peteb
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Everything posted by peteb
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You could always try the Stevie Ray Vaughan method, which is to superglue your fingers to the opposite forearm, leave to dry and then rip off – leaving a bloody forearm but an extra layer of skin and a layer of superglue on your fingertips! If that’s a bit too hardcore you could always try what I do if I haven’t played for a while – apply three or four layers of plastic skin half an hour before gigging It doesn’t perform wonders by any means, but can help to get you thru the gig with a little less discomfort....
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Saturday gig – big bike rally near the east coast with loads of people there, middle spot with 2 other great bands on the bill Not the best we’ve ever played but stormed it nether the less (the double bass player of the excellent headlining rockabilly band was kind enough to say that we “just edged it 2-1” – not so sure myself but we certainly had a good night)! Hung out with some old friends who we don’t get to see that often, including a couple of guys in the other bands whose paths have crossed with ours on the circuit in the past – all in all a great weekend, the reason we still do it.…
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[quote name='bass_ferret' post='186056' date='Apr 26 2008, 05:54 PM']Controverial? Me? Yes Jaco did redefine what the instrument could do. So did Jamerson and The Ox. Going back even further, so did Jimmy Blanton - although it was a different instrument. At least Joe Public will have heard The Ox and Jamerson - even if they dont dig it. I dont think I have ever met anyone who did not like Motown though.[/quote] That’s part of the problem for me – saying that you don’t like Motown is like declaring that your hobby is torturing small puppy dogs!! I can’t say that I hate Motown as such, but if I never hear some rubbish DJ playing a Motown set again at a wedding / birthday party / work function it would not worry me at all…. Find it difficult to understand all the hate for Jaco here – surely one of the greats on any instrument, not just bass
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[quote name='Oscar South' post='186022' date='Apr 26 2008, 05:09 PM']I'm not a fan of Wooten's Double thumbing and original compositions, though his arrangements and ensemble playing are exceptional. Also I can't stand any aspect of Bill Dickens playing, apparently he gave up drumming to overplay on bass because he was told too often that he overplayed on drums, good logic.[/quote] I'm not a massive fan of Wooten's by any means, but he is undeniably a great musician So why deny it?
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[quote name='bass_ferret' post='186011' date='Apr 26 2008, 04:58 PM']I'm sure this was done a while back. Anyway - I vote for Jaco. Great chops and technically brilliant but nobody else has ever heard of him. I've had conversations like: Jaco who? What did he play? Well he was on Heavy Weather. What? And a couple of Joni Mitchell albums. OK! (accompanied by blank look). As opposed to: Jamerson who? What did he play? Loads of Motown hits from the 60's and 70's, like Reach Out, Bernadette, I Was Made To Love Her, Whats Going On. Really - how come I've never heard of him etc etc.[/quote] Let's be controversial! To anyone who isn’t a massive soul fan, Jamerson was just a decent session player who played on a string of hits! Jaco redefined the boundaries of what the instrument could do…
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[quote name='chris_b' post='184453' date='Apr 24 2008, 12:27 PM'].... getting back to the UD video..... I think it's great, warts and all. Don't analyse it, just "get" what he's doing.[/quote] +1 - I thought it was pretty cool for a video posted on youtube! It always amuses me when people look at a successful player and start finding imaginary faults! I’m sure that a guy who has been hired by such diverse talents as David Coverdale, Christina Aguilera, etc will: a) be able to play in time; and have a certain confidence in his playing
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Coverdale's new bass player shows the stuff he doesn't get to play with Whitesnake: [url="http://www.youtube.com/watch?v=Cs-sENAcLGo&NR=1"]http://www.youtube.com/watch?v=Cs-sENAcLGo&NR=1[/url] He’s just mucking around here, but pretty impressive!
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I would be very loathe to get rid of the SWR if you like the cab I have the older version of the SWR 6x10 and it sounds great. It moves loads of air and has plenty of headroom – which is important when you are playing in a loud band! You have to ask yourself if a new cab is really going to sound better in the context of a loud band. As a rule of thumb, I would suggest that a quality 6x10 is better than a 4x10 (assuming that you can cart the damn thing around)! I'm sure that you could spend the money on a new (or spare) amp or another bass...!!
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SOLD to a very charming gallic gentleman called Pierre Alexandre! Cheers Tremblay -
Is this the same caulkie who organises biker parties and who got up and played drums with us when we played at one of the aforementioned parties? I vaguely remember a pink tutu being involved....!!
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[quote name='jono b' post='180259' date='Apr 19 2008, 01:03 AM']Did Minty Fresh Death have this? Whippet and Rugby League Land sounds like Yorkshire to me, which is a fair old drive to Wales[/quote] One of the reasons why they have service stations on the M62!
