Rest assured, it’s a lot simpler than it initially looks. It takes a bit of getting used to when you want to fine-tune sounds “in the heat of battle”, but once you familiarize yourself it’s really pretty OK.
I was very disappointed about 20 years ago when I saw Earth Wind and Fire doing this. They were one of the bands way back when who used to do it “for real” and to see them doing it made me a bit sad. I guess it’s because audiences have come to expect perfection rather than wanting to enjoy the energy and imperfection of a truly live performance.
I don’t know if it’s possible to extract small sections of YT videos, but in this episode of Live from Daryl’s House (featuring the supremely quotable Joe Walsh) there’s a line between 37:12 and 37:42 from him which sums it up for me.
Aaaah, oversight on my part. Sorry if I got your hopes up there HappyJack. I just googled Joe Walsh Tour, landed on that website and neglected to read the small print.
As you were......
Thanks for all those tips guys. Loads to dive into.
I’ve just looked at his website and he’s on tour in the UK in June and July of next year.
https://www.joewalsh.com/news/297841
I have always been aware of Joe Walsh and known that he'd done some great music, but have never really listened to any of it.
I just stumbled over this excerpt of him from "Live at Daryl's House" and it kept me listening. All that is great about some of the music made in the sixties and seventies.
I hope you enjoy it too.
I’ve used GarageBand as a practice/play along, so not quite as you’re intending to it, and find the small phone-format a bit faffy. For your purposes i.e. a quick rehearsal recording VoiceMemo should be adequate.
I think I was at that gig. Did Philip Bailey do his hit at the time “Walking on the Chinese Wall”? And was James Earl “playing bass” for Stanley Clarke?
I saw a disco/funk band in the 80s in Liverpool. The dance floor was empty so the singer shouts out, “Come on folks let’s see you all up on the dance floor!”. So, one guy gets up and starts dancing in the middle of the dance floor, at which point the singer goes back to the mic and says, “Not like that mate, you look a c**t!”
Harsh, I know, but flawless timing.
Given the Lakland content and the high quality parts, if the overall “ensemble“ jives well together, that‘s one heck of a lot of bass for the money.
I‘m not on the market myself, but if you were to put up some soundbytes of this baby you may significantly increase your chances of a sale.