
stefBclef
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I bought some strings off Alec. Smooth transaction; went from advert to arrival of goods in less than 48 hours...amazing! Cheers Alec Stef
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Please leave feedback for me here. Muchos appreciados. Stef
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[quote name='Roland Rock' timestamp='1339520829' post='1689857'] Snap - I'm in a female-fronted reggae originals band. Maybe we should get our bands together for a reggae night sometime. [/quote] Yes we should. You ever get down to London? Hootananny in Brixton is...well...a (reggae)hoot. Keep up the good work dude.
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All sold!!!
stefBclef replied to alstocko's topic in Accessories & Other Musically Related Items For Sale
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Awesome awesome response guys. So many ideas, songs I knew and others that I didn't so thank you. It has been a whole evening of listening to music for me which is great! I have compiled a list and will let you know how we get on. For now, here is a clip from the Jamaican film "Rockers" which is a must see movie for anyone who loves reggae. [url="http://www.youtube.com/watch?v=i2GwohNFo6s"]http://www.youtube.com/watch?v=i2GwohNFo6s[/url] Thanks! Stef
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[quote name='paul torch' timestamp='1339519222' post='1689813'] reckon this could work with a female vocal: [media]http://www.youtube.com/watch?v=nweuZKQ16iU[/media] [/quote] Yep it most certainly could! I'm sure our singer would sing it lower than that in fact. Listening to others now but yes "Oh No no" is a great shout - cheers algmusic. See, I told you my brain wasn't working. Blooming work mixed with illness tangled with beer and late nights...
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[quote name='chaypup' timestamp='1339518655' post='1689795'] Might as well suggest the obvious too.... [media]http://www.youtube.com/watch?v=OMrNDnU6PPk[/media] [/quote] Now we're talking!! This would go down WELL. Thanks chaypup. Obvious ones are absolutely fine and most welcomel; I have been brain dead all week so far and even the "obvious" bit of my brain doesn't appear to be working very well.
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Hey y'all I have just joined a new reggae originals project and we would like to throw some covers around for good measure. Can any of you think of some reggae songs that are either sung by a female, or might be more suited to a (let's say alto) female voice than others? Perhaps you have been in a band that covered a reggae song and you had a female singer... Or how about some songs that you would like to be heard in reggae style? Thanks a bunch Stef P.s. How flippin' great is reggae bass?!
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fender paisley precision made in japan back up for sale
stefBclef replied to stu_g's topic in Basses For Sale
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The Lorenzo L449 is nice and cheap at £89 and was voted "best guitar under £1000" in 2004 by Guitar Magazine. [url="http://www.guitar.co.uk/guitars/acoustic/1307-lorenzo_l449_acoustic_guitar"]http://www.guitar.co.uk/guitars/acoustic/1307-lorenzo_l449_acoustic_guitar[/url] At that price it's worth a try. I bought one a few years back and I like it; it is certainly decent. Although I don't know much about acoustics and I have played my friends Simon & Patrick which feels nicer. I agree with the advice about taking some cash and trying some out.
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Crackly volume pots on a 120w combo. How to fix?
stefBclef replied to stefBclef's topic in Amps and Cabs
Ok cheers guys, I will have a looksee and hopefuly I can stop the storm! -
Crackly volume pots on a 120w combo. How to fix?
stefBclef replied to stefBclef's topic in Amps and Cabs
Ok, I got my hands on the amp and, after wrestling with it for half an hour, I got it sounding pretty damn nice so I am happy. It then played nicely for the rest of rehearsal (2 hours or so). Some description of the symptoms: The pots are more than crackly. I would describe the sound as more of a rumbling storm that's brewing and occasionaly gets really loud and then dies down. The sound then cuts out at times and comes back when you turn the dial (although not consistently in terms of the position of the dial). This is the same on both pre and power amp pots and also on the treble pot. There is also some horrible loud noises when you so much as touch the input jack. Both active an passive jacks seem affected by the same problem. So... When I get the chance I will open it up and have a clean with the contact spray as suggested above. [list] [*]Is there anything in particular I need to be careful with when opening the amp / touching the circuitry or anything? I don't want to damage it further you see. I can solder but I am deffo an amateur! [*]Do these symptoms suggest something different might be going wrong? The fact that its affecting so many parts makes me think that maybe there is something else the matter. Someone mentioned it might not be earthed properly...plausible? [/list] Thanks a bunch all y'all Stef -
Can you recommend a drum machine to practise with?
