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foal30

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Posts posted by foal30

  1. sitting down the reach seems very long.
    without a leg-rest insert I doubt the instrument is playable.

    with a strap + standing it's nowhere near as noticeable. My issues were actually with the "lack" of a placement point for my right thumb.
    IMO an instrument well worth getting to grips with it's quirks. They really are fantastic.

  2. I like the MTD Grendel. Probably not many around, Czech made.

    I also have a Tobias Growler. This is a Gibson era instrument, light, very powerful sound. TBF they don't have the best press but if it's the worst bass with Tobias written on it I'm well keen for a go on a decent one.

  3. er, yeah, 4-5 choruses I think.
    IIRC the issue is bars 11 and 12 are an interesting choice of chord Ab7#11(??)

    furthermore in the deep recesses of my brain I think the original recording could be "out of tune". which may not help eh

    if my Wife will help me work this scanner we could be good to go tomorrow

  4. Led Zeppelin II
    Miles Davis - Kind of Blue
    B.B. King - Completely Well
    Prince - Come
    Joni Mitchell - Mingus
    Charles Mingus - Blues and Roots
    Donny Hathaway - Live
    The Smiths - Hatfull of Hollow
    M'Shell Ndegecello - Peace beyond Passion
    Blue Nile - Peace at Last

  5. [quote name='Pete Academy' timestamp='1341952918' post='1727045']
    I've just been watching a Chili's live concert and think that Flea is an amazing player. The way he grooves and fills out the sound for a three-piece is astonishing.

    Why do people knock him?
    [/quote]

    they have decided the world has no need for a white Louis Johnson?

  6. 2 separate pieces to learn. Do so individually. Generally you'll find one a lot easier than the other.
    The merge of the 2 parts is done slowly. Out of time is no thing, you'll need the notes first.

    agree with BJ that once the two are fused you can't play one without the other :lol:
    funny how that goes.

  7. I had a Hohner B2A which was a good bass, but wildly different 'performance' between active and passes modes.

    The L2 is considerably different again and while I hesitate to use the word better when describing tone I much prefer the L2.
    For an instrument with no body it sure provides a lot of body :)

  8. [quote name='overdriver' timestamp='1341673688' post='1722601']
    The L2 has a deep U profile, I suppose anything would feel flat after that, but it was definitely flatter than any of my Stingrays
    [/quote]

    it's more like a P than a J

    the strap pivot is a brilliant idea/concept

    please clarify or expand on "L2 is more aggressive than XL" please.

  9. Jerry Jemmott.


    his work with B.B.King remains the high water mark for Blues Bass playing
    "Completely Well" is my pick for his recordings with King.
    if you cannot feel this music there is a problem.

  10. it's just practice. Time on the instrument sorts most things. I never found the B string a problem, more for me was the D and G strings with right hand plucking.

    I bought a wide neck 35" scale 5'er to better ensure accurate playing. Once I got comfortable with the 5 I bought a 'better' quality instrument also 35" but with a narrower string spacing.

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