molan

This is my current favourite slice of soul / funk. Love some of the playing on this: [youtube]http://www.youtube.com/watch?v=CzGkZ1TGIyI[/youtube]

[quote name='BigBeatNut' timestamp='1329576921' post='1544452'] Has this been on here before ? Worth hearing again anyway. [media]http://www.youtube.com/watch?v=Qc_QFGzTl7g[/media] [/quote] I love this song - Tower of Power horns I think

I've played a few of the acoustics - nice basses http://www.bassgear.co.uk/bass-guitars/boulder-creek/

I often play with my thumb resting on the neck pickup - depends on the bass really. Don't enjoy the feel of playing right over the bridge pickup. Tried a bass with a ramp fitted recently and found myself moving my plucking hand around a lot more. Felt a bit 'alien' but I think I could get used to it.

I should add that the songs that really bothered me were ones were I think the bass line is an intrinsic part of the song. Obvious examples I can remember were: I Feel Good - just didn't play that core bass line that holds the verses together (it's not like this is hard to play either) My Girl - again, to my ears, the bass is a crucial part of this song and overplaying with lots of extra fills is just pointless Honky Tonk Woman - a great groove with dynamics brought up & down between the initial verses & choruses by simply not playing any bass. When the bass comes in it's such a simple part. Last night the bass was played all the way through the song with many more notes than old Bill W ever played. With the whole band going hell for leather through the entire song it just seemed to lose all the feel.

I went to see a friend's band tonight which was full of 'seasoned' pros who have been playing covers for a very long time indeed. I was listening to the bass parts (as I'm sure we all do at gigs!) and couldn't believe how far away from some of the original lines he was playing. I'm not talking about wildly over-playing or just sticking to simple root notes. He was literally playing bass parts that were 'wrong' compared to the originals. They were in tune and timing was fine but some really well known parts were simply ignored. I'm talking about some lines that, for a bass player, almost define some songs - stuff like James Brown, Wilson Pickett, Marvin Gaye etc. The rest of the band were obviously striving to cover the original parts so it wasn't like they'd chosen to rearrange each song. It really irritated me and I wanted to grab him by the lapels and give him a good shake, lol. I mentioned this to a fellow muso in the audience, a keys player, and he hadn't noticed anything untoward. Am I wrong in thinking that if you're covering a classic you should aim to be faithful to the original as possible or am I just being a 'bass snob'?

I moved to London in the late 70's as a, very impressionable, 18 year old. Had already been to see several punk bands live - Clash / Jam / Souixsie / Gen x + lots of smaller bands like the Lurkers, 999 etc. I moved into the room that Billy idol had just vacated, he'd moved to the flat next door - most immaculately dressed & coiffed person I've ever seen at 8:00 in the morning for breakfast by the way, lol. We had various Pistols, Gen Xers, Chrissie Hynde, Marco Peroni, some new bloke who reckoned he could sing called George O'Dowd & a host of others round at out flat before heading off to party in the evening. It was a fabulous time to be living in London and the city felt so 'alive'. Even just being out & walking the streets became all part of the social scene and there were some fantastic gigs - The Clash tended to kick everyone else's arse when some of the bands started moving up to larger sized venues like the Rainbow. I think it was a massive change in the way the whole music scene worked for a few years. It became easier to get up & play live and, maybe more importantly, the independent label and distribution networks sprung up which meant you could much more easily track down your favourite latest single. The way this affected some of the independent record shops made them much more exciting places to visit & meet friends, browse for rare stuff etc. Quite a few started branching out into imported reggae, harder core funk, rare groove soul and stuff. Cost me a bloody fortune in Jamaican 12" imports at £4.50 a pop! Truly a great time to be alive and for me it was absolutely about the social aspect as much as about the music.

[quote name='Musicman20' timestamp='1328539453' post='1528667'] Nope, all Genz amps have a voltage selector on the back. Just use the correct plug, and select the voltage. Away you go [/quote] I don't think the old Shuttle 3.0 has the power switching - I bought a 6.0 from the States when they first came out (rather than the 3.0 which was all I really needed) because of this.

I've just ordered one of the new Aguilar P bass pickups - wound to sound like one of the founders of Aguilar's '64 P bass - and I have a '64 to put it into so that's one reason for deciding to try them out

I've played one of Mike's new basses - a Funkmeister. It was great to play, super-low action. BassGear have one in stock at the moment.

[quote name='Paul S' timestamp='1329052483' post='1536459'] If I hadn't been to London before and only had a day I wouldn't want to spend it looking at bass guitars. I'd check out the tourist things - pick from Tower of London, Westminster Palace, The Eye, Tate Modern, South Bank, Borough Market, Museums of all descriptions - the list goes on of really well presented, top class places to go and see. London is an absolutely wonderful city with a long and diverse history often taken for granted - I know I do as it is on my doorstep. [/quote] There's a really great day out to be had if you follow some of these notes above. Kick off in Borough Market just for the atmosphere, plenty of places to stop off nearby for a coffee or home made cake (maybe even start at Monument station & stroll across London Bridge to the market) Walk through to the river & see the Golden Hind & maybe Clink Prison Museum Head down the river to Tate Modern It's too far to walk to London Eye but a short cab ride or walk to Southwark Tube & 1 stop to Waterloo. If you've still got any energy / time left then stroll across Westminster Bridge to see Big Ben, Houses of Parliament, Westminster Abbey etc. Alternative route might be to start in Westminster, across the bridge to Londen Eye, tube it from Waterloo to London Bridge & lunch around Borough Market. Then walk across London Bridge & round to the Tower of London. This route misses Tate Modern but if you're not into strolling around art museums then it's maybe best avoided anyway. One other nice day out is Covent Garden, Soho, Leicester Square & down to Trafalgar Square - really not far to walk to see the heart of all of this & loads of places to eat & drink. Would allow you to do Denmark Street as well.

Have you considered something like a Zon? Would be very different to anything you already have and would give you all sorts of options for plain or fancy tops, nicely ergonomic bodies and a graphite neck. Alternatively, if you've got £3K to spend then you're on the edges of a classic 'vintage' Fender as well. Unlikely to get 100% original for that money but certainly you could pick up a pre CBS P bass with a refin body (like mine!) or a later 60's J. You're also well up into the 'boutique' J basses from people like Sadowsky, Lull, Celinder or a custom build from Martin Petersen or Jon Shuker etc. Choices, choices eh. . .

[quote name='Higgie' timestamp='1328994381' post='1535901'] Awesome site! Just downloaded all the Steely Dan backing tracks to make transcribing the bass lines a bit easier. I didn't know Anthony Jackson played with the Dan...Do you know what tracks, just out of interest? [/quote] Only ones I know of offhand are Glamour Profession & My Rival on Gaucho. May be others but might need a bit of serious Googling!

I've both and much preferred my Spectors to my '86 Warwick. Very different basses tonally - certainly the ones I've tried. My personal favourite is the 5 string American Spector - some of these are fabulous to play

Welcome Marc - whereabouts in Berkshire are you? There's quite a few of us in the Berks/Bucks/Hants/Oxon borders area

[quote name='4 Strings' timestamp='1328959083' post='1535258'] Character! We all want our stuff to be individual, yours clearly is. I think the relative cost of gear (ie as a % of typical income) is a fraction of what it used to be in the 60s-70s, well good gear anyway. Things have changed. [/quote] Absolutely - when I bought my first Fender Musicmaster in 1979 it cost me £110 - my gross income at the time was £2,500!