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[quote name='Pixel Pirate' post='180452' date='Apr 19 2008, 01:29 PM']I am interested in this too, is it still available?[/quote] PM'd
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[quote name='BassManKev' post='180238' date='Apr 19 2008, 12:07 AM']£40 price drop, nice effort[/quote] Well, even more of a bargain then...
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[quote name='dood' post='180184' date='Apr 18 2008, 10:12 PM']However, I am still in love with the 2.1Kg MarkBass F1 ! [url="http://www.markbass.it/products.php?lingua=en&cat=1&vedi=82"]http://www.markbass.it/products.php?lingua...t=1&vedi=82[/url][/quote] I want one of those! dood - what do they sound like? Power, etc?
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Price drop to £80....
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I have reluctantly decided to sell my Eden D210XLT cab if I can get back the money I paid for it on eBay a couple of months ago. I got it for a project that unfortunately never came to fruition and since then I’ve bought a cab from jakesbass that I will actually gig! I’ve only ever plugged it in once, just to confirm that it works ok! As most people here will know, Eden cabs are among the best you can get. This cab sells for £699 new at the Bass Gallery at the moment. Here’s a link to the Eden site for full spec and description: [url="http://www.eden-electronics.com/products/cabs/indiv/d210xlt.asp"]http://www.eden-electronics.com/products/c...div/d210xlt.asp[/url] It’s the 4ohm version, rated @ 350 watts RMS, sounds great and is in very good condition. I understand that it can easily be rewired to 8 ohms if necessary. The cab has a little bit of pedigree – I bought it from the top London show band ‘Madison Square’, and prior to that it belonged to Joe Hubbard (ex Gary Numan, top session player, teacher, etc). I'm based in Bradford, West Yorkshire not far from the motorway network - in return for petrol money I'm prepared to deliver up to an hour's drive away or to meet at a convenient motorway service station, etc. If anyone wants further details, etc please PM me Cheers – Pete
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VH stuff is always lots of fun to play - I'd do it if you have the time!
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When do ever see a pro guitar player not use a tuner live these days?
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In answer to a couple of PMs - it's a 8 ohm cab rated at 400 watts RMS
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[quote name='Musky' post='171786' date='Apr 7 2008, 09:33 PM']Free - Mr. Big (live version) Anyone even thinking about doing a bass solo should listen to Andy Fraser's effort and remember the words Simplicity, Phrasing and Melody. And then promptly forget about ever taking a solo. [/quote] Or alternatively, listen to the Billy Sheehan version and think technique, speed and how the hell does he play that and don’t play a solo until you master it (if ever)! Also, Tony Franklin on the Glenn Hughes’ LA Blues Authority album if you can find it…..
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Due to a slight change to my main rig I now have a SWR Big Ben 1x18 cab available – £120 for a quick sale.… This is a cab from the pre-Fender days when SWR was the last word in esoteric bass gear, has a Bag End 18” speaker (which has recently been given the once over by a qualified technician), is about 12 years old and has the diamond shaped dark metal grill (same period as the Goliath 2 series) The cab is in a pretty good gigging condition, but not mint You can use this cab in conjunction with a unit with 10” speakers to add depth for a fuller bottom end, or you could use it in different configurations to go for a heavy dub bass sound. I have used it on its own on a gig, which it handled fine If you want a 1x18 cab, this is probably the best one to go for – and it’s gotta be great value at the price… PS. I'm based in Bradford, West Yorkshire not far from the motorway network - in return for petrol money I'm prepared to deliver up to an hour's drive away or to meet at a convenient motorway service station, etc
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Dream Theatre always strike me as a bunch of Berklee students who just couldn't decide if their favourite band was Metallica or Rush! Technically very proficient but very po-faced and also pretty poor writing – if you must be pretentious you may as well take the Yes route and occasionally write outstanding pieces of music…
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‘Jaco’ by Bill Milkowski is a good read but pretty dark, ditto the Stevie Ray Vaughan bio ‘Caught in the Crossfire’ (I think that’s the title – I leant it to my drummer 4 years ago and still haven’t got it back) Have to disagree with most people here about the Guy Pratt book – I enjoyed it! He seems to be well aware of his faults and of his good fortune and as someone said, they are good stories! For real glorification of substance abuse you need to read ‘The Dirt’, if only to marvel at how incredibly stupid Motley Crue are! The Aerosmith book (‘Walk This Way’) is also OK, a bit like the Crue one, but featuring people with IQs actually higher than room temperature…
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Not many hard rock players mentioned here - and after all the 80s was the decade of spandex and big hair! How about: Billy Sheehan Chuck Wright Tony Franklin Rudy Sarzo Jeff Pilson
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Bass Players You Can Spot A Mile Off......
peteb replied to Bass_In_Yer_Face's topic in General Discussion
Tony Franklin comes to mind
