peteb

[quote name='BurritoBass' timestamp='1370560806' post='2102897'] Is there an echo in here Peteb? [/quote] You hit the post button just before me! Just goes to show, mediocre minds think alike...

[quote name='chris_b' timestamp='1370560141' post='2102889'] Pop music pre 1962 really was awful. [/quote]Early Elvis, Chuck Berry, Muddy Waters?? I would suggest that not all of it was...

Depends on the band and the pubs you play! I used an 810 for years in a pretty loud rock covers band that tended to play bike rallies or decent sized pubs with no problems. However, the guitar player used a 412 half stack and we had use of a van not to mention all the gear was kept in a central lock up. These days I have to get my gear to gigs in my own car, which I have to unload myself at the end of the night. Funnily enough I don’t use the 810 anymore! Now I use a 410 and would consider changing to a couple of 210s…

Without wishing to rehash the Fab 4 thread again, to me the most important thing about the Beatles was the influence that they had on popular culture beyond that of pop music! Frank Zappa (or any other artist) will never have that level of significance and therefore can't really be compared! FWIW, I quite like FZ and have a few albums / used to have a live video, but I'm not really a massive fan. I actually like the humorous stuff and the sheer quality of the bands he employed - their ability to turn on a musical sixpence could be quite breathtaking at times! However, much of the instrumental stuff I've heard doesn't really do it for me, not that I've heard it all by any means...

[quote name='peteb' timestamp='1370389050' post='2100315'] So to get this right, he expects you to learn 25 songs for a pub covers band in three days for an audition that he is holding behind the current bass player's back for a gig that may or may not exist (depending on the situation with the current guy)?? It is hard to say if you are being too picky or not, but you definitely did the right thing in pulling out of the audition...! [/quote] So to get this right, he expects you to learn 25 songs in three days for an audition that he is holding behind the current bass player's back for a gig that may or may not exist (depending on the situation with the current guy)?? And then he gets upset because you didn't fancy it? It is hard to say if you are being too picky or not, but you definitely did the right thing in pulling out of the audition...!

I have to say that I have dealt with Minotaur four or five times (3 straps, 2 belts, an extra buckle & some leather jewellery) and each time the service and value has been spot on, not to mention delivery times far better than expected. When I googled Minotaur just now, two of the results on the first page linked to this thread. I would hate to see them go out of business just because a courier screwed up a return...

[quote name='Sonic_Groove' timestamp='1369140391' post='2085280'] No it is not a "Movie" it is real life! People are being crapped on like this in all walks of life! Telling it staight just gets one ridiculed. It is all about bums on seats/selling product. [/quote] C'mon, gimme a break... As you say, people get f**ked over in all walks of life but even more so in the entertainment industry. I believe that Bryan Beller got treated pretty badly by the same publication but he handled it differently and it was only a minor blip in his career. The whole point of the OP was that Wictor had come to terms with what happened and now felt able to share these stories with people who would be interested in them! The fact is that Wictor is a good writer and the "LA Story" posts in the TB thread could almost be written as a scene in a film, perhaps a remake of 'The Player' but set in the music rather than the movie business (and perhaps a little less cynical, hence the Cameron Crowe reference)! Anyway, I'm glad that Wictor has come thru it and hope that he sells his novel - he is undoubtedly a good writer! Also good to see that Thunes appears to be in a happier place and is back making music...

I know a couple of guys in West Yorks if that's any good? PM me if you're interested and i will get their contact details

Fascinating stuff! Does anyone else think that could be a Cameron Crowe movie here (complete with Nancy Wilson soundtrack if they're still together)?? You know, a failed embittered writer with health problems finds redemption thru the example of his idol, a brilliant but embittered artist who he requires as a genius but everyone thinks is a sociopath, who himself finds redemption thru the love of a good woman! The writer is friends with another couple with a dysfunctional relationship, a working musician who never quite hits the big time and his beautiful and sassy wife who has a meanstreak and who the writer is secretly in love with. All we need is a romantic interest, maybe an ex girlfriend who never stopped loving the writer but couldn't live with his negativity, who comes back into his life to complete his rehabilitation. In the final heartwarming scene he gets a positive prognosis on his illness and delivers the final draft of his novel to an optimistic publisher! Perhaps the basis of a pitch to CC there?? No... just me then!

[quote name='JTUK' timestamp='1368782632' post='2081367'] On a musical level every band can benefit from keys, IMO... on a personal level, watch out for the uinprofesionallism to creep in.. Is she hot.. ? [/quote] Dunno about that - I've been in a few bands where a keys player would have just got in the way. Unless they were particularly hot of course...!