stefBclef replied to stefBclef's topic in Theory and Technique
[quote name='andyonbass' timestamp='1338584618' post='1676956'] The Korg Pandora has a load of drum patterns, as well as many other useful features for a practice anywhere solution. I had the older PX3B but I'm sure the current models have the same if not more features. [/quote] You got me interested in a Pandora and turns out they are quite sought after these days! This one went for £78.50! [url="http://www.ebay.co.uk/itm/320915905528?ssPageName=STRK:MEDWX:IT&_trksid=p3984.m1435.l2649#ht_2178wt_1185"]http://www.ebay.co.uk/itm/320915905528?ssPageName=STRK:MEDWX:IT&_trksid=p3984.m1435.l2649#ht_2178wt_1185[/url] I may have go down the Alesis route! Thanks Stef -
Crackly volume pots on a 120w combo. How to fix?
stefBclef replied to stefBclef's topic in Amps and Cabs
Thanks. I am picking the amp up today (just bought it on ebay for 30 quid) and I will pop into Maplin at the same time to get some of that contact cleaner. I'll let you know how I get on! Stef -
[quote name='Twigman' timestamp='1338567634' post='1676572'] He doesn't though. Let UPS collect as is...it's not the seller's responsibility once UPS has collected. [/quote] Couriers don't collect stuff that is not properly packaged. They just won't. Then who would have to pay for another courrier? Althogether bad idea to leave it unpackaged. I don't think the buyer can leave any bad or neutral feedback - the buyer is the one who agreed to the terms and is now not complying to them. Might take this conversation down to the pub actually...
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[quote name='Twigman' timestamp='1338566799' post='1676549'] What's the difference between the buyer collecting and UPS collecting? NOTHING [/quote] Packaging. A boatload of packaging.
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[quote name='Ian Savage' timestamp='1338554418' post='1676261'] What a tit! Ah well, means you can legitimately re-list it, I suppose... [/quote] +1. If an item says collection in person, you've gotta stick to that. If you want to try and convince the seller to post it then ask them before you put your bid in. Gonna be hassle for you either way mate...unlucky. But, do you think you'll get more than 50quid for it second time round?
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Can you recommend a drum machine to practise with?
stefBclef replied to stefBclef's topic in Theory and Technique
[quote name='derrenleepoole' timestamp='1338548828' post='1676104'] Got an iPhone or a good smart phone of some description? Loads of good tools that are super cheap on phones, cheaper than a drum machine. [/quote] Thanks. I am one of the few people left without a smartphone actually...and to add to my archaicness, the room I practise in has no internet, so no online thingys will do it for me. That said, I am due an upgrade in September so smartphones/apps are looming in the not-too-distant future. -
Happy Friday everybody, I wasn't sure where best to post this but settled here as my quest for a drum machine is purely based on wanting to practise and improve... Everytime I read an article or post about how important it is for us bass players to sit and spend a lot of time with our good old friend the metronome, I promise myself that I am going to build that kind of practise into my routine. After watching a Victor Wooten / Anthony Wellington video, (in which they used a drum loop) I thought that using a drum loop instead of a metronome may be a lot more agreeable and inviting. Is it generaly agreed that you can use either or? Or is there something to be said to keeping to the pure and simple click of a metronome? Do you practise with a drum loop? If so, do you have a cheap, simple to use drum machine that you recommend? Ta Muchly Stef
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Hello all As the title suggests, I would like to know if the crackling pot is something that can be fixed, and how easy it is to do. It's not my amp, but one I am considering buying as I am looking for a cheap combo to leave in a rehearsal space. Apparently, as well as crackling, the signal cuts in and out when you adjust the volume pot but is fine when you leave it at one level. [b]My questions:[/b] [list] [*]Does this kind of fault usually develop into a more pronounced fault, maybe even to the point when it crackles and signal cuts when you are NOT adjusting the volume pot? OR does it tend to only be an issue when you are adjusting the pot level? [/list] AND [list] [*]How may one go about fixing this issue? [/list] The details I know about the combo is that it is a 120watt Laney. Many thanks everybody. Stef
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Gain, power and volume - a confusing ménage à trois...
