PlungerModerno

A new US P bass? With the graphite reinforcement rods? Yeah that neck would take some rough treatment to ruin. The truss rod nut could be gradually ringed by not seating the hex / allen wrench in correctly but aside from that it's pretty much guaranteed to last for a few thousand string changes. More if you're a "new rounds every show" sort of bassist playing 5+ shows a week!

Ahhhh!

[quote name='Twincam' timestamp='1415660217' post='2602562'] Fret condition and are machine heads included?, truss rod working?. [/quote] Bingo! If the truss rod works it's worth something, If there's plenty of life left in the frets it'll probably fetch a fair bit - certainly may help pay for a new neck. As for specific value - it's worth what someone is willing to pay for it. Compared to a graphite or steel reinforced Warmoth, All-Parts, or comparable neck it'll probably fetch a more modest sum.

[quote name='discreet' timestamp='1415652733' post='2602462'] [size=4][font=arial,helvetica,sans-serif][color=#282828]I heard that line this very evening - it's from the Mr Plow episode.[/color][/font][/size] [/quote] Yes it is. And a good episode it is too!

I'm curious. From the specs on the Andertons website (link in first post) it has an 8" fingerboard radius - a bit tight given the average for a 4 string is about 10". While the weight is quoted as 10lbs - which makes it too heavy for some players (Those who do long sets or struggle with heavier basses). Also on the website it says "24 extra jumbo stainless steel frets" - while in the vid he says "brass frets" They look like brass frets - but it's not definite given the lighting. Actually, the bass on the website looks like it has nickel-silver or stainless steel frets (I'd call the shop before ordering one). On a positive note the bass looks well made, in a warwickish kinda way - which is not a bad thing. Like warwicks the headstock is an aquired taste. Actually reminds me of a cross between a Yamaha TRB and an ACG headstock: Although not as elegant as either. Neck through or not - I prefer the upper horn around the 12th fret - then the body can be lighter and still balance fine with a long scale. With heavier bodies there is the possibility to chamber it lighter - but with a thumb like stubby upper horn I'd leave the weight in the body for balance. P.S. In summary they might do well with this bass - but I think they could have done better with something along the lines of an Ibanez SR clone/inspired model. Like the bass collection offering: [url="http://www.basscentre.com/bass-collection-speakeasy/bass-collection-speakeasy-pro-4.html"]http://www.basscentr...easy-pro-4.html[/url] (Although that headstock is an acquired taste too!). I guess I just like parallel string pull and in line tuners (that wrap the same way on each side of the headstock).

OK - I've (finally) got back to you. I'm very much looking forward to this! [quote] Now we play the waiting game..... Ahh, the waiting game sucks. Let's play Hungry Hungry Hippos!- Homer [/quote]

OK, Now yer milkin' it! Let's moooove on...

Should be OK for a brief trip in the rain - but unless it's a totally sealed road case - Wrap it / cover it - e.g. plastic bag, cling film etc. Depends on the weather. I've carried a gig bag & a cheap gator case in the rain without problems - But I wasn't walking for an hour or leaving it in puddles!

Lovely - I have short scale GAS, this isn't helping!!! Enjoy!

Hey - I may be tempted to throw my hat into the ring this month - Please lower expectations accordingly . I'll definitely do some tweaking and see if I can come up with something halfway listenable... If not I'll keep it short! All the best with your compositions!

Depending on where you are financially and what you want tonally, a set of flats, as suggested - might be a great experiment. Also consider groundwound / pressurewound strings - It depends what you like.

As has been mentioned - there's too much unknowns to give a perfect answer - You'd better check everything. Diameter only tells you about the overall gauge - the material, construction, etc. can all vary hugely between different string sets - even within one company. Remember a lot of companies contract out string work (Fender? I think?) So the same stringset can vary in construction - yet come in exactly the same pack (never happened to me, but I've heard people claim it's happened).

They could be using the tried and tested static painting method: [url="http://www.doityourself.com/stry/electrostatic-spray-painting-basics-explained"]http://www.doityourself.com/stry/electrostatic-spray-painting-basics-explained[/url] http://www.youtube.com/watch?v=vhevHij2yTU

[quote name='Karl Derrick' timestamp='1415213796' post='2598008'] As I say, the strap can't be all things to all people. Certain decisions have been taken to keep the cost as low as possible. I got it down to under a hundred Quid a piece. Something has to give somewhere The problem with allowing for additional fitting lengths is the reinforcement tabs. Each is hand cut, edged, burnished, glued and hand stitched to the strap. If I allow an additional fitting hole either side, I'll increase the workload for that section threefold. So, I'd rather offer the strap made to a specified length. If people want options above the standard design, I'll need to charge for each addition. In answer to question 2? I'm ready if you guys are happy. email: [email protected] Karl [/quote] Great stuff! I can see with careful measurement adjustability isn't needed - and if you like having lots of adjustability (e.g. for one bass you wear much lower than the others) - you can have a dedicated strap for that bass. Good luck... I'll be in touch!