[quote name='xilddx' timestamp='1368714742' post='2080577'] Ed Mann has made up with Thunes fairly recently, Wackerman remains silent about the whole affair. If you are fascinated enough, read Andrew Greenaway's 'Zappa The Hard Way', a book about the 1988 tour and tons of interviews with the band including Thunes (but not Wackerman), and Electric Don Quixote by Neil Slaven has a few chapters in it. [/quote] Scott Thunes rears his head round these parts yet again! Actually, I would be quite interested to hear Wackerman's views on ST and the demise of the Zappa band. Have you read Bryan Beller's account of his dealings with Thunes after Dwezil replaced him with BB (on his old website)? Well worth a read if you can find it - Beller is trying to be nice about Thunes, but he still comes across as a complete sociopath...!

Personally I always think as a musician develops and starts to feel at ease on an instrument, they tend to find their own feel, phrasing and tone that defines them as a player. I think this is much more apparent in players of tenor instruments as they tend to be soloists and the range of their instrument is closer to that of the human voice. As far as what notes you actually play - whether you copy a bassline note for note, put your own spin on it or play something completely different - surely that should be determined by what the song is and in what context you are playing it in...

[quote name='JTUK' timestamp='1368616678' post='2079166'] I have come to this conclusion because they are dead from the neck down in a musical sense. There is no finesse or playing there..just notes...no panache, no zip, no nothing.. You can watch 30 mins of the show and know every move they would make..and there would be no musical surprises. If it meant 'up' that would mean they have some sort of cerebral use ...but I use the word 'down'. as nothing they do could get the body parts moving.. As you say, don't wish to derail a good thead otherwise.. [/quote] I'm guessing that you're not a Dream Theatre fan then??

[quote name='JTUK' timestamp='1368569240' post='2078790'] But Rush are a band TOTALLY devoid of musicality and personality. IMO..!! If ever a band went thru playing by numbers it is these guys...if the Snakes and Arrows Sky Arts shows are typical..?? I had the misfotune to watch far more of that TV show than I should have...recently..!! [/quote] I'm not a big fan at all but that is just nonsense...

[quote name='polyrythmmm' timestamp='1367934592' post='2071171'] Firstly the car thing. Many of us Londoners have cars, that's why there are so many cars in London. admittedly there is a fairly high amount of commuter traffic but that doesn;t explain the 24/7 vastness of traffic in London. AND we get to 'steer' clear of the rush hours it's actually kind of fun driving in London after Gig down time. I play in bands in London and somtimes I'm the only bloke with wheels, is this frustrating? YES because no-one else is equipped to accomplish ANYTHING. They can't even move around. I have solved the over-reliance issue by moving from VW hatch-back to a proper old time mini "Sorry guys only room for me and my rig, and even that is creatively packed". The bands in London who can at least get there are by far the more promising 'gig wise' too, but in those cases, invariably, I'm the only one without a permanent day job. It's rare to find everything rolled into one batch of folks so yeah I guess, ask for everything. That's all in support of the wishlist & dream-building, but now.. Telebass. You ought to be be really nice and accommodating.. Build the plan call it a pro gig, build it and they will come. But recognise that you too have a bruisable-ego.. Your responses are as defensive as those who felt attacked, so I think you had better accept that with ego comes the will to succeed. Strip away the ego and you strip away the ambition. (generally speaking) I like to think many of us have the social skills to balance the two, but just leave it out entirely from the wishlist. If you mention it, it probably means it's a problem, and if it's a problem, it's your problem. In general though YES take the essential matters into your own hands, and build the gig (job done) amp power, ego's these are not gig issues these are your issues. If a guy who you have offerred the gig to on the grounds that he's perfect seems to turn up with a stupid looking stack to a jazz covers club gig well you have to make the call should you have allowed this guy into the band if the answer is yes even with his rig the rig stays until you can convince him it's silly. if the answer is no then why did you choose him?.. you know. distill it all distill it to the essential gig concerns and go to work end of. [/quote] Excellent post!

The Xotic jazz bass would be my choice - superb bass

[quote name='Dingus' timestamp='1367757242' post='2069082'] Your best bet might just be getting a Jazz pickup put on a post - 2008 American Standard . The 1.625 nut width and modern "C" profile on those basses is perfect for what you want . Why Fender don't make one like that , I have no idea . I'm sure plenty of people would buy them . [/quote] The trouble is I already have an Am Std Jazz and it's not that great. I got it s/h on here and spent a fair bit on a fret dress to make it playable and putting a new bridge on it. It's also a touch on the heavy side, unlike SOME 70s fenders that I've played / owned. You're second point is exactly what I'm trying to say - I'm sure that loads of people would actually buy a bass like that if they sold at the right pricepoint!

