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lee650

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Everything posted by lee650

  1. I'd never heard of the Jad Freer Capo, so I had a look, it's now all I want in life 🀣
  2. I want to, trying to make myself sell things and copper up 🀣
  3. Lol! I'm great mate, hope you have a great year. Big bump fir a great seller and a very top Tier Compressor.
  4. No price on the Effectrode Ander 😁 or has it gone?
  5. After trying most of the Top Tier Compressors,I've decided my favourite is old school Optical and as I use a comp purely as a tone enhancement tool, I've my eye on something 😁 As a consequence I'm moving on my truly fantastic Hyper Luminal. It's a hybrid design so while it's Analog it has a rather nifty Digital modeler in the sidechain. It contains models of three very different and great sounding classic compressors. Selects between three different models: BUS: Modeled after the Solid State Logic Bus compressor, its a very smooth and clean/Transparent sound, fantastic if you really want to hear your instruments tone. FET: Inspired by the legendary Urei 1176, I love this model, fairly close to the mighty Cali76 and has an energy and brightness, adds little colour to liven up a dull bass. ( this has an "all in" setting which is amazing, put an octave and chorus with it and instant "Sledgehammer" or perfect for "Come Together") SYM: modeled on Darkglass own Super Symmetry, it has a warm and Dark vintage vibe, great with a P bass It has a very full feature set of controls including a combined Attack/release Time control, compression adjusts the Threshold, and the usual make up Gain which has a lot of Boost. It also features a mix for "Parallel" compression by adding in your clean tone and a push button Ratio control with the most useful presets for each model. Also has a very cool row of blue LEDS giving full representation of the compression being applied. Under the hood is the Darkglass suite, which can be plugged in to a PC to adjust the digital sidechain to your taste incl a variable High pass Filter (every comp should have one) so it doesn't overly squash your lows. I may be talking myself out of this 🀣 It is in as new condition and fully boxed with case candy, a bit of velcro, which ill remove if the buyer wants and comes with a USB cable. SOLD
  6. I need this sold Β£335 delivered for Cash sale.
  7. I'm surprised its still here πŸ€·β€β™‚οΈ
  8. I will also consider trades for a decent bass head. GK (1001/700rb/legacy etc) or EBS (reidmar 750)
  9. Aww no, I want it, but don't needit at all 🀣
  10. Oh wow, I love that board!At one point my boards contained all of these (except the Octavbre) I really miss my old Pwnzor, let me know if you're selling it πŸ™πŸ˜
  11. In keeping with the "Mini Board" theme, I took a few off the big board to make a small one for my NYE gig 😁
  12. This looks very interesting πŸ€” 😍
  13. I loved this pedal, its so versatile, but does need to be understood to get the best out of it. I used it on a few recordings with an Octave and sometimes a bit of chorus, it sounded amazing and didn't need a filter with it. Very very dynamic pedal too, hence why it can get a bit out of control if you're not careful. The Tech 21 Red Ripper can get a slight version of this sound when set right, as can the Fuzz side of the Emma Okto Nojs, but really nothing sounds quite like a P&C.
  14. I've had both Ander,although I didn't have the Effectrode for long (i traded it for a Diamond, the Basschatter, then publicly said I was a fool for doing it πŸ˜†) The effectrode is a gorgeous fat syrupy comp, but I found with my gear, I either got too much or not enough compression. As you know it has the soft/hard knee which means it's better at limiting than the Diamond. As I saw it the Tube was mearly a gain stage and not used for compression (like the Markbass compressore). Which did add to the optical circuits warmth, making it great for P bass, but highs were subdued. I also had weird feedback issues when I used the effectrode in front of an EHX Bass big muff. Also it's very power hungry (400ma) and it's advised that pedals don't go either side of the vents so is difficult to use on a small board. I had to power it separately which was a PITA 😁 The Diamond has a fixed 3:1 ratio which I think is lower than PC2A, but is enough for most Bass applications. This pedal is really a sweetener and can't get as squashed, but it really does fatten and add sheen. You think it isn't doing anything, until you get rid of it, and all of a sudden your other pedals don't sound as good πŸ˜† it's also very quiet, and has much better high end. It has a little switch inside to remove the EQ circuit for "Audiophile purists" but I kept the (very useful) EQ at noon and couldn't tell the difference. The Diamond really needs 18v power IF you're using active basses, and has a weird polarity power socket, it ships with a little red adaptor, if you're buying one used make sure they've got it. Both of these will give you what you want. For me I'd go with the Diamond, but I use a comp for Tonal sweetening not Dynamic control/ technique plaster or "Stabilisers" as ive heard them called 🀣 so it's function is perfect for. As we've discussed before I found the Nemphasis VTBASS comp does the same job, if you can find a 3 leaf Pwnzor it dies as well with more control. The FEA Optifet is my favourite ever, a great middle ground between a Diamond and a Cali76CB (to my ears) I'm currently using a Darkglass Hyper luminal and hugely impressed actually. 3 distinct and very usable compression sounds, although it does add a bit of mojo, its cleaner than the above mentioned pedals 😁 I know a couple more chatters have tried both and will hopefully chip with their thoughts.
  15. Alas, I already have one, otherwise yes i would 😁
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