....apologies if the post above looks a bit ridiculous. For perspective I'm ancient, a mediocre bassist and not exactly eye candy nowadays!
I'm fortunate enough to have picked up a few decent gigs of late though
Hi,
As listed, Boss OC2 ( Taiwan), MXR phase 90 and Korg pitch-black in a Boss BCB 30 pedal board box. Mains adapter and Rean pancake jacks.
I'd rather sell complete, £200 collected as the items can be demonstrated.
Thanks for viewing
Martin
Even now it's not drastically more; £150 ish for the Faital, £25 for the tweeter,£20 worth of basic ply from Wickes. PVA glue and mains cable for wiring. Admittedly the crossover is in my GK amp but it's a cheap easy job really and my woodworking isn't great.
I used 12mm for my build, Faital pro pr12 300 driver in this case. Still going strong, probably cost 175 quid max for absolutely everything when I built it.
You've been listening to the same stuff as me this week I guess. Incredible seeing Charlie Hunter play guitar and bass at the same time, the tracks he does on Voodoo are great.
The authority of that OMG setting on a fallout / L1000 is incredible, like the best active circuit ( that's passive) I'd want. A really hi-fi humbucker without phase cancellation in that setting.
The P bass I was using was lovely but in the band mix the Fallout has all the clarity but seems to have an extra octave of depth. Subjective and hard to explain.
I know what you mean.
It's just funny that I've ended up with the Fallout ( wish I still had my USA one) being such a useful bass to me. A great mid way point sonically between Fender's greatest hit designs, it covers a lot of that ground, but being short scale it's good for my dodgy left arm and shoulder. Incredible note balance too.
If those G&L designs work for you, they do really offer something.