[quote name='Dingus' timestamp='1367692701' post='2068526'] Did you see the 2011/ 12 Precision Pro ? It was beautiful , which is why these latest ones are such a bad joke : [/quote] Yea, if you had a slim P neck (as opposed to a narrow J one) with a maple fingerboard, then that is exactly what I'm talking about! I wouldn't want to be paying custom shop prices though, but how about a series in between the American Special & Standard ranges? I think that would be interesting...

The one thing that this thread seems to show is that people want Fenders to look like Fenders! The one thing you can say about such an iconic brand is that there is not a lot wrong with the styling of P or J basses! What I would like to see is something like a ‘70s Player’ series, which would include a lightweight PJ bass with a Badass bridge and a not too chunky maple neck with a skunk stripe. Basically, the best that you would hope to find from a modded 70s fender P bass. I might even buy one myself if they got the build quality and price right…

If you are playing 120 gigs a year with guys at a high level, you are going to be improving dramatically without even realising it! You must be doing something right to get the work in the first place...

[quote name='Dr.Dave' timestamp='1367569979' post='2066938'] I'm not comparing JJ to Jaco - I'm comparing what I perceive as their differing approaches to playing music. To be defensive when hearing brilliant musicians... first you would have to accept the musician in question's 'brilliance'. In Jaco's case - I'm not sure I do totally. I also , generally , find that those who stand gaping in awe of another players technical skills are the average , jealous players rather than those who feel competent enough not to (seek to) need to prove themselves to anyone , but would rather put themselves second to the work they're contributing to. [/quote] Really? IME good musicians are confident enough to recognise talent in others and maybe learn from them...

[quote name='EssentialTension' timestamp='1367536001' post='2066769'] Some people get defensive when other people are less keen on something they love. [/quote] Maybe, but bear in mind that Jaco is not one of my main musical heroes - I'm just saying that people should recognise what he did and not come out with spurious comparisons to James Jamerson! He was always going to have more of an effect on someone like Bilbo because be likes that kind of music. My point about people getting defensive when they hear brilliant musicians was way more general than just talking about Jaco...

[quote name='Dr.Dave' timestamp='1367512464' post='2066267'] I think that all musicians should primarily support the song - not just bass players. It's the whole point. J J was superb at doing so. He never put himself before it - he used his skills to improve the song - not to over shadow it. He didn't give a monkeys how good people thought he was - he cared only for how much better the song was for his input. [/quote] There is nothing written in stone that all music [b]has[/b] to be performed in a four minute song format! That may, quite rightly, be the norm, but there has to be room for instrumental music and also for truly great players to do extraordinary things to take what can be done with an instrument forward. Assuming that you are not a die hard, old school punk rocker – if you dismiss this type of music out of hand you are probably missing a trick! Some people get very defensive when they hear someone who is better than they are. I get tired of all this talk of fret w@*kery whenever anyone mentions a guitarist who is actually any f@*kin good! And of course when you hear a genuine game changer like Jaco, suddenly people get threatened by the fact that their heroes are not in the same league, yet alone the fact that they will never be able to play like that. Therefore they start picking holes in his tone and accusing him of ‘widdling’ or whatever, which is kind of missing the point. The ironic thing is that out of all the monster jazz players, JP was (at times) a killer groove player – I’m sure that Jamerson (who I believe was originally a jazz player himself) would have approved! I have three or four Jaco records, which I rarely listen to – to be honest I’m more a Van Halen kinda guy! However, I have been indirectly influenced by him quite a bit in that I have copped plenty of licks from guys like Tony Franklin, who I know got them originally from JP and then put them in a rock context where I picked them up. I can’t see how it does any harm to at least be aware of they came from and to appreciate the artistry of the original, even if you are never going to be a big fan of the type of music that Jaco played…

[color=#222222]There seems to be always the same argument here about Jaco. I think that he was one of the all-time greats who transcended his instrument in the same way that Hendrix, Charlie Parker and a select group of others did.[/color] [color=#222222]I’m not a jazz fan at all and I find much of his stuff very heavy going (ok, unlistenable) but his first solo album and some of the Weather Report and Joni stuff are undeniably great. If nothing else, Teen Town and Portrait of Tracy are great tunes[/color] [color=#222222][quote name='xilddx' timestamp='1367323035' post='2064119'] I also think some people buy into that troubled genius backstory too. [/quote][/color] [color=#222222]Are you sure that you’re not falling into the same trap with Scot Thunes??[/color]

If you can get to Keighley, I use Tony at Aire Valley Guitars (tel: 01535 600202 / [url="http://www.airevalley-guitars.co.uk/"]http://www.airevalley-guitars.co.uk/[/url]) for stuff like that - top bloke, knows his stuff & very reasonable!