Congratulations on a job well done! I think the 'nick' for neck comfort is a clever ergonomic feature. Two quick questions: 1. Are you still going to "[i]allow a short and a longer button hole either side of the correct fitting length button hole[/i]" ? 2. Are you ready to take orders on the Mk. 2?? I'll need to recheck my measurements...

Good instruciton - I need to give this another whirl through but a lot of those stretches seem to be very effective. Thanks for sharing what you've found useful.

[quote name='Greggo' timestamp='1415051721' post='2596218'] I've only got a limited time with the roadstar before I ultimately return it back to the rehearsal room I borrowed it from where I know the guy who runs it. Having played it a bit I remember now why after fixing it up and getting it working I "sub-lent" it out - I still prefer my yamaha bb and I don't have room for that many instruments in house! Only thing is I notice the person I lent it to has painted the bridge black (it was pretty grimy looking) but they've painted over the Allen key adjusters so the saddles cannot be moved! What's a good way of rectifying this before I send it back? [/quote] If you are sure it won't mess with the metal - paint stripper? If you can get purchase in the hex nuts you may be able to work the saddle screw loose. If they're filled I'd guess . . . I don't know. Good luck!

[quote name='dub_junkie' timestamp='1415050621' post='2596195'] I cant say if noticed any unwanted noise with the Jag. I normally play it in passive mode with the tone backed off slightly but today I cranked up the volume on the combo at home,engaged the active switch and turned up the treble on the circuit and it didn't seem to be noisy. seems earthed well enough too. one thing I have noticed is the bridge J has a different sound from the one on my Jazz bass I just sold. Being that bit nearer the bridge, (70's spacing?) to my ears it's a bit more wiry sounding and biting, not so sweet. Not sure if I like this sound so much but I like the neck and twin pickup tones and overall its a very versatile bass with a great neck and is that bit different from either a J or a P just had a lengthy play on the Stingray this evening. absolutely love it! Think I'll be looking for a USA Sterling soon again at this rate :-) [/quote] Great stuff - although it's not helping my GAS for a Jag!

Yay! I guessed right! Seriously close though. Thanks for the blind test!

Seems like a practical arrangement - A pair of studs should hold it well - But I'd imagine some would prefer a stitched join, so I'd be hesitant to speak for all. I know I'd Be OK with either - Looking forward to seeing how this evolves.

Very pretty. How's the Jag for noise? I've heard a lot of people shield them or swap in noiseless pickups (or both). I'd check everything metal is grounded. I'd say both of them have great bite - the treble boost on both should be able to get extreme harshness if that's what you like. More moderate tones are probably as easily attained with either of course.

That's really pretty - and coming along nicely. A rich green should metal it up nicely!

From the way sites that sell new & used instruments - a way of loose categorization could be useful - e.g. left or right handed (already implemented!) Overall I think the volume of instruments is such that it'll be more than adequate for the time being. Ideally you'd have them searchable by price range (updatable?!), string number, Scale length, Fretted/Fretless, Collection Only vs. Delivery optional, etc.

Both sound lovely. Well played. OK... finished listening - way too close to "know". The pickups are clearly comparable. T.I's are blurping deliciously... Pino #2? Squire with CS pickups #1? That's a guess. Both sounded like well setup P's with flats, played fingerstyle. Here's a fun comparison of P's 90% of you will have already listened to (but for me and the 10% who haven't): [url="http://www.youtube.com/watch?v=hoJUz1oajXo&list=UUranFvDA8I4qHg8GweBmDEA"]http://www.youtube.com/watch?v=hoJUz1oajXo&list=UUranFvDA8I4qHg8GweBmDEA[/url] [url="http://www.youtube.com/watch?v=TMNTN-9SAUQ&list=UUranFvDA8I4qHg8GweBmDEA"]http://www.youtube.com/watch?v=TMNTN-9SAUQ&list=UUranFvDA8I4qHg8GweBmDEA[/url]

Great stuff - I agree totally with Dad3353 - All the pieces were worthy of the top spot, but with such strong entries it will always come down to a handful of favourites. Well done to everyone, Thanks for making the effort and sharing your creations. I hope each of you had as much fun making them as I had listening & reflecting on them. Congratulations Leonard Smalls! You've earned it!