Jean-Luc Pickguard

I though the one string fretless upright I made was original - its not much more than a length of timber with a machinehead a keyhole plate for tailpiece, pieces of chopstick for bridge & nut and a cheapo piezo. However it turns out there are others like it. Oh well.

btw - its rather crap so I usually keep it hidden away and don't talk about it.

I used to get pains in both hands towards the end of gigs. I was able to prevent this from happening again by letting the amp do more of the work and play with a much lighter touch. I use very floppy strings on my BGs - Thomastik TI324.on the mustang and TI344 on the jazz/precisions. My EUB is an NS CR5M with the stock strings. I have no problem with it cutting through the drums & two loud guitarists by using a blend of the piezo & magnetic pickup.

There's a great book by Dr Randy Kertz who is also a bass player: [url="http://www.drkertz.com/bassistguide.html"]The Bassist's Guide to Injury Management, Prevention and Better Health[/url]

I'm very happy with my Schroeder 1212L & Markbass LittleMarkII

[quote name='EccentricRichard' post='287304' date='Sep 19 2008, 02:13 PM']Eurgh. That sounds HORRIBLE. Can't understand why anyone would want to make a bass out of any Fender guitar - except maybe the Jazzmaster.[/quote]
Are you this rude in real life or only on the internet?

I'd be happy if I had one just like this lucky bloke's bass:

1966 mustang with original daphne blue finish with pearl guard and lollypop tuners.

or maybe a modern CIJ one in california blue an aged pearl guard instead of the bright stock one. Also in my dreams hipshot will make a set of mustang tuners with lollypop paddles and a D-tuner.

I though this thread was going to be a retelling of the joke about the vicar & the bass player:

A vicar was chatting to a bass player at a cocktail party. The vicar asks the bass player why he plays bass. The bass player replies that he had always wanted to play an instrument but could never decide which instrument to learn until one day he was in his local music shop and saw a wonderful thunderbird bass which he bought and has since enabled bass playing to become a central part of his life.

Ah said the vicar - "that must have been a wonderful epiphany" to which the bass player replied...











"No its a proper Gibson!"

I made a fretless precision using Brandoni neck & body. I bought a finished body in 3t sunburst and I'm hard pressed to find any difference between it and the one on my 62RI MIJ precsion. If you can get to Wembley you can pick out the exact body & neck you want.

I'm not allowed to play - I'd have gone for limiter, valve-sounding distortion & eq - ie like a posh version of the Behringer green limiter pedal & silver bass preamp pedal in a decent box with decent pots & sockets.

I paid £100 for a stripped 1970 musicmaster about eight years ago - its now my daughter's pride & joy and is a lovely shade of lilac.

The 90s Squier vista series musicmasters are very decent and go for much cheaper prices than the US ones. I have one I'm thinking of selling, unfortunately its shell pink.

My Japanese '62 reissue Precision was made in 1990 (I think) MIJ so it probably isn't the same as the current models. It is definitely alder. Its as good as any precision I've played but there are differences in the finish (thicker than nitro) and hardware - the tuners are unbranded 70s style rather than reverse klusons.

I have a 1212L - use it with a LMII - I like an oldschool sound with flats and this does it for me. I also use it with an NS-Design CR-5M string upright. The B sound tight & monstrous. Best sound I've had ever.

there are four of us so we're called[b] obviously 5 believers[/b]

Nice. I'm sure you'll enjoy the MSI Wind - it's a great little laptop - I have the Advent 4211 version which is PC World's rebadged Wind. My missus just mentioned that she wants one as well. When I get payment for a web site I completed recently I'll probably buy it for her (but only on condition she runs Ubuntu on it ).

If it hasn't been done already on yours, you can double the memory to 2Gb for £12 with a module from play.com.

You could have a look at [url="http://www.wordpress.com"]wordpress.com[/url] - its free to set up a site on a .wordpress.com subdomain with a preset design, but for $15US you can register your own domain with wordpress as part of their "premium features". Other premium features that are available include full control over the style sheet.

I use the self-hosted version (wordpress.org) for o5b.co.uk & other sites I build (eg [url="http://www.croydongpvts.co.uk"]http://www.croydongpvts.co.uk[/url]) - the difference is that I need to sort out my own hosting, setting up the database etc.

If you want to learn all about xhtml & css, the best book to learn from is probably [url="http://www.amazon.co.uk/exec/obidos/ASIN/059610197X/numeeja"]Head First HTML with CSS & XHTML[/url] @£21.49.

