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Jean-Luc Pickguard

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Everything posted by Jean-Luc Pickguard

  1. Gibson has sold the Cakewalk brand & assets to bandlab https://cakewalk.bandlab.com/
  2. This hasn't just been hit by the ugly stick, I think it actually might be the ugly stick.
  3. Writing the word status on the headstock of a cheap & nasty 70s plywood Jazz bass copy that probably belongs in a skip (or was found in one) does not make it a status. https://www.ebay.co.uk/itm/status-vintage-bass/152910250941
  4. If the bass will have a solid finish, get whichever is cheaper if there is a price difference but ash will look much nicer with a sunburst or clear finish.
  5. Blimus he's also selling a racist money box collection https://www.ebay.co.uk/itm/11-x-VINTAGE-CAST-IRON-MONEY-BOXES-STARKIE-CLOWN-DINAH-RINGMASTER/132503719119
  6. £350 for a woolworths jedson telebass - hilarous!
  7. Junk! The tuners are back to front - except for the wacky 'G' tuner where the baseplate is overlapping one of the others. It looks like this has been put together by someone who doesn't understand the basics of how a bass works and didn't plan the project properly. What are the odds that it is impossible to intonate?
  8. I pronounce it correctly as 'Epiphone'
  9. This condition of payment, the no returns policy, and the disclaimer about it being left in a garage seems to suggest that the seller might know about an expensive issue like a twisty neck. I'd explicitly ask if he's aware of any faults and insist on checking it out in person, then pay by paypal if thats what he wants only if it is OK.
  10. I've variously used separate pedals and changed to multi fx for previous bands, but never mixed the two - ie when I used the Boss GT-6B or Zoom B3 I didn't add any separate pedals, however for my current band I'm using my VT bass which I prefer to anything similar in the B3 but I also need a compressor and a boost pedal. I don't own a separate boost pedal so I'm replacing the stand-alone compressor with my zoom B3. Its always struck me as odd that the input & output sockets an pedals are on the right & left sides respectively so chaining pedals means the signal goes right to left, however on the B3 the FX go left to right, so putting the B3 with the VT bass means the signal flow is not represented in an obvous way when looking down at the two pedals. Obviously this is not a massive issue, but it does seem a bit weird. So why do pedals have the input and output on the opposite sides to where they should be, and if it is the standard for pedals to feed the signal from right to left, why do multifx units chain their separate fx in the opposite direction?
  11. Looks like they've been put back to later in the year - possibly due to the rosewood fingerboard. I expect the ones that come into the UK might have Pau Ferro fingerboards like the PJ mustangs. Looking at some of these on a google image search shows that the 'road worn' wear doesn't seem as grimey looking as the first images that were released
  12. If there;s no phase issue, wiring in a series/parallel switch to be able to switch the pickups in series (like the Fender S1 switch) might help make it sound more beefy.
  13. https://www.gumtree.com/p/guitar-instrument/electric-violence/1284068747
  14. An iRig or similar interface will do the job on an iPad. An iPad 2 is quite old so make sure you can install the free version of the amplitube software on it first. http://www.ikmultimedia.com/products/irig2/ I don't tend to use my iPad for practice much as I'm wary of catching one of the the cables and yanking it onto the floor. I usually practice to music on itunes on my MacBook - either with my bass plugged into a focusrite scarlet solo interface with one of the IK multimedia amplitube ampeg bass amp emulations, or if I'm not using headphones I tend to plug into my Roland Microcube RX amp.
  15. You could use it as a short scale by detuning it & putting on a capo at the second fret.
  16. If a gigbag is an option, the Fender urban shortscale bass gigbag is nicely padded and very well made & no more expensive than a decent long scale gigbag at about £25. I used to take my mustang around in a jazz bass gigbag which was OK but not a snug fit, but this shortie-specific bag is perfect. https://www.thomann.de/gb/fender_urban_short_scalegig_bag_bk.htm
  17. I've certainly never had to attack the saddles on a bass where they're not individually adjustable for height, but the option is there.
  18. Not if you own nut slotting files or know anyone who does. Here's how a guitar's tunamatic bridge's saddles can be individually adjusted for height - I expect it'll be similar for bass saddles. http://www.stewmac.com/How-To/Online_Resources/Hardware_Installation/Are_you_supposed_to_slot_Tune-o-matic_bridge_saddles.html
  19. That reminds me - The Rock Garden in Covent Garden, where the Apple store is now, sometime in 1989 when my favourite 'glow in the dark' curly cable went missing. I think someone in one of the other bands must have purloined it when my back was turned.
  20. Its always handy to have a jar of pickled turnips on stage
  21. I think you know what to do. Ditch the current band and follow your heart - form the wurzels tribute act.
  22. Are the lava ones better than others then? gear4music only seem to have weird pastel blue or weird pastel green ones in stock at the moment.
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