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bass_dinger

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Everything posted by bass_dinger

  1. bass_dinger
    If rap counts as music, then Chris Turner is a very capable performer. From five suggestions, and a random beat, he will improvise a clever, and funny, rap on the subjects given him. He started out as a stand-up comedian, I am told. Hear him rap about mitral valve prolapses and waves, here, from 3'21".
  2. bass_dinger
    He can dance a bit, too.
  3. bass_dinger
    Ah - solid-wall reverb, in a 100 foot tall room. It's like singing in the world's biggest bathroom, but it can be difficult to control. However, it makes for some huge sounds! The building that were are in, is an irregular hexagon with no parallel walls. Either the architect was very aware of standing sound waves and acoustics, or he wanted to build something different. Whatever, it certainly works as a meeting space.
  4. bass_dinger
    Fixed it for you . . ..
  5. bass_dinger
    I waited for a while, to see what was posted. Two of my three favourites made it... Miley Cyrus' version? Tick The Petersons? Tick Hildergard von Blingin'? No tick, until now. So, here is what sounds like the medieval original version of Jolene, in the genre of Bardcore. I do like me some Bardcore - Pumped Up Kicks, translated and sung in Anglo Saxon, is great!
  6. bass_dinger
    Yeah - but only after I had looked "ah ah ah . . ." up, on one of those lyric websites...
  7. bass_dinger
    "Here come the planes. They're American planes"
  8. bass_dinger
    It worked! Thanks for the sound advice.
  9. bass_dinger
    I was entertained by Happy Jack's Spiderman, who managed to dance at the same speed as the song.
  10. bass_dinger
    "I'm Lee Pomeroy. Ask me Anything" "Did the band struggle with the small off-beat section which is played in place of a chorus, which happens twice in the original? It's just that everyone on this thread can manage it, twice, and if you wanted to take a comfort break during that song when you next play live . . . " Or maybe not...
  11. bass_dinger
    Yes. My ukulele group agree with him. After the re-arrangement, we managed to get the whole song onto one sheet of A4. "Sevenukes - Saving paper, with Jeff Lynne."
  12. bass_dinger
    I had a bass lesson from Steve. At the time, I did not have the skill to understand what he could teach me, but it was great boost to me, on my bass journey. Like David Beckham visiting a local primary school, the kids won't learn much football - but it will leave a lasting impression! I now have a less famous teacher - and now, I am better able to benefit from what is being shared!
  13. bass_dinger
    This animated version also seems to miss out all but one of the syncopated sections. Having played the original with my ukulele band, the repeats got a bit, well, repetitive. So the musical director edited out a few of the repeats. It seems that this video independently made the same changes - it is shorter, but unless you are following the song against a chord chart, one won't notice it. So, the live version may have been edited for brevity, rather than to reflect any lack of talent on stage!
  14. bass_dinger
    Thank you! I do sometimes doubt my choice - green basses are uncommon enough for me to wonder if they are generally disliked. However, I decided long ago that I personally like it enough not to mind. I will try to Two Spoons method tonight. And tomorrow, I will start a thread headed "Safe attachment of a tight tone control . . . "
  15. bass_dinger
    My treble tone control on my active Washburn XB500 is loose. Having inspected it, I see that the whole pot is loose. I think that I need to tighten the bolt that fastens the post to the body. However, I cannot remove the tone control from the shaft of the pot. There is no grub screw to fasten the knob to the shaft, so, it may be a friction fit. However, it does not want to move! Any advice?
  16. bass_dinger
    Ah yes, I forgot that option - signalling to the band, using pen and paper, before the gig. I guess that the flexibility is good to have, but I do wonder whether that extra layer of complexity helps or hinders the band.
  17. bass_dinger
    Here you go. I find this version very helpful - it contains both the notation, and the tab and I can slow it down to 3/4 speed. I can see the offbeat notes on the first and third bars of this screenshot. And as we all know, offbeats are funky.... He has even transcribed the mistake (or tape drop out?) at 0'16". Wonderful.
  18. bass_dinger
    Having thought about it a little, I now realise that the hand signals (and sometimes, vocal cues - "Let's sing the first verse again!") are not just for the band, but for others too. So, the person operating the words needs to know about repeats. The congregation find it helpful too, to know what to expect - and to see that other musicians and singers are animated and engaged by what is happening.
  19. bass_dinger
    We do much the same. The third verse is always quieter. For me, it is predictable, and getting dull - but I suspect that the congregation don't realise how formulaic it is. Actually, I am not sure that the band consciously realised it either - so, it all felt very natural and organic when the planned spontaneity happened.
  20. bass_dinger
    "If you are playing when I stomp my foot, stop. If I stomp my foot and you are not playing, start". Or something like that. Just to prove that I have watched the whole of YouTube, here he is, doing the end-stomp with the E Street Band - https://www.youtube.com/watch?v=6swgiM9vSEE 2'44"
  21. bass_dinger
    Chip Shearin says that Chip Shearin played the bassline. Nile Rogers says it isn't Chic - 6'44" - https://www.youtube.com/watch?v=UkjJx6rYrOo So, both Chip and Niles say that the Rapper's Delight bassline is a little different to the original. I have seen a video of Nile Rogers saying that "they got some 17 year old kid to play the bassline in the studio", but I can't find it now.
  22. bass_dinger
    So, it might have been good, and you missed out! In spite of what some may think, James Blunt is not all about hand signals at the end of a song, Mickeyboro . . . 🙂
  23. bass_dinger
    Oooh, I struggle with this one - the short notes, the little spaces, the offbeatness of the whole track. I need to chop each bar into (I guess) 16th notes, and work out on what subdivision of the beat (1, e, and, a) the notes fall on. When I play funk, I play all the right rests, but not necessarily of the right length . . .
  24. bass_dinger
    Interesting - and, for me, not something I have seen before. However, it feels more like the music that I play - the leader gives a rough structure, but we follow him (or her), for added repeats and dynamics that they will call for during the song. As for folk music, if that is the case, I plan to attend my local folk club's open mic session, and suggest that we play the okey cokey. "why did you stop, then start, then stop, then start?" "The leader stuck his left leg in, his left leg out, in, out . . . . . . "
  25. bass_dinger
    Good point! Just as well I was not in the band - I would be midway through the next chorus while the rest of the band were starting to pack up . . . . It perhaps illustrates that signals work best when everyone knows agrees them.
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