For a good a free editing tool instead of buying dreamweaver etc I'd recommend [url="http://www.kompozer.net/"]Kompozer[/url].

I look after my stuff - the chrome pickupo & bridge ashtrays on my '81 precision are identical to the much newer ones on my other much newer fenders. No rust or tarnish, the chrome is bright and the only marks are fingerprints which come off with a wipe of a microfibre cloth. No one's going to see the bridge and relic bridges I've seen are usually ridiculously overdone. I'd vote leave 'em be.

There are a couple of songs in our set that need a low D - one of those is an original where on the verse I play a repeated low D - its the third track on [url="http://orangeunsignedact.co.uk/acts/obviously-5-believers"]http://orangeunsignedact.co.uk/acts/obviously-5-believers[/url]. I only take one bass to gigs, usually the mustang as its so comfy. I just play that song using the D on the A string - no ones commented so far on it sounding different to the CD. When I recorded it in the studio I didn't really get an inspiring tone out of my active 5er, so I used my passive Precision & recorded it in two takes. First with the E string tuned down to D just playing the low Ds for the verses and then with normal tuning for everything else & comped it together.

The other song we play that needs anything lower than open E just needs a low D at at the end of a decending run. If I have one of my basses with a D-tuner I just flip it for that note, but if I have the mustang, again I play the D an octave up.

[quote name='deksawyer' post='277633' date='Sep 5 2008, 10:10 AM']They're the only acoustic guitar I've seen with an action as low as an electric.[/quote]
In that case you'll have to take a look at my stratacoustic sometime.

[quote name='warwickhunt' post='276545' date='Sep 3 2008, 09:01 PM']Has anyone encountered this system before?

[url="http://www.michaelkellyguitars.com/acoustic_guitars.html"]http://www.michaelkellyguitars.com/acoustic_guitars.html[/url]

It looks intriguing... but![/quote]
That looks like it could be a brilliant idea. The one thing I don't like about set necks is that they can't be shimmed so setting them up is always less flexible. I managed to get my cheapie stratacoustic playing really well by shimming it as it has a standard bolt-on strat neck, whereas my much more classy 80s washburn acoustic has really high action which I can't do much about as it probably needs a neck reset.

As well as producing it didn't Tony Visconti also play Bass on "the man who sold the world" - I've always love that album especially the fuzz bass on "she shook me cold". I must dig the CD out and give it listen tonight.

[quote name='Sibob' post='274837' date='Sep 1 2008, 06:43 PM']Definitely explore other avenues like Lakland and G&L etc (wouldn't bother with Cort myself), but give each[/quote]
Who makes Lakland skylines & G&L Tributes? Cort

[quote name='matt_citizenbass' post='275053' date='Sep 1 2008, 10:58 PM']i think i've completly fallen in love with that danelectro '63 bass. its a shame they only make the aqua one in long scale. maybe its just the body size thats a problem [/quote]
I have the previous (90s - made in Korea) version of the longhorn, which looks closer to a late 50s/60s one. Its a very light & comfy bass to play and has a unique sound. It does a great punchy double-bass type sound.

The '63 comes as a short scale bass, long scale bass & guitar - The only difference between them all is the neck (& bridge ), the body, pickups and electronics are exactly the same on all of them.

Sounds like you should look at Danelectros

The longhorn has 30" scale & 24 frets


The short scale version of the '63 bass has 22 frets

[quote name='rayfw' post='274180' date='Sep 1 2008, 12:35 AM']Would've been cool if it had 5 wheels.
[/quote]
would have had six if you include the spare wheel & the steering wheel

Let us know how you get on with the kit - the headstock reminds me of sx bases - I wonder if they're from the same factory? I built a fretless Precision out of brandoni parts several years ago. Its great fun gigging a bass you put together.

The homemade project looks like the bloke put it all together, found that it was as shabby as Robbie Williams without auto tune, so is trying to unload it on ebay.

[quote name='Sarah5string' post='273885' date='Aug 31 2008, 05:48 PM']Damn it.. there I was thinking that I'd manage to not have my gear slagged off... *sigh*

5 string bass - check
Dean bass - check
POINTY (explorer) dean bass - check...

oooh wait.. I have some redeeming features...
No ones dissed red eyes skull knobs (on my dean)
No ones dissed Shine basses (My 5 string)
No ones dissed Laney amps..

Waheeeeeeeeeeeeey... I guess there's still time...[/quote]

Ok then:
[list]
[*]red eyes skull knobs
[*]Shine basses
[*]Laney amps
[/list]

only joking