Jarhead

I think he's got strange nailed down, not sure on the other two though... Zach

Aye, you'd probably be better off at looking at your rig, rather then your bass in this case, as most of his tone came from them. Like it has already been said, a P bass would be a good start, then I'd look at your rig, and change parts of it until you get as close as you can to 'that' tone. Zach

It appears I'm something of a minority, as I don't care if someone dings/dents/scratches my bass, as long as it comes back working, with no broken strings, etc. I quite like how my basses look after they take a good beating, adds character to them, IMO. It's going to happen, what does it matter if you did it or someone else did it? It's not like it affect the sound quality or anything like that. Zach

If I remember correctly, those only hold the Cool Cat pedals, so are pretty much useless for any others, unless you feel like hacking it up. You might as well just build your own with a few bits of good plywood and velcro. Zach

Yeah, the lead completes the circuit, so it will still drain the batteries. Made that mistake during a recording session, left my bass plugged in by accident when we wandered around for a while to relax for a good few hours, got back and the bass was dead, and we had no clue why, until I remembered it was active. Man, that sucked. Zach

[quote name='hillbilly deluxe' post='664943' date='Nov 25 2009, 12:15 PM']Why ?[/quote] Maybe he just wants her to be a bit taller.... I'll get my coat. Zach

My TU2 has been acting up recently. It turns on fine when I plug in, lights and such, but then, I stomp it to tune up, and absolutely nothing happens. I know it isn't the bass, because when I re-stomp it, signal passes through. I genuinely have no idea why this is doing this, but I would really like to be able to use it again, because I sometimes split my signal with it, and I use it for the obvious. Anyone had this before? Anyone know how to fix it? Zach

Couple of years ago now, I was 14, my first band K.O.D, a set comprising mainly originals with a few covers thrown in, Hello Tomorrow- Zebrahead, that sort of thing. Was all right, reasonable crowd considering that it was a school concert. By no means my best one, but not the worst either. Zach

Haha, better be one damn impressive panda Zach

Not in a sound-check or gig, but both times in rehearsals. The first was a second hand Warwick Profet 3.2, which just stopped working when I turned it o, absolutely no sound whatsoever coming from the cab when it was plugged in, so I got a new head, plugged that into my Marshall MBC 115, where the speaker promptly failed, filling the inside of the cab with thick smoke. Zach

I'd say the Morley Dual Bass Wah, but that has a huge footprint unfortunately. Zach

I would actually kick a panda in the face to meet Cliff. As soon as I have the money after getting my wah, I'm buying a phaser. It's what He would want :') Zach

Yeah, think I'll go with a Morley, I read up on his gear, and he did use a Morley Tel-Ray Power Wah, so I'll get either the power wah, or the classic wah, whichever I think sounds better when I try them. Zach

Hey, I'm looking for a wah that's very similar in sound to the one used on Anesthesia (Pulling Teeth). I already have a good fuzz, but I need a wah that can do those sweeps. I was thinking about the Morley Classic Wah, as I guess that would be similar to the one used, which I'm pretty sure was a Morley, but what do you guys recommend? Zach