stefBclef replied to alexclaber's topic in Amps and Cabs
[quote name='Oxblood' timestamp='1185910019' post='39703'] Nice one, Alex. Coherent indeed. The mention of Gain and Volume brings to mind one of my pet bugbears: the habit that many manufacturers have of mis-labelling the controls on amplifiers. First let's deal with the worst culprits. It seems to be a commonly held view among certain companies that in selling to musicians, they are ipso facto selling to idiots who are easily impressed by shiny objects and flashing lights, and to whom they can pretty much spin any nonsense they wish. This leads to products on which perfectly normal Signal Level and EQ controls have been given stupid, subjective names like "bite", "heat", "balls" etc. Does anyone really find such descriptions useful? I doubt it. Personally, I just find them embarassing, and I'm sure I'm not the only one who immediately ignores any product with such twaddle printed on its panel. However, even among those companies who avoid such inanities, there is still a common practice of mis-labelling going on, and one that leads to endless confusion among non-technically minded users. I'm talking about all those amps (including well-respected, high-end products) that have an input level control which, bizarrely, is labelled "Gain", and may well be accompanied a bit further down the panel by another knob marked "Master Volume", "Master Gain" or "Output Level". In nearly every case, such labels are wrong! And let's not forget that old favourite, "Volume Control". We're all used to saying that, aren't we? Yet even that is a piece of 'creative' labelling - a hangover from the days of domestic wireless sets. In a typical instrument amp, the first "Volume Control" you find is simply a pot placed in the signal path - just like the one we find in a passive guitar or bass, between the pickups and the jack socket. All it does is act as a [i]potential divider[/i]: a variable resistance that bleeds some of the signal away to earth and allows the rest through to the next amplifying stage. Turn it up full, and all (or nearly all) of the signal gets through. Like a water tap, it's a purely passive device. It can't give out more than is being fed in. In some amps this first pot is positioned directly after the jack input itself, but more commonly these days it is placed after an initial amplifying or buffer stage. Either way, the effect is the same. Likewise, the "Master Volume" or "Output Level" control is another passive pot, placed at the point where the signal leaves the pre-amp/EQ circuitry and is being fed to the input of the Power Amp. What it [i]doesn't[/i] do, in either position, is alter the GAIN of the amplifying stage of which it is part ...but that doesn't stop some manufacturers calling it a "Gain" control. Confused? I'm not surprised! So, just for the record: A true Gain control works by modifying the operating conditions of an amplifying device (varying a DC control voltage on an Op-Amp, for example) and in so doing actually determines how much gain that device can apply to whatever signal it is being fed. Genuine Gain controls are usually only found on professional studio equipment, mixing desks and so on. They are not used alone, or instead of passive pots. Both are used together, as they have different roles to perform. They're part of the variety of control options that make such equipment flexible enough to accept and process signals from the widest possible range of sources, and do it efficiently, with the best possible signal-to-noise ratio. I think that's it. Don't want to hijack Alex's excellent thread. I'll shut up now. [/quote] Hiya, thank you for this info, there is some good stuff on this thread. Can I ask, what are acceptable names for these two pots then? My amp is labelled "Input Level" and "Output Level" which I thought sounded about right when I read your post and started to understand what these two controls actually do. However, later posts suggest that these are not correct either. Anyway, I would like to find out about how to SET these knobs so I would like to get the names right first before I start a thread about them! Thanks. -
[quote name='vsmith1' timestamp='1338294929' post='1672233'] Though I have not really ever used it, I have a Pub Prop from a magazine subscription years back. I did a quick search and found this.. [url="http://home.btclick.com/briarmill/Pub%20Prop.htm"]http://home.btclick..../Pub%20Prop.htm[/url] [/quote] That's pretty cool. Although I don't think it would attach to most amps/cabs. Plus I have already handpicked my old teatowel which I will be using to tie my bass to the cabs' side handle thanks to the earlier tip in this thread! If only all problems could be solved that easily!
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[quote name='LiamPodmore' timestamp='1338293212' post='1672199'] Startup band i'm in. We met up first to get to know eachother (I only actually didn't know one of them) decided on a few songs, jammed out those few songs at a rehearsal. We used that rehearsal to see where the singer feels most comfortable musically and then spent the last hour coming up with song suggestions which i've compiled into a list (something like 40 songs). We're going to meet up again with the list, go through and pick 10 songs to do over the next few months, and then break them up into which songs to do at which rehearsal so we know what we need to work on and when for. This really helps because i obviously have my main band, work, and regularly dissapear for a weekend, plus all the other members are at college, so having a bit of structure makes things easier to work with. Liam [/quote] That sound like a good setup/strategy. Is there an official leader in this band?
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[quote name='geoffbassist' timestamp='1338225927' post='1671148'] It's such a great system. It sounds a bit dodgy but the towel never loosens off so the bass is really secure. The neck is resting against the loop of the towel so it doesn't get marked. I've been doing it for 8 years full time and never had a problem. [/quote] Yeh it sounds perfect. That's one I can cross of my list of "Gig problems/queries" so thanks!
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[quote name='dannybuoy' timestamp='1338219667' post='1670998'] Like this one? [media]http://www.youtube.com/watch?v=yvAJFmfkh1k[/media] [/quote] Yes thats the exact one! It works so well if the surface is the right height, but I feel the majority of rigs are too tall.