molan

Tried an Ashdown again yesterday just in case my view was clouded by those Nasty rehearsal room heads. But no, it was still horrible, lots of flashing lights, VU meters, eq options etc etc. However, it failed to do the basic job of reproducing an even half decent bass tone Mind you, some people love 'em so what do I know!

[quote name='nottswarwick' timestamp='1359664158' post='1958559'] Really?. I use one and have never A B tested n the same stage....so I just always assumed it must work [/quote] I had a pair of cabs that were quite boomy on some stages. Bought an Auralex and they stopped booming. I've also loaned mine to a friend and he said it really helped with boom at one venue where he'd always had issues before. That's good enough for me to recommend them. Mind you - it does look like you could make one that did the same job for a lot less. Too much hassle for me though, lol

[quote name='johnbiffa' timestamp='1359716914' post='1959154'] These are definitely at the top end of the boutique genre and worth looking out for. [/quote] I agree - I'm hoping the 'postman' may be visiting me on Monday to confirm this

[quote name='uncle psychosis' timestamp='1359673343' post='1958788'] I don't really see why thats a problem. You buy something, its yours. A seller can ask for as much as they want for something---its buyers who will decide if that price is appropriate or not. Is selling a 50s precision bass for a lot more than its original purchase price a no-no? [/quote] I'm inclined to agree. Lots of people lose money on most basses they sell. If someone makes a bit of profit now and then I can't see what's wrong?

Aguilar does it for me every time Just about the best live amp I've ever used. The Orange might be more fun if it was really just you on a desert island on your own though.

I haven't seen any flats breaking because of through-body stringing. However the break angle of the strings is quite a bit more extreme so I'd guess it would increase the chances of breakage.

[quote name='discreet' timestamp='1359454997' post='1954873'] That's still a [i]lot [/i]of slapping. Depending on how much slapping you're used to, of course. These things are relative. [/quote] Totally agree! It'll be interesting to see how well t's policed this year. Last year it was supposed to be 30 minutes of 'noise' per hour but loads of people just ignored this and carried on playing. Theoretically the show guys have the authority to pull their power but I've never seen that happen. Apart from being stupidly noisy and pointless it's also just plain rude & disrespectful to all the exhibitors who'd actually like to talk to a few potential customers ithout screaming at the top of their voice all day. I'm going to be on a mission to report all the law breakers, lol.

As an aside to the OP - there's a great little App called DutyCalc that works out what you might get hit for if importing from non-eu countries

My old rehearsal studio was equipped with a horrible selection of battered Ashdowns. All of them were awful but one was particularly appalling. The only good thing that came of this experience was that it taught me to keep a little pre-amp in my gig bag at all times

All the cost is in the insurance. You can get a bass to the US for under £50 but it could cost you that again, or more, on insurance. I'm not sure if they deal direct with 'ordinary' people but Parcelflight offer a good broker service. Go to their site, put in your weight and dimensions, choose economy and click to the next page where you can insure up to £3K.

I work one or two days a week at a specialist bass store and they have consultancy arrangement with a real pickup pro who can supply most brands and he really knows his stuff. If you zap me a PM with exactly what you're after I'm happy to get his views for you

I think there's a difference in etiquette between what people say in the classifieds and the EBay section. Generally speaking it's frowned upon to disparage someone's classified listing (unless it's obviously deliberately misleading). However the EBay zone is seen as a bit of a 'free for all'. Some quite nice instruments get a lot of stick here (I actually bought one that was torn apart here and it's both immaculate and seriously nice). I think most potential buyers that might be reading this area of the site will make up their own minds about whether they want to bid on something or not. I have to own up that I'd spotted the Warrior connection and was already watching this - also it's based only about 20 minutes from me. Lots of bassists in my neck of the woods

Nordstrand '51P is your baby - there are two types I think. Just tracked down the hum-cancelling version for someone. Supposed to be very good indeed!

Watch out for some of the cheaper Chinese made ones

My only reservation might be that it could be heavy - not that I've tried a Lul T-Bird, just that conventional T-Birds can be a strain on the shoulder

I quite like the fluorescent pink strings on the "Yamaha More Attitude"

I know some really good people who are total experts when it comes to matching pickups and pre-amps to specific briefs. They are based in the US but I know a way to import through them that usually matches most UK suppliers and it's completely legit with taxes and duties paid If you zap me a PM with as much detail as possible about what you're after I can explain more

[quote name='ped' timestamp='1359398323' post='1954204'] Oh, and there will be free lanyards for all the lovely BC folk who come to the stand and meet other BC folk. Don't worry, you don't have to stay long, or talk to Dood. [/quote] Talking to Dood is my favourite part of the show! The entire BassGear stand will be populated by BC folk this year Even better news, for my poor ears anyway, is that we'll be in the quieter zone this year. In fact, theoretically, they are restricting crazed noisy slapping to just the first 15 minutes of each hour even in the main hall!

As someone who's worked in online marketing pretty much since it existed I can safely say that these ways of artificially paying for views, downloads, site visits, likes, app installs, search clicks, links etc etc have been around from day 1. As others have said, some are legit but, unfortunately, many are not. In fact quite a few of them can seriously damage your web credibility and reputation. I'd steer well clear unless you're certain you're getting something that's actually worth having.

I've never heard of anyone wanting someone to learn 15 songs for an audition? May need to watch out that the other band are just trying to get a dep in for one night. Do you already know them? If they are remotely serious and, possibly more important in the long run, professional, then they should let you have copies of the set list with any arrangements that differ from originals. I always give full details of any songs for auditions with arrangements and MP3's in the correct key as a matter of course. It's really not very hard to do given the number of free programmes out there to adjust keys etc. Obviously having fun is the most important thing but I'd definitely make sure I was really happy with each band before making this sort of commitment