Jean-Luc Pickguard

Alfie — James Taylor Quartet

Ride Your Pony — Lee Dorsey

I met him before he took on his punk persona. I found him to be a very nice chap and I like his videos.

After trying various compressors, overdrives etc, I decided to limit myself to using Boss compact pedals only in an attempt to stop myself buying too many similar pedals. I made up a bass board: And a guitar board: And also have some pedals that I'd like add to my boards if I had more room. My 'want' list currently includes an OC-5, & RT-2 Rotary. I'm thinking about combining both boards into one big pedal - something like the harley benton spaceship power 80 should give me plenty of room. How many pedals is too many? Anyone else limit themselves to a single brand? I imagine an MXR-only board would be pretty good.

Where's Captain Kirk — Spizz Energi

Bird Stealing Bread — Iron & Wine

Damn!

Maybe I was hasty in confining the removed no-name far-eastern jack socket to the bin. I am now offering it free of charge with all washers etc for pickup from South London, or for the cost of postage. PM me for details. This represents an exceptional offer for anyone who enjoys living on the edge and would enjoy the frisson of anticipation in not knowing whether their bass will work when they plug in to play a gig. Will it last a lifetime, or will it fail next week? We have no way of knowing! *May not suitable for basses used with strap locks.

Mickey Mouse Is Going To Hell — Sigue Sigue Sputnik

Sometimes saying something is rubbish it isn't just an opinion; it can be a quantifiably true statement. As an example my newly acquired 'made in China' Modern player starcaster bass is a lovely instrument to play now that I've slung on a set of LaBella flats and set it up, however it came from the factory fitted with one of the flimsy cheapo output sockets that has a good chance of the tip connector losing its springiness over time and causing the signal to cut out at the worst possible moment. As the bass is around twelve years old, the original socket is surely on borrowed time. Whenever I encounter one of these it gets replaced with a switchcraft, or preferably a pure-tone socket, and the original goes straight into the bin. Now that I have fitted the bass with a pure-tone socket, I can have complete faith that the output jack is top quality and won't fail on me. new pure-tone socket on the left, crappy flimsy cheapo rubbish original socket on the right.

I'm so glad that I'm in a band without any of this kind of BS. — Unless they're plotting to oust me behind my back of course.

Stuttering Blues — John Lee Hooker

On Reflection — Gentle Giant

House of 1000 Corpses — Rob Zombie

What's That Smells Like Fish? — Blind Boy Fuller

Third Ankle — Bauhaus

When The Chips Are Down — David Porter

Smelly Tongues — The Residents

Garlic Bread — Gary & Larry

T-Bone Blues — Louis Jordan & His Tympany Five

Sausage In A Bottle — The Police

The 'other' Ian Watkins

Sweet Sticky Thing — Ohio Players

I'd get all the band members together in a room and bang their heads together.

I've never seen or heard of a cello riser, but in theory I can see how the endpin could transmit vibrations to the surface of the riser which in turn *might* set up vibrations in the riser. Standing with all of your weight on the surface that you're looking to vibrate, however, is bound to damp/mute a lot of the resultant vibration, so maybe the design should be ammended to include an additional partial platform only connected at the edges to stand upon? Something that might maximise the volume gain would be design with a lightweight circular plate suspended so it is free to vibrate, with a cup-like depression in the centre for the endpin. I could imagine this might have a similar effect to the resonator in a dobro.