
molan
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Everything posted by molan
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Very rare Zon VB4 in immaculate condition - SOLD pending usual stuff
molan replied to molan's topic in Basses For Sale
I've had a couple of people query the price on this with the intimation that they could get a new one for about the same amount. The Zon site says: [i]"The VB bass is a limited-production instrument that is only available factory direct and will not be found in any stores. Price shown is the actual purchase for the instrument. No additional discounts apply"[/i] Base price $2,050 = about £1,350 at recent exchange rates (which, I'm guessing is why people have queried my price). However, in order to get one in Europe you'd have: Insured delivery $175 = £115 VAT @ 17.5% = £255 Duties about 3% = £45 (I'm not sure exactly how much these work out at but it always seems to be somewhere between 2% & 3%) Total = £1,765 If you take the £30 delivery cost off my valuation then I'm asking for £1,320 which is a 25% discount for something that's pretty much unobtainable new over here without a long(ish) wait. I really think this is pretty reasonable - it doesn't mean I won't listen to offers but I do refute the fact that it's possible to buy a new one for £1,350 delivered in Europe. . . -
[quote name='blackmn90' post='916419' date='Aug 5 2010, 09:27 PM']Yes i saw that, it must be an amazing bass because when i saw them he had his 66 jazz bass next to him and he never touched it. Maybe one day when im touring [/quote] I've heard it played live at a gig as well & it really does sound just 'right', full rounded tone & sits in the mix perfectly but can also really cut through when played more aggressively.
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And that very bass is for sale at [url="http://www.bassgear.co.uk/products-page/pre-owned/alleva-coppolo-lg5-classic-supreme-pre-owned/"]BassGear[/url] I've played it and it really is quite special. . .
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****SOLD**** 1959 P Bass "Feeler" refin otherwise original
molan replied to sixshooter's topic in Basses For Sale
[quote name='sixshooter' post='916353' date='Aug 5 2010, 08:11 PM']I have been asked a number of questions about this bass so here are the answers: Weight is 9lbs 2ozs Nut Width 1 3/4 inches Not good at describing the neck profile, but it is slim rather than chunky, I would say nothing like a 70's neck. Date is March 59 Hope this helps[/quote] If it's an early '59 should it not have an anodized pickguard? I thought the tort guards didn't come out until mid/end of '59? Mind you - who knows with Fender's general dating policy, could be that some parts are early in the year and others later, lol. -
I had Optima Gold strings on a Warwick for a while (the bass arrived with them fitted). They chewed up my fingers like no other strings I've ever played! I am mildly allergic to gold though, lol.
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I've only ever played one Metro Sadowsky and didn't like it at all. Not in the same league as the NYC's I've owned. Could have been a 'one-off' though - after all, it was in Denmark Street & they are notorious for having an ability to end up with 'Friday' basses. . .
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Obviously the most famous versions are the original Theme from Shaft by Isaac Hayes & then the 'response' called Son of Shaft by the BayKays. The original album version is a fair bit longer than the single but I don't have the album any more to check. I know Joe Bataan did a faster version as well and there's a couple of slower reggae takes on it as well but none that I can think of with slap bass on. Love Unlimited Orch did a rather cheesy version that has the odd 'pop' here and there if memory serves me well. I saw the guy who played the original guitar part once - Charles Pitts. He was in a a house band on a big soul night & kept dropping in the Shaft riff at every opportunity - it was funny at the time but I wondered how the poor guy felt living off this one riff. [i]Edit - just listened to the Eddy C song & there's a lot of slap all the way through so maybe that's the version you're after [/i]
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Get some serious strapping on that thumb! If you can get your style to work with it then try to play a lot more gently with your right hand & your left ought to feel less 'stressed'. This will mean you don't have to grip with your left thumb quite as hard Maybe just jack the volume up a bit on the amp to start with & this might make you back off a little. It could make a difference in your 'feel' for the bass but better than knackering your poor old thumb, lol.
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Very rare Zon VB4 in immaculate condition - SOLD pending usual stuff
molan replied to molan's topic in Basses For Sale
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Here's my lovely baby Zon VB4 bass - I never thought I'd part with this as it's an astonishingly versatile bass &, being so diminutive in size it's incredibly useful for rehearsals & live use in a cramped space. I've never seen another one of these in the UK - other than in the hands of the amazing Michael Manring who helped in the design (in fact I think the VB comes from Vinnie Bass - Michael calls his bass Vinnie, lol). It weighs sod-all but has a huge depth of tone - totally belies the old theory that you need lots of wood mass in order to get deep and rounded bass tones. All electronics are by Bartolini and individually specified by Zon. The on board pre has bass, treble & a great mid control. The mid is really flexible - it's a larger pot than the rest and designed so that it's the first one to grab when playing live to fine tune your on-stage sound. Body is swamp ash & the neck is composite but has a matte finish and is very 'organic' in feel. Comes with a great custom fit soft/hard case. More details [url="http://www.bassgear.co.uk/products-page/pre-owned/zon-vb4-pre-owned/"]HERE[/url]
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My old covers band was a big 13 piece soul outfit. At the 'core' of this we had a nucleus of 4 of us who often played a s small 70's / 80's rock band (we even supported ourselves a few times, lol). Our names were: Big Soul Little Rock
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Ok so I'm something of a bass whore & keep swapping things in and out but at the moment I'm somewhat surprised to say that the Fodera I have on 'trial' quite simply stuffs just about everything else I've tried. The reason I'm 'surprised' is that I thought that maybe Foderas were very hyped up & the only person I've heard much playing one was Vic Wooten &, whilst admiring his technique he's not really someone I'd listened to much. However the sheer playability of this bass means I can attempt things I never would on any other bass & I just sound so much more fluid when playing it. Core sounds is great & it responds well to both dynamics in playing but also to small adjustments of the onboard Mike Pope pre-amp and/or amp tweaking. I'm in the process of putting just about every other bass I own up for sale to be able to afford it. . .
