police squad

[quote name='Jus Lukin' timestamp='1494961882' post='3300043'] Personally I'd go for Nickel- hipshot do some mini clovers for modern T-birds, and I got a nickel three pointer for about £35. I'll keep an eye on this thread as I might upgrade the pickups in your old T-bird too, Police Squad! [/quote] Have you used it much?

[quote name='NancyJohnson' timestamp='1494870344' post='3299213'] I think these are the ones the guys over at LBO got moist over recently. [/quote] what output would I go for, 8K or 9.2K Nickel or chrome? What's the finish on the white TB Nancy Johnson? It's black isn't it? At those prices, they've got to be worth a go?

So, good people of the forum, on Wednesday I shall be collecting a Gibson Thunderbird. I am thinking about replacement vintage pickups for it Does anyone have any experience of the 'Mojo' pickups? [url="https://www.mojopickups.co.uk/product/thunderbird-bass/"]https://www.mojopickups.co.uk/product/thunderbird-bass/[/url] any other suggestions welcome.

[quote name='Conan' timestamp='1494325663' post='3294944'] Sorry. You didn't say that you were looking to be "convinced" - just asking for suggestions as you couldn't think of any. Maybe try being a bit more specific in your questioning if you wish for a specific answer. BTW, what [i][b]would[/b][/i] convince you? [/quote] I'm not actually bothered what the OP thinks. This has been a most enlightening thread. I never knew Keef played bass on anything. It probably explains why I like some rolling stones basslines and can't make head or tail of others

Bryan Adams

yep, I've met up in many motorway services to do deals. Recently I sold my spector to a guy from Sweden who was touring here. Always a pleasure to meet the buyers and sellers

I gigged with one for years. It was USA made, so was my transporter cab. Eventually I sold it as it was playing up a bit (intermittent crackle and I couldn't find it) but I had already bought another one, which I still have, set up in my rehearsal room

The only thing I don't like is the strap. I feel trussed up but the bass does hang really well from the boomerang thing. Maybe it's time to take it out on a police gig again

yep, still loving mine

Driven to tears is my favorite Police song. It's a real tough one to sing and play

looks just like me 4 string

Basswood is similar in sound to alder. There is plenty of difference in tone from different woods.

you could just get yourself a good P bass and route it out for a bridge pickup and add a front jazz pickup. A new scratch plate will cover up the old P bass route. Make sure your position the front pickup the correct distance from the bridge like a proper jazz bass.

I like his tone. Lovely grind to it.

Hi to you Bob, welcome to BC. Another local joins (I'm in Deal)

I have a hofner contempary ltd edition union jack bass. It's very nice

buy some rattle cans from Northwest guitars and do it your self. You never know

I was pleased with the master classes I saw. I have no interest in megadeath but David Ellefson was superb, he seemed a really nice guy and was interesting. I'll defo go next year because the masterclasses were more interesting than the gear. The gear is interesting, of course, but it's lovely to watch pro players saying all the things that I already thought and know. It proves either, I'm not mad or we're all barking!!!

A good fx loop is great for modulation fx such as chorus, delay, flanger. But not so good for fuzz fx. However, the FX loop on my ampeg PF500 is rubbish. I have, for the first time since 1996, started to use a chorus and octave pedal (for Sledgehammer, owner of a lonely heart and a muse song) and it sounded muddy. So I just stuck them in the signal path and they don't seem to rob my normal sound (much). A small difference but not really worth worrying about. When Victory amps bring put their bass amp, I have been assured that the FX loop will be fine. ( I play in 2 bands with Martin Kidd, the ex Cornford and now Victory designer)

[quote name='KevB' timestamp='1488970842' post='3253319'] Police squad, how did you get on with Demolition Man? I've never tried it but it sounds a bitch to get the singing and bass line timing spot on. [/quote] I never tried it. It was on the list of stuff to learn but we haven't learned any new stuff (well, new, you know what I mean) Spirits in the material world was strange too. Sting doesn't come in at the same point for each line of words. I still count myself in for the very first line. Hole in my life was challenging too!!

I've been doing it since my first gig in 1981. Occasionally I do hit a wall with something that I can't sing and play, for instance, Driven to tears by the Police. It took me 7 years to be able to do it. I'm also depping with a band at the moment and I've only just about crammed their set in my tiny brain. Singing BVs was challenging to say the least but I reckon a couple more gigs and it'll be ok. You have to practice and if you can't sing AND play something, try slowing it down, a lot even and build up your speed. As someone said earlier in the thread, a bass player with BVs is an asset. A bass player that is a singer / frontman will always be in demand

I bought a fretless neck from EYparts in hong kong. It was about 90 dollars I think and it's actually, suprisingly, very good. I use it on my 'Sting' Red Fretless P bass that I built

I found a camera SDHC card on the floor at the show. I was going to hand it in but forgot. I've had a look on it and it's full of pictures of a family holiday in what looks like Italy. Would it perhaps belong to anybody on here?