Jimryan

Just a thought, with how many sweaty people will use the bass, is there a decent way to stop the sigs rubbing off?

[quote name='discreet' timestamp='1378327097' post='2198787'] Wow! Is he going to play the relay bass? [/quote] I imagine it'll be more like the others of a photo and a signing more than anything, but who knows.

And following Bristol, London on Monday, to meet John Taylor of Duran Duran!!!

Remember guys (n' gals), I'm in Bristol with the bass on Sunday. Get in touch, meet up and say hello.

[quote name='barkin' timestamp='1378159589' post='2196563'] That'll be the one [/quote] I thought as much. How's it holding up?

Mine was fine too when I had it.

Afternoon all, As some of you may know, I'm in Bristol this Sunday (the 8th), along with the bass and a collection pot. If anyone wants to meet up, then get in touch and I'll sort you with my number. Failing that, keep your eyes peeled for the case. James

Yeah, would be cool. I really enjoy meeting other BCers

Very. So if you're in Bristol let me know.

[quote name='tm486' timestamp='1378055830' post='2195231'] This might be a stupid question, but my ears don't hurt/ring after rehearsal and I never get a headache, could I still be damaging my ears? I think we rehearse pretty loud because, although my amp isn't particularly powerful, I find myself having to turn up to pretty much full volume to hear myself. I never [i]feel[/i] like I'm damaging my hearing, but I don't want to take the chance. Cheers, Tom [/quote] When I started 11 years ago, I was the same. Played with loud guitarists that pushed me to full volume too. Felt fine at the time...now I'm being referred to audiologists. I guess it affects us all differently, but it's not worth the risk IMO.

Who's having it? Who's having it?!? Only Peter Hook.

It's a precision neck :-p

[quote name='hiram.k.hackenbacker' timestamp='1378045982' post='2195033'] Thanks for the tip. Gonna get me some of those as I have a few gigs as a dep with a band who are quite loud. [/quote] Glad to have helped. [quote name='Urban Bassman' timestamp='1378048961' post='2195078'] Yep, I've got the same Alpines that you have. I like the way you get a choice of inserts. They are great and worth every penny. [/quote] I've not tried the other filters, just went straight in with the gold ones. The extras are quite handy too. The keyring case is brilliant as I'm less likely to lose my keys than a small plastic case, the inserting thing is useful as is the spare 3rd one. The little box of filters now lives in my hardcase whilst the plugs live on my keys.

Afternoon all, As some of you know, I'm up in Bristol for the relay on this coming Sunday (the 8th). I'll probably get there in the morning and make a day of it (including a visit to brewdog ). Are there any BCer's in Bristol up for a pint and ogling the relay bass? James

Whatever the song requires for me

I love my new earplugs. My hearing and tinnitus are both getting increasing worse (to the point I've been referred to hospital). I've always hated ear plugs. I've used various cheap ones over the years, and looking back, it's using the cheaper ones, that has given me the view of "they're all rubbish and just muffle everything". I've started playing for a band as a dep getting ready for a gig of theirs. The first rehearsal was loud. Since I received the hospital appointment, I've ignored my opinions and used the foam plugs. Couldn't hear a thing, but I felt better for it afterwards. The second rehearsal? I had a pair of foam plugs wedged in place and the rehearsal was so loud my ears were physically sore with plugs in. Why do people play in rehearsal rooms louder than they'd gig? After that, I said I wasn't going back if it's ever that loud again. After this incident, I went into town, and bought some ear plugs from *shudders* music room. £26 later, I've got a set with the changeable filters (these ones http://www.musicroom.com/se/id_no/0421593/details.html). I put in the highest level filters, put them in the box and onto my key ring and remained sceptical. Though I was curious to "hear" the difference. Come Saturday night, I'm out and end up in a bar/club with a full PA at a DJ's disposal and thought I'd give them a try as they were on my keys. WOW! Speech sounds normal, all the little noises can be heard, but this once monstrous PA has become a stereo in the living room. My mate questioned what I looked so pleased about and explained I had them in, apparently they couldn't even be seen. So, I'm converted. I've always been aware of the importance of wearing them, I guess it's all about finding the right pair. Dead chuffed.

I'm afraid to say my P never goes out either.

[quote name='Donnyboy' timestamp='1377847200' post='2192558'] How do you think it's going James? [/quote] So-so, there's a list of names there that I'll use. Probably won't wade through the discussion picking out all the rest though. That list will do fine

Na, it was just a backstage thing, but still pretty awesome

It's heading back London way for a meet up with Dave Swift and Guy Pratt and following that the SE bass bash I believe

[quote name='TimR' timestamp='1377722668' post='2191005'] It seems more a case of keeping an eye on where it is and where it's going next and shouting out for it. We managed to grab it on its way through from Derbyshire to Portsmouth. I guess it's in London at the moment. Is anyone organising a list or is it just shout out who wants it next? [/quote] Hi Tim, It's still with me in Portsmouth at the moment. On September the 8th I'm taking it to Peter Hook in Bristol and after that it'll be heading back to London.

Evening all, I fancy cracking on with another little project. All of it is planned out and decided on. One question though. I've decided I want a jazz body, with a rear rout (no bell plate). The original plan, was to get a Squier Jazz Deluxe, and then just mod to my hearts content. Although that was the original plan, I'm seeing a few cheap jazz bodies pop up and it got me wondering "how hard can it be to make the required plugs"? then all I'd need to do is rout as necessary afterwards. So that's the question really, are "plugs" hard to do? Failing that, suggestions on a dirt cheap jazz with a rear rout. Ta, James

Pino Palladino Andy Fraser Stuart Zender. Nick Fyffe. Paul Turner Sting Geezer Butler John Deacon Jean Jacques Burnell Paul McCartney Lemmy Jack Bruce Steve Harris Dougie Poynter Norman Watt-Roy Boz Burrell John Paul Jones Rick Laird Ric Grech Percy Jones Roy Babbington Boz Burrell Dave Holland Jeff Clyne Mo Foster Hugh Hopper Nathan East Yolanda Charles John "rhino" Edwards Chris squire John Entwistle Danny Thompson

Pino Palladino Andy Fraser Stuart Zender. Nick Fyffe. Paul Turner Sting Geezer Butler John Deacon Jean Jacques Burnell Paul McCartney Lemmy Jack Bruce Steve Harris Dougie Poynter Norman Watt-Roy Boz Burrell John Paul Jones Rick Laird Ric Grech Percy Jones Roy Babbington Boz Burrell Dave Holland Jeff Clyne Mo Foster Hugh Hopper

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