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[quote name='NJE' post='913520' date='Aug 3 2010, 09:41 AM']You are a star for posting this, I would never have heard about it otherwise. Incognito and Brand New Heavies on the same bill, just brilliant. Got to think of a way to get the missus interested now![/quote] Yolanda Charles is a very good bass player as well - don't know much about this band of hers but ought to be pretty good: [url="http://www.myspace.com/yolandacharles"]http://www.myspace.com/yolandacharles[/url]
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Now that's a funky line up for a Bank Holiday Monday! [url="http://www.hamptoncourtbeerandjazz.com/bands.htm"]http://www.hamptoncourtbeerandjazz.com/bands.htm[/url] Size Nine, Snowboy & JTQ on the Friday as well if that's your thang
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Just sold a Mesa Combo to Sean (my second deal with him). Had a great natter about all sorts of bass related stuff & he was kind enough to bring round one of his basses to compare against one of mine that I've had some pre-amp issues with. Great communications throughout the process and effortless electronic payment that arrived super fast. An absolute pleasure to deal with
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[quote name='alanbass1' post='912929' date='Aug 2 2010, 04:14 PM']Maybe I should look out for another Celiner but 'lighter'....[/quote] This one is nice [url="http://www.bassgear.co.uk/products-page/pre-owned/celinder-j-update-4-pre-owned/"]http://www.bassgear.co.uk/products-page/pr...te-4-pre-owned/[/url]
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How good are you at telling string gauges just by playing?
molan replied to molan's topic in Accessories and Misc
[quote name='Toasted' post='912878' date='Aug 2 2010, 03:03 PM']We should have let Rich play my Celinder... They're 47 68 80 107 ![/quote] Damn - wish I'd known, that really would be a killer test! -
So there we were on Saturday at the home of Bassgear with an array of lovely basses to try out - [url="http://basschat.co.uk/index.php?showtopic=97113"]http://basschat.co.uk/index.php?showtopic=97113[/url] OTPJ has been letting us try his Status and we'd been talking about how light the string gauge was (a set of Satus Hotwires with a 30 G string) when he picked up the stunning Fodera Victor Wooten Monarch. I said to OTPJ that the Monarch strings were quite light as well and, in the blink of an eye, he ran his fingers over each string in turn and correctly identified the guage of every single one. Now this might not sound that impressive but the bass was wearing a set of Fodera Victor Wooten Signature strings which come in at 40 / 55 / 75 / 95. I've not seen another hybrid set with these guages & there's no way I'd ever have been able to identify them like this. Very impressed with Rich's ability to do this
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Active to passive...but the passive is sooo good!!!
molan replied to bubinga5's topic in General Discussion
I think part of the difference when switching from active to passive and back again is that active basses are often more 'immediate' in sound (and those first impressions often count for a lot). In some ways it's almost like a loudness control on a car stereo or some home hi-fi systems. When you switch the loudness circuit in for a while & then switch back the 'passive' sound comes across as being a bit 'thin'. However, over a longer period of time you might find the loudness contour to be a bit tiring on the ears and the passive tone is actually sweter & easier to listen to. A good active pre on a bass shouldn't be anywhere near as drastic as this but I know that some are &, in extreme cases, can sound very 'un-musical'. My general view is that active gives you the option to control more things more easily than passive so I'd generally prefer to have the option -
[quote name='tubbybloke68' post='912548' date='Aug 2 2010, 10:02 AM']hi there,yeah i will try to get some pics up soon if i can.its a year 2000 model so it has the slightly longer top horn(hence the serial no starting 00.i forgot to say that the crack is in my opinion is only a surface blemish.i certainly dont think it goes deep into the wood so to speak.best regards,jeff[/quote] Makes sense - I'd forgotten there were three different body shapes for these! I've vaguely had my eyes open for one of the much longer top horn ones, I think Alembic call them 'balanced'.
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[quote name='alanbass1' post='912293' date='Aug 1 2010, 09:54 PM']I traded my J Update with Molan. It was a very good bass and I bought it over a couple of Sadowsky Metro's and a Mike Lull that was in the Gallery at the same time. However, I found it a little heavy and a little 'clinical' for me. Some people will love this in a bass but just not what I was looking for in a J bass so my search continues.[/quote] It's certainly no lightweight (the blue one is a good 1lb / 1.5lbs or so lighter). I know what you mean about the clinical sound but I find simply rolling treble off works fine for me. I tried it out against a pass '70's J bass and I found that very 'dead' sounding compared to the Celinder - just 'horses for courses' I guess, lol. You would definitely have preferred the blue one as it's definitely a smoother mellower sound & a fair bit lighter
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[quote name='Born 2B Mild' post='912331' date='Aug 1 2010, 10:48 PM']This is [i]that [/i]beard in January this year, at NAMM.[/quote] Best beard in rock (IMHO)