Jean-Luc Pickguard

The secret to playing a walking jazz bassline is to play a note on every beat. Any note. But never play the same note twice in succession. You don’t need a chord chart or even need to know what key everyone’s playing in. Try it and make a youtube video of the results.

Wow! It looks great with the matching cab. It hurts my back just to look at it though. How does it sound?

The six pole single coil thing has been common knowledge since the bronco's ancestor, the musicmaster bass was first available in 1971, so I doubt many people would be surprised.

Which ethnic group would that be?

Why not agree to their offer to send a courier and direct them to the address of the local constabulary?

Even though the name is only a letter away from music ground, There doesn't appear to be any connection: http://www.checkcompany.co.uk/company/11980856/MUSIC-BOUND-LIMITED

I remember the time I found out that Guild's biSonic pickups, or more accurately the Dark star copies Fred Hammon was building at the time, were single coils. I had previously assumed they were humbuckers and was convinced that they were humbuckers as they are the size & shape of humbuckers and look very much like humbuckers. I dont think I've ever seen them advertised as humbuckers though.

Apart from the pots and output socket its very well put together. I have never tried the MiM version, so I can't compare the two versions, but Fender Mexico makes some great instruments these days - My favourite bass for recording is my JMJ mustang which is MiM. I don't know how closely the CiJ or the MiM thinlines replicate the tone of a vintage '72 as the 'wide range' humbuckers don't use the CuNiFe magnets of the originals. Mine seems to have more top end available than I'd usually expect from a bridge humbucker though.

I've never had any issues with the mini pots that come with EMG pickups, so I should have directed my rant specifically at cheap & nasty mini pots rather than mini pots in general. I've just remembered that I was originally planning to shield the cavities with copper slug tape at the same time as replacing the pots, but totally forgot to do this today , so thats a job for another day.

My 1997 CIJ Fender telecaster thinline ('72 humbucker style) has had crackly pots for as long as I can remember. After putting it off for many years, I've just got around to replacing both pots with new full size 500k log mojotone CTS pots and while I was in there swapped out the socket for a switchcraft. I did consider making a complete new loom, but in the end the switch was okay and it was easier to just swap out the pots and socket. I did have to ream out the pickguard a little to fit the new pots. As I went for solid shaft pots I was able to use proper Fender US knurled barrel knobs in place of the original cheap looking knobs. The original mini pots are tiny - the smallest I've seen. The diameter is smaller than a 5p piece. The difference to the guitar since replacing them is much better than I had anticipated. Now when I turn the vol or tone knob I don't get a load of snap crackle and pop, and even though I resused the original capacitor the guitar sounds brighter with the tone pot open. I just don't get why crappy mini pots were used instead of quality ones when it was built. It wouldn't have saved Fendder a lot of money and I'm sure japanese Fenders were not considered a budget range even back in the 90s.

How effective is the memory foam? Does it just ensure you don't forget which key a particular song is in, or does it enable you to remember all the notes you need to play without any mistakes?

It sounds like it’s probably a customised one. Let’s hope it’s a pro job and the extra large pickguard isn’t there to cover over any amateur lutherie.

I don't think they do exist except for ones which may have been defretted by/for the owner. I don't recall ever having seen a fretless danelectro bass.

I used a carlsbro amp briefly in the 80s. Maybe they’ve improved over the years, but In your position I’d be looking into getting an Ashdown rig - possibly secondhand.

The ad is one big cringe. I love thunderbirds, but I would be embarrassed to be seen in public with this. This is a collector's bass not one for playing. If enough american lawyers and dentists buy one there'll probably be a never ending string of GS Gibson signatures for them to collect like the vast array of Slash signature guitars Gibson have released.

Despite the photo having been taken with a potato rather than a camera, the pickup cover looks white rather than cream so I'd say there's zero chance of it being a DiMarzio. I think *he* should buy the bass so he can convert it a bit more.

So that would date it to being prior to that infamous night out in Langney where something happened behind the pizza place that was to be every bit as transformative as Dylan's 1966 motorcycle accident.

Athough usually used with guitar, the zvex super hard on might be appropriate

Could be - I would expect the tuners to be a bit more wonky if it was genuine

Oh my, that's a hard one...

That is one hideous looking bass. I'm not surprised they had to find a passing hobo to pose with it, anyone else would have been to embarrased to be seen with it.

You might recall this 'brand' from ebay. it looks like the purchaser has decided to unload their bass, and the value of the conversion appears to have had a negative effect on the price. https://www.cashconverters.co.uk/shop/music-tv--video/musical-instruments/guitars--string-instruments/bass-guitar/050000085678

This question reminds me of a bass viol (aka viola da gamba) I saw in a museum. This was a cello-sized forerunner to the double bass which had frets made of the same gut used for the strings tied on the neck. According to his diary, Samuel Pepys enjoyed playing his bass viol.

Pls delete