have exclusiveley use 5 strings for several years I recently sold it. If only they made an SB5!!! So having sold my Stingray and SB2 I was lookling for an alternative sound to my Dimension Standard 5 for recording and to play live. The MJ5 will do that. The bridge in particular has a similar sound to the SB and the neck pickup gives warmth and low down thump in a very natural way. There is also plenty of aggression in reserve if needed. I guess you are right dub_junkie, lots of competition even within the G&L brand, in addition to the two mentioned there is also the M2500 and the Kiloton 5. I had seen and looked into the L5500 and also the L5000 too. They both look like nice basses. Just pointing out that the MJ5 is very different from the JB-5 and has unique pickups. The tone and sound is exceptional especially for someone like me who plays with a pick. Check out bass whiperer when he starts dialing in the lows and uses the pick. That is my sound that is Thanks for the replies.
  18. I'm very happy with a G&L MJ-5 that I bought this week from the BC adds and it got me thinking. A great bass and one of the most musical that I have owned. It has great balance is etremely light weight (3.52KG). Both pickups sound great solo or when combined, silent electrics, the EQ is great, can dial in decent, P and J tones that I like. Bass wisperer likes MJ's too, here's him talking about the MJ-4. To my ears the tone is exceptional and smooth and powerful so I don't get why do MJ-5's hardly appear in any searches on here? Didn't they sell them in the UK, maybe people don't like em or is it that didn't people buy them? Maybe all three! opinions?
  19. Actual video now added see below. I'm singing in the vid but play the bass on the recording. I hope that you like it.
  20. Here is my latest and there is more in the pipeline. If you like it please subscibe. Enjoy!
  21. Nice one, I have a Godin Ultra and an Ultra Baritone so think I would like this...no dosh though. Good luck with the sale
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