molan

[quote name='bumnote' timestamp='1376582914' post='2176477'] You could also look at the lakland jo osbourne, I think its called something else these days its my go bass most days [/quote] I must admit that I'd forgotten the US Laklands - they are uniformly very good indeed. I've owned a couple and played a few others and every one if them has been nice. I much prefer the US ones to the Korean/Indonesian models. These are good solid basses but the US ones are at another level

Woo hoo - and another very firm enquiry in my mail this morning. Someone after a new 5 string because they've heard that no-one makes a 5'er that really sounds like one of Jimmy's basses. It just happens that there's a brand new one ready for shipping too Should be on its way today with any luck.

Loosely - Mk stumbled on stage, fannied around with his amp, pedals etc and came across as very unprofessional. LG eventually cut across him when he finally got his gear working because his playing was messy and pretty much pushed him into the background. This wasn't a sound-check issue either as they'd had plenty of time earlier in the day to sort everything out. I heard this from two different sources so I'm guessing there's an element of truth in here somewhere

Parcelflight are good. I've used them for professional delivery and collection all over the world http://www.parcelflight.co.uk/ Not sure if you need a business account but, if so, buzz me a PM and I'll see if I can help

In terms of demand I've found it interesting that I've had no less than 4 people contact me over the past 24 hours trying to by an Alleva Coppolo - all prompted by the various forum stories both here and in the US. General take-out has been that the bass in question was a one-off but that everything else about them sounds really good. . .

[quote name='Musicman20' timestamp='1376560706' post='2175908'] Ay, tiring thread. Hopefully the OP now had the funds on the way back to him, and he can plan his next purchase! For THAT kind of money, I'd be straight onto Roger Sadowsky for a custom 5 string. Guaranteed it will be perfect. [/quote] Not in my experience - and when I had the temerity to question the quality and explain that there were issues I was told that I was simply 'wrong' and these things did not happen on Sadowsky instruments. I didn't bother to 'forum' this problem (which really was quite bad) and simply paid for a local luthier to fix it. Surprise, surprise a year or so late my non-existent problem was quietly fixed by Sadowsky on all new instruments. . .

Personally I have a real problem with BF cabs (leans back & waits for torrent of flame posts). Aguilar and Bergantino are my two personal favourites in the lightweight cab market. The Berg CN212 is exceptional but I marginally prefer a pair of Aggie SL 112's to the CN112's. In the ceramic market there's a lot more choice. Both the Aggie DB & GS series have strong advocates - although I generally like the DB series there's something about the GS 212 that really works for me. However I prefer the DB112's, either individually or as a pair, to the GS versions. The Berg HD series are really good as well. Again I'd just vote the DB112 ahead on a standalone basis but in a pair of cabs configuration it's a close call. Having tried all of these I definitely wouldn't put any money out without hearing them all first. Some of the differences are subtle, whilst others are quite marked, and all of them will react a little differently depending on which head you're using with them.

Ok - so it's now 'official' BassGear will be stocking Jule Monique pre-amps and the first order is in process The Minnie power amp and module for the De-Monique is wholly manufactured by Demeter and is also being sorted right now. Anyone that wants to pre-order against the first units of either Monique or Demeter pre-amps and Minnie power amps will get some additional discount. This is a BassChat members exclusive deal!

eBay is very good for international reach. People trust it, rightly or wrongly, because of the Paypal 'gurantees'. I've noticed a real surge in demand through eBay recently. Especially on higher end, £2,000+ instruments.

I heard a few horror stories about MK & LG at one of these gigs. Apparently it was really quite embarrassing

Personally I like the higher end Trace gear (although they are not known as 'try-selling it' for nothing!). Way better all round quality than most Ashdown stuff but both brands have had good & bad periods

NYC Sadowskys come up for sale now and then but they do move quickly. In fact I'm negotiating with someone on the value of one right now. Unfortunately it's a very high spec model and almost new so I think it's going to be something like £2,700 Some of the Metro range are really good. There's an odd one that's a little bland tonally but generally they are very good quality

[quote name='LukeFRC' timestamp='1376520892' post='2175582'] This thread seems to be going around and around without actually getting anywhere.... AC makes lots of very good basses, everyone likes them - he makes one dog, sells it, turns out customer service isn't a strong point. Every tom dick and harry chimes in with their opinion, some of which are interesting, some of which arn't. Twelve pages later the same things go around and around again. So... we learn every luthier in the world can have a bad day, and one man band luthiers may be crap at customer service. Beyond that... it just all become so negative.... don't be daft. Ask around - now for each maker you'll meet one or two who maybe get something with major or minor issues.... and hundreds of happy customers. I'm pretty sure you could spend £3000 on anything status, overwater, ACG, sei, shuker, or the other british builders and have no problem at all. (Also EU legislation protects you from defects better) [/quote] Totally agree - on both points

[quote name='thisnameistaken' timestamp='1376519185' post='2175553'] Conversely, it seems everybody who is so keen to defend the guy owns one of his basses. Worried about resale values much? [/quote] Shock horror - people who own basses and have had personal, and very friendly, dealings with the people who made them actually like those people, whatever next? Better alert the media, I'm sure this hasn't happened before. . . There's been so many people saying that, in the main, his basses are fabulous but this one was an aberration that it will have brought the 'brand' in front of lots of new potential customers. those customers may well be looking a lot closer at each individual instrument before but just watch prices start to rise because of all the publicity

