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[quote name='Defo' post='1141041' date='Feb 25 2011, 01:07 PM']+1 on the 210T, works the 3500 very open but tight. I run a VX115 underneath as I like a bit of warmth and found the aluminium cones too bright[/quote] get yourself the new hartke 4 10 hydrive, it's light on wheels and very punchy, thats what i use with my ha3500

[quote name='SisterAbdullahX' post='1158686' date='Mar 11 2011, 09:32 PM']Quite interested in these myself in my search for a small, lightweight and inexpensive setup. Been looking at 2 of these with the LH500 and the Ibanez Promethean 210 combo. The Promethean would be nearly 300 quid less. Have to admit, the 4/8 ohms switch, whilst a great idea, makes me worry about reliability issues in a "more things to go wrong" kind of way. However, I bet when teamed up with the LH500 they sound great.[/quote] I've the hydrive 4 10 and I'm using it instead of my proline ebs 4 10, it's light small tight and alsome, I bet the 2 12 is much the same quality

[quote name='fryer' post='1091375' date='Jan 16 2011, 02:05 PM']So I just need the ganja, and I'll be ok ?? Thanks for all the tips guys. I'll get watching and practising.[/quote] I play in a reggai/skar band, to give you a basic idea, first just think route note and low 5th's if your timing is good that will instantley give that backbeat feel. Also thing triads, ie route 3rd then 5th, this is what the old madness lines were about, I know thats not reggai but slo it down with a backbeat feel. And remember SPACES MAKE BASS'S oh yes and dn't forget the ganja man.( only kidding, those were the days)

[quote name='Joe Hubbard Bass' post='1129553' date='Feb 16 2011, 01:00 PM']That's a good exercise - to play the 3rd & 7th - but that should have been preceeded and followed up with a complete progression of 2-note combinations. Go over to my website and download the lesson Understanding Intervals: [url="http://www.joehubbardbass.com/cool-free-bass-stuff/"]http://www.joehubbardbass.com/cool-free-bass-stuff/[/url] This lesson covers the basic theory of intervals. To apply this to your bass, play all the 2-note combinations (intervals) through the Cycle of 5ths. Look on the theory lesson and it explains "interval inversion." When playing the interval combinations through the cycle, play the interval in both inversions as you go through the cycle. Also explore some fingering possibilities as well. Isolation drills using 2-notes is a great way of stripping things down so you can start to hear how these notes fit over a harmonic progression. This is basic stuff, but built in a progression will build a solid foundation and really help you to understand how to play and hear the notes on your fretboard. There are many exercises that I use to implement this. If you don't really know all the notes on your fretboard and where all the possibilities to play them are, then download The Random Note Finder Exercise on the same page. Hope some of that is useful to you. Sorry you are not being taught what you should be at an established University- shame on them! This is common though; many people who call themselves teachers do not have the capabilities (or the knowledge) to actually teach- especially when it comes to jazz improvisation. Best Joe[/quote] Hi Joe, A mate of mine used to have lessons with you, A guy call Matt Hooper. P.s Vanishing Point is one alsome album