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Jean-Luc Pickguard

⭐Supporting Member⭐
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Everything posted by Jean-Luc Pickguard

  1. One Shoe Lost — Pure Retribution
  2. (In Space No One Can Hear You) Scream — The 5.6.7.8's
  3. Nick The Stripper — Birthday Party
  4. Beginning and Ending — Max Richter
  5. Spaceship — Billion Dollar Inc
  6. Sherlock Holmes — The Dirtbombs
  7. Patches — Clarence Carter
  8. Choice Of Colors — The Impressions
  9. The Soapmakers — Clutch
  10. Nothing's Changed — The Zombies
  11. Gumtree is for buying/selling when you can transact face to face.
  12. Here Comes The Summer — Undertones
  13. Doing My Own Thing — Johnny Taylor
  14. I can't see the pics - just get an error message that imgbb is unavailable after a bit of a wait
  15. My Pal Foot-Foot — The Shaggs
  16. I'm not going to go to the trouble of putting just the chorus through the send/return as I only use it to add some depth to the sound when the SY-1 is used to emulate an organ doubling the bass. I hadn't considered the difference in levels before asking the question, so I will take on board (no pun intended) what Bill said, and as I am not using rack fx requiring a line level input, I will continue to put the pedals between the bass and the amp input.
  17. Thanks, that's good to know. I'll continue to run the pedalboard into the amp's input.
  18. I have learned a lot from Why Logic Pro Rules https://www.youtube.com/c/WhyLogicProRules
  19. I have an Ashdown ABM600 evo iv which is easily the best amp I have owned. I also use a pedalboard with a bunch of boss compact pedals. Until now I have always used two cables: one from the bass to the pedalboard, and one from the pedalboard to the amp input. When setting up last night it occurred to me that maybe I should be using the fx send/return instead. I'll pack an extra cable for the next rehearsal to try this, but I was wondering what difference this might make to the sound and how many people use the send/return on their amps, or have tried it and gone back to running the pedals into the amp's input?
  20. Constipation Blues — Screamin' Jay Hawkins
  21. Hey Mr Tambo-urine Man — Bob Dylan
  22. Sea Emily Play — Pink Floyd
  23. Stalin In The Shadows Of Love — Four Tops
  24. My JMJ mustangs are pretty much my perfect bass; I have three of them, two blue and one black. I wasn't initially keen on the roadworn finish on the body but it has grown on me, however I might strip down one of the blue ones and get it refinished in nitro in a custom colour possibly with a light relic job. Not sure what colour to go for though, perhaps something unusual that makes it unique.
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