SICbass

Also this, although it was co-written with Prince was Martika's only UK hit. Love Thy Will Be Done. I think it's just beautiful, hence the embedded video. http://youtu.be/10V_Z0_udjg

Sorry if this one is already in there somewhere, but "da-daa-daa-daa" by the German band Trio.

[quote name='el borracho' timestamp='1478336233' post='3168452'] I saw a guy from work once while heading out of a Buddy Guy gig. I asked what he thought to which he replied "The playing was OK but there's no place for humour in blues." That was why I'd enjoyed it! [/quote] Your workmate was of course completely correct in his observation. Nobody could seriously think that BB King was joking when he sang Nobody Loves Me But My Mama (and she could be jivin' too).

I sympathise with the OP. I work mostly in theatres where there are usually a dozen guys auditioning for one spot. You have to develope a thick skin, which isn't always easy. I do this for a living, so it's also not just about hurt pride. On one occasion, not only did I not get the gig, but when the guy who [i]did[/i] get it wanted me as a sub, he was told that I was on a blacklist that the musical supervisor (who was only there for the auditions and didn't work in the theatre) had of guys who shouldn't even sub on the production. This stuck in my craw for several years until I was asked to audition for another show in the same house as a sub. I got in and, over the following years, got to hear loads of stories about what a kn#b the musical supervisor was, how his decision-making process was totally flawed and how some of the other guys that also landed on the blacklist had been playing in that house for years in numerous productions. None of the guys in the band, including the MD, understood why any of us had been blacklisted. I know it's something of a platitude, but try not to let it get to you. Very often the reasons are so banal and have little or nothing to do with the playing.

Definitely try some of the Albert Collins and the Icebreakers Albums. The live album 'Frozen Alive' is killer.

[quote name='itsmedunc' timestamp='1477097947' post='3159897'] Where would I keep the Ampeg 8x10? [/quote] If I were you, I'd sleep in it.

[quote name='stingrayPete1977' timestamp='1477342248' post='3161633'] Glare at the [s]drummer[/s] guitarist so everyone else knows it was their fault [/quote] There, fixed. You're welcome!

Probe records, god I haven't thought about that place in years. Pete Burns was a well exotic figure back then. A sad loss, RIP.

[quote name='seashell' timestamp='1476912715' post='3158512'] Time to revive this thread with a gem from our keyboard player. ...'There's no music during the chorus, just the bass and drums' . [/quote] Burn him!

Very cool. Loads of fun and they've nailed the sound. Where did you see them?

[quote name='ambient' timestamp='1476708841' post='3156469'] I wouldn't have thought an inch would make much difference. [/quote] Ooo-err! Well......,,,somebody had to.

I have 2. A 1976 Jazz ( different pick-ups, ugly-dodgy varnishing from a previous owner etc. etc.). Not by any means a looker, but I love the sound. The other is an original prototype of SKCs Bogart bass. It has a humbucker on the back and a jazz pup at the neck. Before they went all graphite, they had wooden, jazz bass bodies with carbon fibre necks and that's what mine is. A warm, fat sustain that goes on for days without losing thickness, yum yum. I got it in 1990 and showed up last year at "The Holy Grail of Guitars" event in Berlin. When Stefan from SKC saw it, his eyes nearly popped out. We hadn't seen each other in over 20 years.

Really locked in with the drummer is when I feel best, just lost in the moment. On very rare occasions, these are the best, it feels like I disappear altogether.

http://youtu.be/w0-g8G9aMRU

[quote name='molan' timestamp='1475873937' post='3149495'] I used to know Mark fairly well - it's a shame he struggled with live performance (see what I did there TT aficionados) and more or less stopped recording new material as well [/quote] It's interesting that you say that. He always looked a little that way, but I remember being unsure if it was that or just a really cool way of being slightly aloof. Not in a snotty way, just in a really 'into it' sort of way.

Despite claiming it in the text, on the picture it doesn't have 24 frets. Not that I'd particularly want that on a Jazz anyway.

signed.

I saw Madness last night at the Tempodrom in Berlin. They were everything I had hoped for, brilliant. Loads of the old hits plus 4 or 5 from their new Album. One bizzare feature was when Suggs and co. left the stage to allow Chrissy Boy to sing a bit of Highway to Hell to a backing track It looked very much as if they needed a filler while someone got changed or had a pee or something... but, hey-ho, it was a top night, all round.

I'd say that my playing is quite simple and solid. Not the most inspiring, but with good time and groove. I try to make it sound as if the 'main notes' are being played by the bass-drum.

[quote name='SpcMnk' timestamp='1475505334' post='3146446'] 'Like a French kiss from a horse..' [/quote] I hate using text-message-speak, but I'm sitting on public transport and that did, quite literally, make me laugh out loud.

I wouldn't worry about the sponge retaining water. It will probably dry quicker than the other materials. Depending how big the zip is, you can probably turn the bag (even if only partially) inside out. This should speed up the drying time.

Very cool. Well done you and all the others.

Wow. I've watched several of his vids, but these are new to me. He seems to have upped his game even further. Thanks for posting.

Under the circumstances, I would have gone for it. Most punters won't notice small mistakes and they'd be chuffed that you tried to accomodate them.

In the early 80s, we used to get booked regularly at a really dodgy pub on the East Lancs road in Liverpool. To this day I'm convinced that the manager hated us and only booked us back to watch us squirm in fear once again. There were forever fights breaking out. On one occasion, the classic dodgy geezer was standing one foot in front of our singer/guitar-player's mic stand (a classic place for the singer to receive a mic in the teeth if he's unlucky) just staring him down. After a few minutes, the singer just whips the headstock of his telecaster around whacking the bloke in the temple. He went down like a sack of spuds and was carried out swearing he'd be back. After that we declined further bookings for fear of reprisals.