[quote name='martin8708' timestamp='1376518866' post='2175543'] With this outcry of disgust and horror , I eagerly await a wave of A-C basses to appear in the for sale section , so I'm off to raid the piggybank and click on wonga to pick up some bargains . But , I somehow doubt that will happen , as those that own one of Jimmy's bass's know just how good they are . [/quote] I'm sorely tempted to put one of mine up for sale to test the theory The last one for sale here sold at about £3K in just a few hours and the most recent one I've seen for sale in a retail outlet sold at full asking price in just a few days. Maybe all the publicity will actually push values up - it wouldn't be the first time I've seen this happen! Edit - Also a pair of brand new ones were offered up to the dealer network in the past week. They sold in minutes at full price - I'm willing to bet a sizeable chunk of money they won't be appearing at discount prices any time soon

[quote name='stingrayPete1977' timestamp='1376510845' post='2175319'] So? [/quote] So there won't be a huge loss in custom - it's pretty basic economics. His instruments are so over-demanded that even a big drop in short term demand will not damage his business. He'd have to make bass after bass after bass that was sub-standard and have each one heavily publicised for him to see any long term effect. In the main his instruments are so highly demanded that they hold value incredibly well on the used market and his new ones will sell just as well, partly because of the cost of the used ones (it's classic restricted-supply, desirable product, scarcity value = high prices and demand type theory).

[quote name='grayn' timestamp='1376500756' post='2175049'] I honestly don't think you'll beat this: [url="http://www.promenademusic.co.uk/overwater-j-series-natural"]http://www.promenademusic.co.uk/overwater-j-series-natural[/url] [/quote] But you could certainly buy one for a lot less if you watch the classifieds and EBay

[quote name='krysh' timestamp='1376517696' post='2175508'] I simply wouldn't pay £2000 for a jb if I could get an equally good used/franken one for under a grand... [/quote] I'm not sure "equally good" really means anything in the context of choosing a bass - it's an age old argument about what 'good' is. One person's stunning frankenbass is another's hideous monstrosity

[quote name='Truckstop' timestamp='1376517331' post='2175500'] Does it have to be a Jazz? Yamaha 2024x's are wonderful instruments and you'll end up with a few hundred in change. Truckstop [/quote] Or even close to £1,000 if you buy used! The potential range of Jazz type basses up to £2,000 is vast. Depends if you want something that cops the vintage vibe (but without Fender idiosyncrasies) vs more modern and active or with a flashy wood top vs simpler colours etc. etc. At this price level you can pick up almost any of the top brands used and some very good ones brand new. As some have said there are custom options available but a lot of the more well known luthiers will push over £2K for a full custom build these days. That's not to say that the less well known ones won't make something very nice. Customs will always lose value faster than 'standard' models though so need to be wary if thinking about re-sale values. Best return on investment at the top of this budget level is an American made Sadowsky. Nothing sells faster than a nice lightweight NYC Sadowsky with high end top wood. Celinders hold value well but the prettier ones have crept over £2K and some are now closer to £3K because there aren't any new ones coming out of Chris' workshop at the moment. Contrary to popular belief, Alleva Coppolos are the easiest of the J type bases to sell and hold value like nothing else. However you won't get close to one at £2K unfortunately. Should be able to get a very good vintage Fender for this money (although 4 bolt necks are right at the top of the budget). Brand new Custom Shop models are kicking around just over £2K (unless they are rare colours or relic'd) and are, in the main, really well made and finished these days. Definitely able to get a used CS for under £2K. Some Sei J's are fabulous value for money. Over £2K new but prices plummet on used ones. Nordy and Lull easily available used in this budget (again they drop value fast from new). I'm sure there's a zillion others too!

I hear a certain bass dealer not a million miles from me has picked up the UK distribution and has a couple on order Didn't specifically ask if a Minnie would work over here but I've been offered a price on them direct from the US and I'm pretty sure they would be happy to sell them if they didn't work here. Pricing will match the cost of a personal import but with local support and backup over and beyond manufacturer warranty - plus, you can get to try them before purchasing

Enfield basses - those pickups are just hideous, wrong, wrong, wrong

[quote name='Roland Rock' timestamp='1376511031' post='2175325'] 'Irrational' means with no logical reason. A lot of these are based on "don't like the look/sound/weight" which are perfectly logical reasons. [/quote] My 'irrational' dislike of Barefaced cabs is based on the fact that I think they look cheap nasty - people (on Basschat anyway) keep telling me that they sound great but I just can't get past the look. As they are speaker cabs designed to sound good I find my dislike based on looks to be, at least partly, irrational

I help out regularly in a music shop where there's a dedicated amp room. I can often tell when people are trying different basses but it's much, much harder to hear differences when they move from amp to amp or cab to cab. So much potential variation in amp tonal options - in fact we often try to play a little game where we take one amp run flat and then look to 'copy' that sound using the tone controls of a different amp (keeping the cabs constant). It's amazing how close we can sometimes get. Amp and cab matching makes a huge difference as well. Even using the same brand you can sometimes find certain cabs that work with certain amps and some that sound really nasty. There's also some amps that just seem to 'work' with whatever cab whilst others are incredibly 'picky'. Much easier to hear the difference in a player's fingers as lots of people always sound like themselves whatever amp they use.

[quote name='Ghosts Over Japan' timestamp='1376506837' post='2175216'] and in one very sly swoop he has lost a LOT of trust and that will lead to a HUGE loss in custom. [/quote] There's a 2 year waiting list for a new Alleva Coppolo. . .

BassGear have booked the same position as last year - right next to the BassChat meeting up corner